Golden Exits

At times almost theatrical in dialogue/monologue, whilst in others, the encounters are real enough to make you feel like a voyeur in a conversation that's either awkward or personal.

I wanted so badly to like this. The cast... My goodness. Emily Browning, Mary Louise Parker, Lily Rabe, Chloë Sevigny, Ad-rock, Schwartzman. Come on. What a lineup.

But even they couldn't save this movie. All I saw were a bunch of unhappy women wondering about their husband's attention to them and if said husbands were cheating.... or unhappy women wishing they had men, as they are just sooo unhappy being alone. As a bonus, you also get to watch unhappy men seeking validation and attention that apparently their successful and beautiful wives can't provide. All this displayed through boring and unrealistic dialog and actions.

You're going to line up a cast of badass women and then place them in these surface level roles? Really? An absolute waste.

This movie wanted to be profound and intertwined but missed both of those goals by a mile. It really is a shame.

The concept and characters dynamics kept me watching but the dialogue was terrible. They somehow got this solid cast to deliver this content in a bizarre Room level fashion. Dude, next time get a writer that has a little closer handle on reality.

If you don't like character- and dialogue-driven films, skip this one. I found it interesting. To me, it's about people in search of love and understanding...mostly of themselves. And unfortunately, they all suck at both. If there were some appreciable growth by at least one of these hapless humans, it would've helped. One of the characters had just a tiny bit of an arc.

That said, I can see why the filmmaker did what she did here. Golden Exits is a bit dark and many will find it equally depressing (if you're not taking what I'd call a very objective and observational approach to it), but I think the key point here is *so is life at times.* This film serves as a stark reminder that there is so much more for us than living in perpetual angst and unhappiness - a state in which most if not all of these characters seem to excel.

The film was shot in 15 days. It felt like it took that long to watch it. The character development had potential, but it was a paradise lost. The New York setting could have been utilyzed to it's benefit, but it was nowhere to be found. I kept hanging on for some plot development. It went down like a leak in an ignored tire... very slowly. I've rated movies this poorly due to gratuitous sex. That would have improved this loser.