Dos jóvenes soldados ingleses tienen una misión imposible durante la Primera Guerra Mundial: entregar un mensaje tras las líneas enemigas para evitar que sus compañeros caigan en una trampa.Dos jóvenes soldados ingleses tienen una misión imposible durante la Primera Guerra Mundial: entregar un mensaje tras las líneas enemigas para evitar que sus compañeros caigan en una trampa.Dos jóvenes soldados ingleses tienen una misión imposible durante la Primera Guerra Mundial: entregar un mensaje tras las líneas enemigas para evitar que sus compañeros caigan en una trampa.
- Director/a
- Guionistas
- Estrellas
- Ganó 3 premios Óscar
- 135 premios y 200 nominaciones en total
- Director/a
- Guionistas
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
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Resumen
Reviewers say '1917' is acclaimed for its technical prowess, especially the one-shot cinematography and realistic portrayal of World War I. The film's intense emotional impact and strong performances are frequently highlighted. However, some critics feel it lacks originality and depth, drawing comparisons to other war films. Concerns about plot simplicity and underdeveloped characters are noted, although the visual and technical elements are universally praised.
Reseñas destacadas
"He travels the fastest who travels alone"
There are some great WW1 films out there, the granddaddy of them all in my view being 1930's 'All Quiet on the Western Front'. Also appreciate many of the actors here, though they are in cameo roles, and Sam Mendes as a director (of the films of his seen, almost all, 'Spectre' is the only one to not do much for me). Roger Deakins and Thomas Newman are masters in their field, Deakins is one of the best cinematographers in the business and Newman's score for 'Road to Perdition' is a favourite.
'1917' was seen for all those reasons. As well as because of the critical acclaim, with it being considered as one of 2019's year's best films. After seeing it, my thoughts are that the acclaim for '1917' is richly deserved in one of the best and most powerful films that year. It did connect a lot with me, due to watching it not long after reading the harrowing war diaries of my great-grandfather (who fought in the war and was mustard gassed and blinded).
First and foremost, '1917' is a visual and technical achievement. It is beautifully and evocatively designed and Deakins' cinematography, with awe-inspiring and never gimmicky use of the long unbroken one take technique, is nothing short of masterful. Mendes ensures that the tension, even in the slower moments, never slips, keeping the intensity (at its best almost nerve-shredding) going.
Newman provides another hauntingly beautiful score, that does stir the emotions in the latter parts of the film when things become more urgent. The sound is thrilling in its authenticity, so much so it was like being there. The film is intelligently scripted and to me the two lead characters, especially Scofield, were easy to get behind, interesting and their bond came over as realistic. The story is engrossing throughout, it briefly loses a little momentum just before the climax perhaps, but the first half is emotionally powerful and the climax is unpredictably intense.
Such a good job is done too with showing the full horrors of war from a visual standpoint, a psychological one and in the unflinching action. Without going too far, the point of view not being hammered home. '1917' benefits hugely from the splendid lead performance of George MacKay and Dean-Charles Chapman is strong too despite his role not being quite as meaty. The cameos from Benedict Cumberbatch, Colin Firth, Richard Madden and Andrew Scott manage to make big impressions in short screen time.
Overall, brilliant and powerful film. One of the best films personally watched in 2020. 10/10.
'1917' was seen for all those reasons. As well as because of the critical acclaim, with it being considered as one of 2019's year's best films. After seeing it, my thoughts are that the acclaim for '1917' is richly deserved in one of the best and most powerful films that year. It did connect a lot with me, due to watching it not long after reading the harrowing war diaries of my great-grandfather (who fought in the war and was mustard gassed and blinded).
First and foremost, '1917' is a visual and technical achievement. It is beautifully and evocatively designed and Deakins' cinematography, with awe-inspiring and never gimmicky use of the long unbroken one take technique, is nothing short of masterful. Mendes ensures that the tension, even in the slower moments, never slips, keeping the intensity (at its best almost nerve-shredding) going.
