Cena en América

Adam Rehmeier's "Dinner in America" is without doubt the best serio-comic punk-outlaw indie movie to have come along since I don't know when. Although it doesn't go too far off the beaten track of dozens of other 'youth' movies, (even blatantly stealing a gag from "Heathers"), I can't think of many as fresh or as likeable as this one. It's your old-fashioned boy-meets-girl plot though neither the boy nor the girl fit the stereotypical roles that might suggest.

He's a punk rocker but since he keeps his face hidden under a mask when performing nobody knows his real identity and she's a nerdy fan generally regarded by everyone she meets, (including her family), as 'retarded'. They certainly don't meet cute, (he's on the run from the police and she hides him), and they don't hit it off straight away until her 'secret' becomes the key that unlocks his bad-boy heart, (he likes to smash things and set fire to people's property).

Despite its propensity to violence and a screenplay as foul-mouthed as any in recent movies this is definitely a sweet-natured movie and as their unlikely romance blossoms you will undoubtedly find yourself cheering for it to succeed. As the central pair of lovers both Kyle Gallner and especially Emily Skeggs are absolutely terrific and I am sure both they and writer/director Rehmeier have the brightest of futures ahead of them.

Dinner In America is a heartwarming story about an unexpected relationship between two young adults, Patty and Simon. Despite it's rauchiness, it encapsulates the toughness of the world while simultaneously bringing happiness to light in a unique way. While it may not do it perfectly, it's a great film to watch between friends-From laughing to scrunching your nose at the questionable, this film will keep you interested to see what happens next. Although I had my doubts at the beginning of the movie, the ending was pleasantly surprising, as both characters share traits that one wouldn't expect at first glance.

It's these little indie movies that restore my faith in cinema. I'm sort of guy that trawls IMDB and Rotten Tomatoes looking for new movies, but there are always ones that fly under the radar. Looking at this movie being over 4 years old now and only having over 5000 ratings on IMDB is quite sad. No doubt it will gather an audience over the years, but someone should release it on a streaming platform or something to get it more exposure. Its basically a James Dean for the 2020's, but much funnier. Although rough on the outside it's actually a feel good movie. Was very impressed with the direction and the 2 main lead's. To be honest, thought they were better performances than those who just won Oscars this year.

I tuned in for Kyle, who I have seen and liked in other things. The first half of this movie had me squirming, with the opening scene being particularly hard to watch; if you're squeamish you may want to avert your eyes. Also there is a LOT of profanity. It was hard for me to see all the ill-treatment that Patty endures in her daily life (what's in all those pill boxes anyway?) I thought, do I really need to see more of this? But by the halfway point I was thoroughly invested. The "dinner in America" scenes around the family table were a hoot-did anybody recognize their own childhood here? (Take it down a notch!) Throw Simon in the mix and the whole household is upended! But a touching tenderness develops when Patty and Simon discover their hidden relationship with each other. I feel like Patty could have ditched her meds after that: Simon is her new feel-good, and it's nice to see Patty shine like that.

Quirky, offbeat comedy centered around two intensely unconventional characters. Much of the film is spent passive aggressively or all-out aggressively railing against banality and status quo in the American suburbs but there is also a sweet, heartwarming core and a lot of charm. It did feel a little long in the 2nd half without quite as much momentum as the 1st but overall this was a really enjoyable and unusual film.