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Charlot y el paraguas

Título original: Between Showers
  • 1914
  • T
  • 15min
PUNTUACIÓN EN IMDb
5,4/10
1,8 mil
TU PUNTUACIÓN
Charlot y el paraguas (1914)
ComedyShort

Añade un argumento en tu idiomaCharlie and another man compete in trying to help a young lady cross a muddy street. The rival finds a wooden plank which Charlie takes from him. They fight over an umbrella belonging to the... Leer todoCharlie and another man compete in trying to help a young lady cross a muddy street. The rival finds a wooden plank which Charlie takes from him. They fight over an umbrella belonging to the rival. A policeman settles the dispute, ultimately arresting the rival. An innocent tramp... Leer todoCharlie and another man compete in trying to help a young lady cross a muddy street. The rival finds a wooden plank which Charlie takes from him. They fight over an umbrella belonging to the rival. A policeman settles the dispute, ultimately arresting the rival. An innocent tramp is pushed into the lake.

  • Dirección
    • Henry Lehrman
  • Guión
    • Charles Chaplin
    • Reed Heustis
  • Reparto principal
    • Charles Chaplin
    • Ford Sterling
    • Chester Conklin
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,4/10
    1,8 mil
    TU PUNTUACIÓN
    • Dirección
      • Henry Lehrman
    • Guión
      • Charles Chaplin
      • Reed Heustis
    • Reparto principal
      • Charles Chaplin
      • Ford Sterling
      • Chester Conklin
    • 15Reseñas de usuarios
    • 6Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes18

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    Reparto principal7

    Editar
    Charles Chaplin
    Charles Chaplin
    • Masher
    Ford Sterling
    Ford Sterling
    • Rival Masher
    Chester Conklin
    Chester Conklin
    • Policeman
    Edward Nolan
    • Chivalrous Policeman
    • (as Eddie Nolan)
    Peggy Pearce
    Peggy Pearce
    • 1st Lady in Distress
    • (as Velma Pierce)
    Emma Clifton
    • 2nd Lady in Distress
    Sadie Lampe
    • Policeman's Lady Friend
    • (sin confirmar)
    • Dirección
      • Henry Lehrman
    • Guión
      • Charles Chaplin
      • Reed Heustis
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios15

    5,41.8K
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    Reseñas destacadas

    8darren shan

    GETTING INTO CHARACTER

    Chaplin's fourth short, appearing less than a month after his debut, is good fun. A rival tramp steals an umbrella from a policeman, then sets about seducing a woman with it. Charlie also has his eye on the femme, and soon a battle for both the brolly and the girl ensues. Even though it's so early in his career, Chaplin has most of the Little Tramp mannerisms and tics down pat in this effort (except for the pathos, which would come later), and it's fascinating to see the beginnings of the expressions and gags which he'd be exploring for the rest of his life. Not as polished or imaginative as his later films, but a very early gem.
    6TheLittleSongbird

    Charlie and the umbrella

    Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.

    He did do better than 'Between Showers'. Can understand why the Keystone period suffered from not being as best remembered or highly remembered than his later efforts, but they are mainly decent and important in their own right. 'Between Showers' is a long way from a career high, but does have historical significance for obvious reasons.

    'Between Showers' is not as hilarious, charming or touching as his later work and a good deal of other shorts in the same period. The story is flimsy and the production values not as audacious, the humour only amusing and lacking freshness at times.

    For someone who was new to the film industry and had literally just moved on from their stage background, 'Between Showers' is not bad at all.

    While not audacious, the film hardly looks ugly, is more than competently directed and is appealingly played. Chaplin looks comfortable for so early on and shows his stage expertise while opening it up that it doesn't become stagy or repetitive shtick. The Tramp did become more likeable later but again he was still evolving.

    Although the humour, charm and emotion was done even better and became more refined later, 'Between Showers' is mildly humorous, sweet and easy to like, though the emotion is not quite there. It moves quickly and doesn't feel too long or short.

    Overall, far from one of Chaplin's best but not bad at all. 6/10 Bethany Cox
    4nukisepp

    The Star is About to Shine

    Let's be honest, Charles Chaplin's earlier films with The Keystone Studios weren't usually very good. This is the case with this one. Most part, the problem lied in the production - they made these movies extremely quick, and the artistic outcome wasn't very important, only the profit (like with today's major studios). At that time Chaplin was just the hired hand (although appreciated one) and lacked any artistic control.

    In this one, Chaplin shares the screen with another big star of the time, Ford Sterling. These two fight over the attention of the woman (and over the umbrella). Although, Ford Sterling's character seems to fight more with the woman, than with the other man. I guess I didn't find the blatant beating of the woman that funny (oh, the modern 'soft' man).

    The film had some moments that proved to grow into something, but I guess the rushed production prevented the development of more elaborate gags. The film itself is not very memorable but it gives us a good comparison between young Charles Chaplin and an already established star. When you pay attention to the styles of these two comedians then it is clear why the world still remembers and hails on as the greatest of all times while the other is totally forgotten (besides by the small subculture of silent comedy aficionados). Chaplin's star started to shine almost immediately.
    3Akihse

    A historical document

    The ten minute short film Between Showers is best seen, perhaps, as a historical document. More than ninety years old, it serves as a reminder that movies has both changed and not changed since that time. This is obviously a silent, which calls for a visual kind of humour. The plot is thus fairly straight forward and serves as an excuse for the characters to fall on their butts and fight in an overly theatrical manner, judged by today's standards anyway. However, it is interesting to see Chaplin's crude and early attempts at what he and others (Jackie Chan to name one of our contemporaries) would later perfect – well timed physical humour. No doubt intended as entertainment for the moment, Between Showers lacks the social commentary of the 22 years younger masterpiece Modern Times, but it contains a seed, albeit small, of the breathtaking acrobatics displayed therein.

    Of historical interest.
    5lee_eisenberg

    Charlie was on his way

    Charlie Chaplin had only starred in a few movies and had just debuted the Tramp when he appeared in Henry Lehrman's "Between Showers". The plot involves a stolen umbrella, but is mainly an excuse for a bunch of physical humor. Cinema was still in its relative infancy, and the absence of sound meant that people had to do a lot of the acting with their faces. Despite the simple plot, it's a fun 15 minutes. It's ironic seeing a city block in LA surrounded by water, now that California's running out of water.

    Anyway, pretty fun. Chester Conklin (the policeman) later played the technician in "Modern Times".

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    Argumento

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    • Curiosidades
      Emma Bell Clifton was hired by Mack Sennet because she resembled Mabel Normand. Some reviews mistakenly list Normand in the credits of this film and another film featuring Chaplin and Clifton called "A Film Johnnie".
    • Conexiones
      Featured in El cómico más grande del mundo (1967)

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    Detalles

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    • Fecha de lanzamiento
      • 30 de julio de 1915 (España)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Instagram
      • Official Site
    • Idiomas
      • Ninguno
      • Inglés
    • Títulos en diferentes países
      • El que no corre vuela
    • Localizaciones del rodaje
      • MacArthur Park, Los Ángeles, California, Estados Unidos(Westlake Park)
    • Empresa productora
      • Keystone Film Company
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      15 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Silent
    • Relación de aspecto
      • 1.33 : 1

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