Newman provides another hauntingly beautiful score, that does stir the emotions in the latter parts of the film when things become more urgent. The sound is thrilling in its authenticity, so much so it was like being there. The film is intelligently scripted and to me the two lead characters, especially Scofield, were easy to get behind, interesting and their bond came over as realistic. The story is engrossing throughout, it briefly loses a little momentum just before the climax perhaps, but the first half is emotionally powerful and the climax is unpredictably intense.
Such a good job is done too with showing the full horrors of war from a visual standpoint, a psychological one and in the unflinching action. Without going too far, the point of view not being hammered home. '1917' benefits hugely from the splendid lead performance of George MacKay and Dean-Charles Chapman is strong too despite his role not being quite as meaty. The cameos from Benedict Cumberbatch, Colin Firth, Richard Madden and Andrew Scott manage to make big impressions in short screen time.
Overall, brilliant and powerful film. One of the best films personally watched in 2020. 10/10.
Review from a combat veteran.
Last night COL Ferry and I (COL Coldwell, both USA) were able to watch the new WWI film, 1917, before it has national release. It is a cinematographic feast for the eyes, long expansive shots that follow the protagonists as they execute their mission. It does not hide the horrors that existed in trench warfare, it shows them for their brutality and abundance. (My great uncle died as a consequence of his service fighting in the trenches, mustard gas poisoning). In many ways it reminded me of Saving Private Ryan.
For those who have served in combat (I have deployments to Iraq and Afghanistan), I cannot tell you if the film will be too difficult to watch, it might well be, especially if incoming artillery is a trigger. For me, as the camera travels a few inches above the dirt advancing slowly up a berm, my response was visceral. I was taken back to the patrols we walked in Afghanistan, not knowing what was around the corner; not relaxing heightened vigilance, not knowing if there would be an IED, a child wearing a suicide vest, a sniper taking aim. For the protagonists in this film (as for all who served and are serving) surviving the climb up the berm, there is no sigh of relief, no respite from the fear of uncertainty. They (we) survive to move forward to face more uncertainty.
Watching allowed me to pay homage to my great uncle, and the approximate 800,000 other Brits who were killed or died as a consequence of their service. (Germany lost over 2 million soldiers in the war). Estimates put the total casualty numbers for both military and civilians at 40 million, half killed or died from wounds/infection.
I rate this film as 10/10, for many reasons. Directing, acting, set design, cinematography, musical score, the raw emotion it invokes. Some critics have said they never felt a connection with the characters, I suspect they never served in combat. While the brotherhood (including female War Fighters) is strong, there is also a common characteristic possessed by all War Fighters, the ability to focus on a mission and suppress emotion, even as those around the Fighter fall. This was the quality I recognized in the actors and why the viewer doesn't "bond" with the main protagonists; we, the viewer, were on the mission with them, we grieve as we can and move on.
Watch if you will, but know there is no pleasure in watching and the film will grab you and the beginning and not let you go. Even though we know the outcome of WWI, there is no joy, there is no peace. Watch because it will allow you a glimpse at the horror and brutality of war; reflect on their service and sacrifice. Note, as we (the viewer) are "walking" through the trenches, glancing shots of the young soldiers shows them with flat affect, isolation, almost apathy; this is the face of "shell shock," what we know call post-traumatic stress disorder.
For original WW1 footage, watch "They Shall Never Grow Old," an exceptional documentary.
For those who have served in combat (I have deployments to Iraq and Afghanistan), I cannot tell you if the film will be too difficult to watch, it might well be, especially if incoming artillery is a trigger. For me, as the camera travels a few inches above the dirt advancing slowly up a berm, my response was visceral. I was taken back to the patrols we walked in Afghanistan, not knowing what was around the corner; not relaxing heightened vigilance, not knowing if there would be an IED, a child wearing a suicide vest, a sniper taking aim. For the protagonists in this film (as for all who served and are serving) surviving the climb up the berm, there is no sigh of relief, no respite from the fear of uncertainty. They (we) survive to move forward to face more uncertainty.
