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IMDbPro

El chico y la garza

Título original: Kimitachi wa dô ikiru ka
  • 2023
  • A
  • 2h 4min
PUNTUACIÓN EN IMDb
7,4/10
101 mil
TU PUNTUACIÓN
POPULARIDAD
1318
129
Soma Santoki and Luca Padovan in El chico y la garza (2023)
A young boy named Mahito yearning for his mother ventures into a world shared by the living and the dead. There, death comes to an end, and life finds a new beginning. A semi-autobiographical fantasy from the mind of Hayao Miyazaki.
Reproducir trailer1:21
6 vídeos
99+ imágenes
Animación dibujada a manoAnimeFantasía épicaIsekaiAnimaciónAventurasDramaFantasía

Sigue el desarrollo psicológico de un adolescente a través de las interacciones con sus amigos y su tío. Se basa en el libro del mismo nombre de 1937 de Genzaburo Yoshino.Sigue el desarrollo psicológico de un adolescente a través de las interacciones con sus amigos y su tío. Se basa en el libro del mismo nombre de 1937 de Genzaburo Yoshino.Sigue el desarrollo psicológico de un adolescente a través de las interacciones con sus amigos y su tío. Se basa en el libro del mismo nombre de 1937 de Genzaburo Yoshino.

  • Dirección
    • Hayao Miyazaki
  • Guión
    • Hayao Miyazaki
  • Reparto principal
    • Soma Santoki
    • Masaki Suda
    • Kô Shibasaki
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,4/10
    101 mil
    TU PUNTUACIÓN
    POPULARIDAD
    1318
    129
    • Dirección
      • Hayao Miyazaki
    • Guión
      • Hayao Miyazaki
    • Reparto principal
      • Soma Santoki
      • Masaki Suda
      • Kô Shibasaki
    • 426Reseñas de usuarios
    • 226Reseñas de críticos
    • 91Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Ganó 1 premio Óscar
      • 34 premios y 86 nominaciones en total

    Vídeos6

    The Final Teaser
    Trailer 1:21
    The Final Teaser
    Official Trailer
    Trailer 1:56
    Official Trailer
    Official Trailer
    Trailer 1:56
    Official Trailer
    Official Teaser Trailer
    Trailer 1:12
    Official Teaser Trailer
    The Boy and the Heron
    Trailer 1:12
    The Boy and the Heron
    The Boy And The Heron: Toshio Suzuki On Hayao Miyazaki & The Future Of Animation
    Featurette 4:37
    The Boy And The Heron: Toshio Suzuki On Hayao Miyazaki & The Future Of Animation
    Promo
    Promo 0:33
    Promo

    Imágenes210

    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    + 206
    Ver cartel

    Reparto principal48

    Editar
    Soma Santoki
    • Mahito Maki
    • (voz)
    Masaki Suda
    Masaki Suda
    • The Grey Heron
    • (voz)
    Kô Shibasaki
    Kô Shibasaki
    • Kiriko
    • (voz)
    • (as Kou Shibasaki)
    Aimyon
    • Himi
    • (voz)
    Yoshino Kimura
    Yoshino Kimura
    • Natsuko
    • (voz)
    Takuya Kimura
    Takuya Kimura
    • Shoichi Maki
    • (voz)
    Keiko Takeshita
    • Maid #1
    • (voz)
    Jun Fubuki
    • Maid #2
    • (voz)
    Sawako Agawa
    • Maid #3
    • (voz)
    Karen Takizawa
    • Wara Wara
    • (voz)
    Shinobu Ôtake
    • Maid #4
    • (voz)
    Jun Kunimura
    Jun Kunimura
    • The Parakeet King
    • (voz)
    Kaoru Kobayashi
    Kaoru Kobayashi
    • Old Pelican
    • (voz)
    Shôhei Hino
    • Great-Uncle
    • (voz)
    Nami Uehara
    • Additional Voice
    • (voz)
    Kiyoko Nishimura
    • Additional Voice
    • (voz)
    Ryûnosuke Watanuki
    • Additional Voice
    • (voz)
    Takuya Yagyu
    • Additional Voice
    • (voz)
    • Dirección
      • Hayao Miyazaki
    • Guión
      • Hayao Miyazaki
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios426

    7,4100.5K
    1
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    10

    Reseñas destacadas

    8sterlingrobson

    Visual pleasing, Imaginative world, Very complex story.

    If you have never watched a Hayao Miyazaki film, I wouldn't recommend starting with The Boy and the Heron.

    For an introduction I'd recommend to start with Spirited Away (2001) and Princess Mononoke (1997).

    If you become amused and the films resonate with you. Then you will enjoy The Boy and Heron. It isn't the strongest of Hayao Miyazaki and Ghibli films but a very good addition to their filmography.

    The film begins with a slow pace of mostly visually defining the world, characters and their dilemmas. As the movie progresses you see touches of another realm. Before you know it, it becomes a full-blown feverish dream of Hayao Miyazaki imagination and story telling. It eventually comes all together back on its feet at the end.

    Was it fun and visually pleasing? Yes.

    Was I confused at times And had a lot of unanswered question? Also yes.
    8knightoffun

    Miyazaki Surrenders His Art to All of Us

    The imagery that completely stuck with me is when things overwhelm Mahito. From the frogs, to the pelicans, the warawara, the fish guts, and the parakeets. And Mahito's reaction is not even fight or flight. He stays still as if frozen and completely unable to react.

    And that's maybe why it was important for Mahito to know that forgetting is normal. His feeling of loss and grief and the feeling of having to adjust to changes in his environment may be overwhelming and maybe a solution is trying to forget.

