Una ama de casa en la década de los 50 decide convertirse en monologuista cómica.Una ama de casa en la década de los 50 decide convertirse en monologuista cómica.Una ama de casa en la década de los 50 decide convertirse en monologuista cómica.
- Ganó 22 premios Primetime Emmy
- 104 premios y 278 nominaciones en total
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- CuriosidadesAmy Sherman-Palladino explained the show concept as follows: "I wanted to do a story about a woman who thought she'd scored...She'd gotten it all, and then, bam, it all falls apart. And in falling apart, she discovers an ambition and a need to speak, and a voice that she just frankly didn't know was there."
- PifiasDon Rickles is mentioned along with Bob Newhart. Rickles was years away from being famous in 1958, when the show takes place. Rickles and Newhart met in the mid 1960s.
- ConexionesFeatured in The 75th Annual Golden Globe Awards (2018)
Reseña destacada
This.
This is what it a real comedy series should be. They've also found a real charmer in Rachel Brosnahan, who's not just lovely and energetic, but genuinely funny. A cast of bright characters with great writing rounds out this great show. The other guys could learn a thing or three from The Marvelous Mrs. Maisel.
This fresh-feeling comedy, the brainchild of Daniel Palladino & Amy Sherman-Palladino leaves almost nothing to be desired. This is a full-bodied comedy series that really grabs your attention and never lets it go. Everything from the camera work, to the sets, to costuming is very well done and does a more than adequate job in immersing you in a lush, colorful, mid-century snapshot of 1960's New York.
Miriam "Midge" Maisel, the matriarch-in-training of her young nuclear family, exceeds by every measure to be the wife she believes her husband deserves. She dotes on him, cares for his emotional well- being, and is perfectly happy. Until changes happen that sets her on a path she's not sure she's able to handle.
I can name, both with TV shows and movies, many where the focus was to witness the genesis of a stand-up comedian, or where we look into the life of a seasoned comedian, or view the last bits of a comedian's career. Usually the actor portraying the comedian (or even sometimes an actual comedian portraying one) just isn't funny. We see the story taking pains to make us believe they're hilarious by cracking up the on screen audiences, winning awards or accolades, and receiving praise. It never really works, because unless you can make ME, the real audience, believe he or she is funny, it hasn't done its job.
Rachel Brosnahan is funny. Her timing is perfect. And obviously the jokes have to be good, so the writers are no slouches either, but the material goes nowhere unless you have the right person delivering that dialogue. They've found her. Effortlessly, Brosnahan delivers line after line of well written material with a confidence, brashness, and stereo-typically New York swagger that has you saying "yeah, I can see her doing stand-up". That's rare, and that's very special. De Niro couldn't do it in "The Comedian". Sally Field couldn't do it in "Punchline". Heck, Adam Sandler couldn't really pull it off well in "Funny People". And it has FUNNY in the name for Christ's sake!
The rest of the cast is a manic pleasure, and the show has done a great job with who they've cast to be her family. Tony Shalhoub wasn't in the pilot much, but now that the rest of the episodes have become available for streaming, I see that he stands out with great dialogue he was given and an intensity I hadn't before seen in him. It works. As well, Marin Hinkle who plays Midge's mom, does a wonderful job in the role. We see her character expand exponentially from the pilot with the new episodes.
Every fall that rolls around, I get excited to see the shows and which ones I think will swim or sink, and I believe we have a winner here.
What may seem to be a standard, formulaic "dramedy" really has a feel of its own. There are comparable shows in level of quality, but as far as I'm concerned, none just outright better. I hope it maintains its quality and has a nice, long run.
This is what it a real comedy series should be. They've also found a real charmer in Rachel Brosnahan, who's not just lovely and energetic, but genuinely funny. A cast of bright characters with great writing rounds out this great show. The other guys could learn a thing or three from The Marvelous Mrs. Maisel.
This fresh-feeling comedy, the brainchild of Daniel Palladino & Amy Sherman-Palladino leaves almost nothing to be desired. This is a full-bodied comedy series that really grabs your attention and never lets it go. Everything from the camera work, to the sets, to costuming is very well done and does a more than adequate job in immersing you in a lush, colorful, mid-century snapshot of 1960's New York.
Miriam "Midge" Maisel, the matriarch-in-training of her young nuclear family, exceeds by every measure to be the wife she believes her husband deserves. She dotes on him, cares for his emotional well- being, and is perfectly happy. Until changes happen that sets her on a path she's not sure she's able to handle.
I can name, both with TV shows and movies, many where the focus was to witness the genesis of a stand-up comedian, or where we look into the life of a seasoned comedian, or view the last bits of a comedian's career. Usually the actor portraying the comedian (or even sometimes an actual comedian portraying one) just isn't funny. We see the story taking pains to make us believe they're hilarious by cracking up the on screen audiences, winning awards or accolades, and receiving praise. It never really works, because unless you can make ME, the real audience, believe he or she is funny, it hasn't done its job.
Rachel Brosnahan is funny. Her timing is perfect. And obviously the jokes have to be good, so the writers are no slouches either, but the material goes nowhere unless you have the right person delivering that dialogue. They've found her. Effortlessly, Brosnahan delivers line after line of well written material with a confidence, brashness, and stereo-typically New York swagger that has you saying "yeah, I can see her doing stand-up". That's rare, and that's very special. De Niro couldn't do it in "The Comedian". Sally Field couldn't do it in "Punchline". Heck, Adam Sandler couldn't really pull it off well in "Funny People". And it has FUNNY in the name for Christ's sake!
The rest of the cast is a manic pleasure, and the show has done a great job with who they've cast to be her family. Tony Shalhoub wasn't in the pilot much, but now that the rest of the episodes have become available for streaming, I see that he stands out with great dialogue he was given and an intensity I hadn't before seen in him. It works. As well, Marin Hinkle who plays Midge's mom, does a wonderful job in the role. We see her character expand exponentially from the pilot with the new episodes.
Every fall that rolls around, I get excited to see the shows and which ones I think will swim or sink, and I believe we have a winner here.
What may seem to be a standard, formulaic "dramedy" really has a feel of its own. There are comparable shows in level of quality, but as far as I'm concerned, none just outright better. I hope it maintains its quality and has a nice, long run.
- Songwriter_90210
- 13 nov 2017
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Detalles
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- Títulos en diferentes países
- The Marvelous Mrs. Maisel
- Localizaciones del rodaje
- Steiner Studios - 15 Washington Avenue, Brooklyn Navy Yard, Brooklyn, Nueva York, Nueva York, Estados Unidos(filmed at, as Steiner Studios, Brooklyn, NY)
- Empresas productoras
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