Watching allowed me to pay homage to my great uncle, and the approximate 800,000 other Brits who were killed or died as a consequence of their service. (Germany lost over 2 million soldiers in the war). Estimates put the total casualty numbers for both military and civilians at 40 million, half killed or died from wounds/infection.
I rate this film as 10/10, for many reasons. Directing, acting, set design, cinematography, musical score, the raw emotion it invokes. Some critics have said they never felt a connection with the characters, I suspect they never served in combat. While the brotherhood (including female War Fighters) is strong, there is also a common characteristic possessed by all War Fighters, the ability to focus on a mission and suppress emotion, even as those around the Fighter fall. This was the quality I recognized in the actors and why the viewer doesn't "bond" with the main protagonists; we, the viewer, were on the mission with them, we grieve as we can and move on.
Watch if you will, but know there is no pleasure in watching and the film will grab you and the beginning and not let you go. Even though we know the outcome of WWI, there is no joy, there is no peace. Watch because it will allow you a glimpse at the horror and brutality of war; reflect on their service and sacrifice. Note, as we (the viewer) are "walking" through the trenches, glancing shots of the young soldiers shows them with flat affect, isolation, almost apathy; this is the face of "shell shock," what we know call post-traumatic stress disorder.
For original WW1 footage, watch "They Shall Never Grow Old," an exceptional documentary.
An achievement
It's a stunning watch from start to finish. The amount of work that went into this film alone deserves your attendance, and even then, the story never stalls, and has a fair balance between war and humanity, and has some of the most incredible camera work I've seen in a while. It's hands down my favorite film of 2019.
I Wanted to Hate This Hauntingly Beautiful Gift of a Movie
I sat in a packed yet silent theater this morning and watched, what I believe to be, the next Academy Award winner for the Best Picture. I'm not at all a fan of war movies but I am a fan of great movies....and 1917 is a great movie.
I have never been so mesmerized by set design and direction, the mass human emotion of this film is astonishingly captured and embedded magically in the audience. It keeps running through my mind...the poetry and beauty intertwined with the raw misery of war.
Treat yourself....see this movie!
We're living in such wonderful times...
1917 is a poem.
Is the most deep, impressive and realistic way of seeing what kinds of things happened in WWI.
This movie made me leave the movies with tears in my eyes as if I have had a time travel experience to the World War I, and then waking up and realizing how wonderful are the times we are living in.
1917 is a must see movie for everyone.
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¿Sabías que...?
- CuriosidadesSir Sam Mendes (director) and Lee Smith (editor) stated that, despite the apparently continuous shot (broken only by one interval of unconsciousness), actually dozens of "invisible" edits were made, concealed by transitions through black, moves behind objects, and so on. According to Mendes, the shortest unbroken shot was 39 seconds long, while the longest single continuous shot was 8-1/2 minutes long.
- PifiasBritish trenches did not use long straight sections. Instead they used a traverse system of short fire trenches linked by traverses to minimize damage from a direct artillery hit in the trench system.
- Citas
General Erinmore: [quoting Rudyard Kipling] Down to Gehenna, or up to the Throne, He travels the fastest who travels alone.
- Créditos adicionalesThe opening logos are shortened and tinted blue.
- Versiones alternativasThe film's IMAX release presented the film open-matte, at an aspect ratio of 1.90:1, meaning there was more picture information visible in the top and bottom of the frame than in normal theaters and on home video.
- ConexionesFeatured in Jeremy Jahns: 1917 (2019)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Thế Chiến 1917
- Localizaciones del rodaje
- Govan Graving Docks, Glasgow, Glasgow City, Escocia, Reino Unido(crossing canal on collapsed bridge)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 95.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 159.227.644 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 576.216 US$
- 29 dic 2019
- Recaudación en todo el mundo
- 446.064.352 US$
- Duración
- 1h 59min(119 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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