    The granduncle is Miyazaki himself. He tries to find someone who can continue his legacy but in the end completely accepts that the worlds that he built and the stories he has told may crumble and completely be forgotten. And that is one truth that an artist will find hard to take.
    6poseyfan

    Is it bad that I just didn't get it?

    I have been recently getting into Studio Ghibli films and I've been impressed. I was highly looking forward to this movie strictly because it was the first time I got the opportunity to see a Miyazaki film on the big screen. And the English dub is studded with talent.

    I must say... I feel let down. I almost fell asleep halfway through, and the ending didn't make sense. There was so much happening and things weren't explained. I understand that there was probably deep symbolism attached to certain writing choices, but what's the point if the viewer has no idea what they're trying to say?

    There were some good scenes and some good humor, but overall I feel a little empty.
    7alex_with_a_P

    Hayao Miyazaki delivers

    Not his best, but a very solid fairy tale from the master with lots of his trademark elements like stoic characters, spirit worlds, flying scenes and characters running through narrow passages.

    It is stylistically comparable to Spirited Away and Howls Moving Castle, although a bit less epic in scope. Like those films it inhibits a certain darkness and maturity at times with a war as a backdrop, that is not really aimed at children. I personally liked it and wished that more filmmakers in animation would have similar aspirations, but I guess those who do are expelled to do short movies. But back to Miyazaki's movie: it is bursting with lots of ideas, symbolism and fairy tale motifs like Snow White (with a dead mother, seven dwarfettes and a glass coffin with a sleeping beauty). At other times the character dynamics invoke Jim Henson's Labyrinth, where the protagonist has to rescue a kidnapped loved one and work with a henchman who sells him out at every opportunity until they start bonding.

    All the visual ideas are great but sometimes they can unnecessary bloat the picture. It is one of Miyazaki weaknesses to be over-indulgent and unfocused at times, sometimes he needs to tighten the story in certain places - especially during the last stretch it can feel exhausting. I still like the leisurely pace in the beginning and that the movie takes it's time to slowly pull us into another world/afterlife/beforelife however you want to call this place. There are beautiful visual metaphors like when the little balloon creatures fly off into the next world, one can say that those symbolize the protagonists own emotions bubbling up into the surface (this is also the first sequence where we see the main character smile and express genuine emitions) - and that he tries to repress those feelings. Especially towards his new stepmom which he tries to rescue seemingly out of pure obligation for his father. It is also no coincidence that we witness the appearance of an avatar of his real mother in that very same sequence - she tries to protect those cute balloons from hungry predators, but in the process burns most of them. The clinging to the ghost from the past is preventing a new blossoming/beginning. There simply aren't easy and clean-cut solutions, neither in nature nor our society.

    There are certain moments where someone can get the impression that Miyazaki is making a statement towards his own legacy and the studio he helped to build. There are themes of responsibility & duty versus family sharing a lot of similarities to his last movie 'The Wind Rises' . I appreciated the ending, without getting into any spoiler territory, a lot of people wondered or were baffled why the final scene feels sort of "tacked on". But when you closely observe it, it is sound with the movie's themes and illustrates rather well the important choice of our main character.
    7Sleepin_Dragon

    Stunning to look at, just a little hard to follow at times.

    Mahito's life is dramatically changed, he's lost his mother, and his father has started a new life in the country, escaping a war. One day Mahito follows a heron, and enters a whole new fantasy world.

    This first thing I'm going to start with, the visuals, what a feast for the eyes, it is a vividly, beautiful film, some of the scenes are honestly captivating, not just the animations themselves, but the colours and creativity.

    To be honest, I can't say I fully understood what was going on, I did find myself needing to read up about the plot, as some of it did go over my head, I imagine this improves with a second viewing.

    It feels like a very personal story, I wonder if Miyazaki was exercising personal demons through it. As always there's a strong moral angle running through it, but plenty of really good scenes.

    I'm nitpicking, but I did prefer Spirited Away, maybe simply because I found it easier to follow, but I'd recommend this very highly.

    Worth seeing for the incredible visuals alone.

    7/10.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      In December 2019, the film was announced to be 15% complete after three-and-a-half years of work. Producer Toshio Suzuki explained that Hayao Miyazaki, in the past, would be able to direct seven to ten minutes of animation per month, and they had scheduled five minutes of animation per month or about one hour per year on the film. However, Miyazaki was directing only about one minute of animation per month.
    • Pifias
      When a knife is being honed on a steel the knife blade is facing up, it should be facing down. Whilst you can hone in either direction, up the steel away from you, or down the steel towards you, the blade should be facing towards the handle of the steel.
    • Citas

      The Grey Heron: I'll be your guide.

    • Conexiones
      Featured in AniMat's Crazy Cartoon Cast: End of the Year Embarrassments (2020)
    • Banda sonora
      Chikyûgi (Spinning Globe)
      Performed by Kenshi Yonezu

      Courtesy of Sony Music Labels Inc

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    Preguntas frecuentes18

    • How long is The Boy and the Heron?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 27 de octubre de 2023 (España)
    • País de origen
      • Japón
    • Sitio oficial
      • Toho Site
    • Idioma
      • Japonés
    • Títulos en diferentes países
      • El niño y la garza
    • Empresas productoras
      • Studio Ghibli
      • Toho
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 46.832.867 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 13.011.722 US$
      • 10 dic 2023
    • Recaudación en todo el mundo
      • 282.422.186 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 2h 4min(124 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
      • IMAX 6-Track
      • Dolby Atmos
      • DTS:X
    • Relación de aspecto
      • 1.85 : 1

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