Una mujer fantástica

Marina Vidal (Daniela Vega) is a transgender woman and aspiring singer in her twenties and living in Santiago, Chile. After the death of her lover, a man in his fifties with an ex-wife and an adult son, Marina is left alone in dealing with her grief and the aftermath of the death.

In addition to the burden of grief, Marina must also deal with humiliating and prejudicial situations around her transgender status. She subtly shows an attitude of "I hate having to go through this again but I can." Interestingly, her transgender status is used to her advantage in a later scene in the film.

Vega is in nearly every scene of the film and must carry it on her shoulders. She does the job superbly. She ably conveys awkwardness and vulnerability as her character attempts to maintain what is rightfully hers while being aware that many battles may not be won.

Much of the film follows Marina as she journeys through the city's urban atmosphere to numb her pain. The last quarter of the film takes a different twist that is less interesting than what precedes it. But "A Fantastic Woman" is a good film overall mainly due to the subtle skills of its lead performer. - dbamateurcritic

The movie relies heavily on the performance of Daniela Vega (Marina) and thankfully she give it, all because the movie centered about her sad and depressing situation and sometimes it's very difficult to watch and how other people reacts to her, the performance was good and it's truly a star-making performance. What's didn't make it fantastic movie is the script because ther is alot of weird things happened like the seeing ghosts and weird visions and a side plot that didn't go anywhere unfortunately, a very confusing thing happened let me just refer to it "Transphobic Car Ride". Unfortunately the movie is little bit long, the pacing is little bit weak and don't have the rewatchability factor. In the end A Fantastic Women put the light on a community that deserves more movies to see their personal journeys and lives.

I think a film like this needed someone very sensitive and attuned to the difficulty of the story, and thankfully that's what it achieved. Sebastian Lelio's voice comes shining through in each frame. I think the biggest factor that the film relied on was the actress, and Daniela Vega is really wonderful here. It's a glorious, but quiet and effective turn.

The transgender heroine is a wonderfully complex, defiant and passionate character. One who keeps her poise and dignity in the most trying of circumstances.

She endures every kind of humiliation imaginable. And regardless of the story's sexual politics, Marina is the type of heroine that any audience will root for. Lelio conveys her courage and endurance to have her right to mourn for the man she loved. And to express her own independence.

I had expected 'The Square' to win the foreign language Oscar, and I had hoped 'On Body and Soul' would take home the award. I was wrong. Instead of the urgency of the former or the poetry of the latter, the jury chose the delicacy of 'Una Mujer Fantástica'.

Probably, the choice has been as much inspired by the subject of the film as by the cinematographic quality of it. 'Una Mujer Fantástica' is a plea for mutual understanding, tolerance and kindness. And at the same time a condemnation of bigotry, prejudice and brutality. It can't be seen without having to think about the wave of intolerance against all kinds of minorities currently sweeping western societies.

The fantastic woman who has given the film its title, is Marina Vidal, a woman in her twenties who is dating a businessman about twice her age. In spite of the age difference, they seem to be happy with each other. But it's not so much the age difference that is remarkable. Marina is a woman who has been a man before.

In the first part of the film, this is not an issue at all. It's only after her lover suddenly dies, that Marina's gender becomes something peculiar. The medical staff, the police and, above all, her lover's relatives treat her with utmost distrust and suspicion. They won't even let her grieve, or attend the funeral.

The film shows how Marina suffers from the way she is treated, and how she refuses to give in. She remains her proud self, and in the end gets what she wants: a decent goodbye to her deceased lover. The film doesn't fall into the trap of making the whole thing too sentimental. The director registers the events, with a certain amount of compassion, but without making a tearjerker of it.

This is not a groundbreaking movie. But 'Una Mujer Fantástica' is without any doubt a well-written, well-directed and well-acted drama, with an underlying message that's hard not to agree with.