Blue Jean

The closet she came!, and all the rest of the tyneside dykes and dallies, in the roaring 80's british lgbtq+ redemtion movement, a time where gay and lesbians really stood out as real individualees, fighting for the rights to be equaly treated by society trying to squelch the heterosexual dominance on common settings in life like being the teacher and nurse and coalminer as they were educated as, without meing branded as children molestors and pedophiles, which was a normal rank in these days...

a really emotional flick about lesbianism in the thickest of geordieland, up on the northeast coast of england,where the pitches are so muddy and the only thing you dream of is sun and sand, just like the fight the main caracter in this flick goes through. Being in a rather voulnarable position as a P. E. teacher at the local school youre able to follow the ups and downs of her social life as well as her professional careere, as well as her abilities to sipht out new young girls on the block, which in the end becomes a harrowing threat that will stigmatize and ruin her life as a working teacher.

Loads of good old dj emeralds youll hear if viewing blue jean, well entwined into the bleach and grey landscape of blustery tyneside, ill be better of going to yewtree gardens or maybe it was peartree somewhere walkerville ne6 4tr, a very well made gay movie for sure...

so lets break the walls down in the end, just like the romans did in...wallsend...be proud of yourself whoever you are and have a good time viewing mrs mcewen, quite an enchanting one. A recommend from the ever so grumpy old man.

Blue Jean presents to us the struggles of a woman who is trying to blend into the heteronormative world during a time where homosexuals were politically vilified and othered, whilst trying to protect her position and integrity as a teacher.

It deals with more than just the base subject matter of what could be seen as a run-of-the-mill exploration of what it was/is like to live in a world like this where the politicalisation of a person's nature is used against them in order to misdirect the general public from actual issues of the times.

It delicately portrays the effects that it has on Jean, and by proxy, others, who internalises the prejudices which they experience, and how this behaviour affects how she not only treats herself - by isolating herself from the world at large, but also how she treats those closest to her while she sees that others within the community accepts themselves and lives openly without shame, albeit by not having, what could be seen as, white collared jobs.

Caught within the crossfire of Jean struggling to accept her nature is Lois, a student of Jean's, who is being bullied for reasons which you can surmise... Leading Jean to abandon Lois in a time of need.

The movie, for me, falls just short of having a cathartic release, but it highlights the relief that a person can have by coming to terms with their own nature, and righting the wrongs that they have caused, even if in part. As well as the importance of having a close and supportive community.

Solid performances from the entire cast makes this movie feel real. It reflects the life that people lived and continues to live. A worthwhile watch, as it is also a reflection of the time that we live in now.

There's a Section that's enacted to create, prejudice, intolerance and hate, treating people in a way, causing division, leaving no say, this is what Britain had come to in those days (although lift a few stones and you find it's not actually progressed that much since) - as Jean, a PE teacher, brilliantly performed by Rosy McEwen, struggles with her sexuality becoming known to her colleagues and her students, and the impact that might have on her career, especially as the teenage Lois has begun her journey of discovery and self-awareness. I thought Kerrie Harris put in a great performance as Jean's partner Viv too. Well worth watching, not only for the performances but as a reminder of a world that's not that long passed.

I often cheer for movies like Blue Jean. They are important in a response to the big lavish entertainment films. But I can't quite get the hang of this particular film.

This is a film about LGBT history, with a main character set in 80s Britain with Thatcher's controversial No Clause 28 legislation as a backdrop. As a gym teacher, she experiences challenges in living out who she really is, in the face of society's view of gays and queers. Important topic. But we have seen this before, and in my opinion also seen it portrayed better before.

In this film, a lot is very good, the era is depicted well. The main character in the film is good in the role of a person who has to make important and not least right choices for herself. But on the way there she makes a lot of strange choices. In particular, her handling of her job as a teacher in meeting with the students is not very credible in my opinion. I think the narrative stagnates in the descriptions of her anguish and doubts. The film does not get out of a rut, and the main character becomes somewhat one-dimensional and I think it became less engaging as time went on.

The film is still not bad, and has a fantastic amount of good 80s music as a soundtrack.

Jean (Rosy McEwen) is an attractive 20-something frosty haired gym teacher. She's asked by one of her colleagues at the school to go out for drinks with some of their fellow teachers - might even be a guy or two with an eye out for her. Jean, who has a female partner, demurs not by replying directly, but coming up with a a lame excuse. It's just one of the times that Jean is confronted with telling the truth, but "lies" instead.

England. Late 80s. Margaret Thatcher's conservative Britain to be precise. The nation is in full moral panic mode and the very suspicion that a teacher might be gay is grounds for removal. The law was called Section 28. To Writer-Director Georgia Oakley's credit, BLUE JEAN never becomes a polemic. It simply presents the reality of what people like Jean were going through at the time. Oakley's screenplay unfolds at a natural pace and the audience is given the details of Jean's background at an unhurried pace.

Jean's girlfriend is Viv (Kerrie Hayes) who, by contrast, is very much 'out'. She flaunts her sexuality and makes no apologies. Also complicating things for Jean is a new student, Lois (Lucy Halliday), who happens to hang out in the same local gay bar. Jean's family is little help, even her sister Sasha (Aoife Kennan) who outwardly supports her sibling, but is nonetheless concerned about protecting her young son when she is around.

The performances here all very good, with McEwen embodying her character's ambivalence, while also demonstrating fortitude. It's a tricky balance which Oakley's filmmaking ably abets. Oakley also creates a vivid depiction of the era with details of the LGBTQ community at the time. Songs by New Order, Letta Mbulu and Colourbox and others grace the soundtrack and the screenplay is filled with precise and distinctive terminology. There are not great revelations or epiphanies for Jean, but, Oakley imbues her main character with an inner strength that is palpable.

Section 28 was repealed in 2003.