Abby's

A fill-in show for the mid-season, from Josh Malmuth, known for New Girl and Superstore, and not much else.

The lead, Natalie Morales, has been on a number of shows and movies, some comedy, some dramas. I remember her most from the twelve episode run she had on White Collar.

It is slightly confusing, since there is another Natalie Morales, who is best known as one of the co-anchors of the Today show, and a co-host of Access Hollywood

Unfortunately, there is not a lot of humor here. They waste the talents of Neil Flynn, who deserves a show of his own.

As someone else noticed, the laugh-track is very annoying. It has the effect of underscoring that the jokes aren't that funny.

'The Orville' is a repeat again next week, so I may give the show another try.

A generous 5, hoping they will improve.

They appear to have already shot all thirteen episodes. It will be interesting if they all make it to air in this time-slot.

Abby's boasted a strong ensemble cast and a loose vibe that promised regular shenanigans. Some of said shenanigans paid off- the sprinkler chair, the bar's constitutional amendments, and Tuna Pope were just a few of the good moments- and the banter around the bar was generally worth sticking around for. If they'd committed harder to the wackiness, this show could have run for 4 or 5 seasons as a laid back, lovable, goofy, Undateable-ish sitcom.

Instead, what sunk Abby's was its focus on the boring and awkward Bill (Nelson Franklin) as the character with a story arc. That gave us insultingly predictable boilerplate plots about crushes, ex-wives, dorky white guys, and relative levels of 'woke'. This is a bad thing in any context, but when there's a perfectly good cast of misfits sitting right there just waiting to perpetrate nonsense at the drop of a hat (or a still-burning grill), it's all too obvious that the showrunners misused every tool in their toolbox. That's why this exactly-average sitcom gets a below-average rating from me.

I haven't enjoyed a sitcom in years, but watched this by chance and was intrigued. It started bumpy, but by the end seems like it will make for a good show, assuming the producers CAN whomever is forcing the CANNED laughter.

I'll give it another one or two episodes, as I want to like it, but the only genuinely laugh-out-loud funny moment occurred during the credits roll.

Has potential, with a different twist to the typical filmed at a bar sitcom, with a looming protagonist. Refreshing concept, assuming they can let the jokes flow a little better next episode, since the really tense mood should be gone, or at least significantly less looming.

BUT FOR THE LOVE OF ALL THINGS HOLY, THE CANNED LAUGHTER MUST GO. THIS WILL KILL THE SHOW SO FAST.

A boring, predictable sitcom with a distracting laugh-track. It got a couple of short, sharp puffs of air out my nose with a few good one-liners, but that was the extent of my enjoyment.

This show had lots of potential, but the forced overbearing laugh track, one dimensional characters and the silly premise were too much to overcome.

The only similarity to Cheers is both shows take place in a bar. Beyond that they have almost nothing in common. Cheers is still remembered today. This show will be forgotten in a couple of months.