Dina

Dina was decent. The standout elements are the very restrictive cinematography, with everything shot on a tripod making the film resemble a slice-of-life drama award contender; and the incredibly entertaining characters, with everyone behaving in a nonchalant and quirky way, almost like characters in a Wes Anderson film. While this film has an abundance of charm, I didn't find it exceptional. One metric I use to judge a documentary's quality is determining whether I would still care if it were a work of complete fiction, and I don't see myself being as forgiving if that were the case. My main annoyance with this film is that the story begins to feel extremely repetitive after a while. We are constantly cycling through the process of Dina getting frustrated, her fiancé having trouble compensating, and the to making up before starting again. If not for how entertaining the people featured are, the film would have been a complete slog.

Worth watching! I'd be surprised if anyone could dislike! I was Curious throughout if the two would meet in the middle. Such lighthearted moments mixed with such sadness while they navigate. I often found myself thinking this was a work of actors.. but it's not... and I knew that.. it's that I found myself so invested in the film that makes that happen. What a great capture of a slice of life! Well done!

I really love the movie. The fact is that it takes time to discover anything about the plot not a problem for me, but it was clear to many. If you can just keep asking questions until the end of the movie then this is for you. The plot is really engaging and unique. For me, it was a great movie. Easily one of my favorite movies of all time, and the best movies of recent months !

We go to the movies to be changed. This film sits you in the life of a couple- with lots of things against them. They change your view. Worth seeing, and seeing again to think about. We all are not the same, but we all love, find ways to make it through life. The differences are more than most of us think about.

Dina reaches for a stranger's hand, unaware of the social constructs that have ruled this action taboo. She's a woman that overflows with honesty and is incapable of deceit. Grasping the assistant's hand, Dina compassionately squeezes, knowing that a drill in her mouth pales in comparison to the blades of her past.

After far too long, Dina has chosen to marry again. Scott is the most personable Walmart employee in town, and has an obsession for his sports teams and Evanescence. Dina's vice is plush toys the Kardashians. Together they only share interest in one another.

Scott's ESPN app chimes audible tension as Dina sighs at her scatterbrained finance. Dina's not-so-subtle seductions fly clear over Scott's head, but it is impossible to scold his density. The truth is that Scott's confidence has always been in limited supply, while Dina has floated to the surface of hell.

Scott tells Dina that he would be dead if he had lived her life. They are trying to savage their remaining years, but childlike innocence might clog their engines. Terrors of Dina's past spill out of her mouth, but the faucet of exposition is throttled to perfection by the filmmakers.

Love hands out second chances, and patience does not always appear kind. The complexities of joining grow more compelling when the subjects are honest to a fault. Life becomes more the television programming, evolving into terrible foot massages and onomatopoeic kisses.

Dina offers the intangible "perspective". She becomes irritated, but always for appropriate reasons. More so, she articulates her frustrations openly. This skill has been pushed into the recesses of human expression. Peering into Dina's struggles and triumphs inspire a straight-forward, authentic approach to living, one that looks a little funny, but the laughter fills the gashes.