Un amor cruel

'Cruel, Cruel Love' is one of the better efforts of Chaplin's early Keystone works. It seems to me that those films where Chaplin wasn't playing The Tramp were usually better from that period. The story is a classic romantic fable - after a little misunderstanding, the Lord's (Charles Chaplin) fiancee (Minta Durfee) calls off the engagement. Broken-hearted, the Lord is about to commit suicide. The Lady's gardener explains what caused the misunderstanding, and she rushes to help her loved one. The Lord's butler watches that mess and gets a nice bellyful of laughs.

Although the film is simple and offers very little inventiveness, it is still funny enough, and as a viewer, it is easy to care about the characters and the story. Gags and stunts were barely above the average of that era's slapstick. Chaplin managed to show his true genius as an actor - when his character was thinking he will die and hallucinated about hell - those facial expressions when he realized that all the world is over for him. Amazing.

I also started to pay the attention to the sets they used and noticed how the homes of the characters look very similar. It is because they used the same set, but with little redecoration, they made it look like another location.

'Cruel, Cruel Love' is more than barely watchable - it is enjoyable.

Cruel, Cruel Love (1914)

*** (out of 4)

Charles Chaplin short from the Keystone Studios has him playing a broken man who decides to kill himself after his girlfriend breaks up with him. Minutes after taking the poison he receives a letter from her saying she wants him back. This is an early Chaplin film so naturally he hadn't perfected his skill as a comedian but he turns in an interesting performance here. While the film isn't fall down hilarious it does offer up enough good scenes to make it worth viewing. One of the better scenes in the film has Chaplin seeing his future with suicide and going to Hell where two devil keep messes with him in the flames. Another nice sequence has Chaplin trying to fight the doctors trying to save him at the end of the film. Edgar Kennedy has a brief role as the butler.

Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.

He did do better than 'Cruel, Cruel Love'. Can understand why the Keystone period suffered from not being as best remembered or highly remembered than his later efforts, but they are mainly decent and important in their own right. 'Cruel, Cruel Love' is a long way from a career high, although among the better very early Keystone comedies.

'Cruel, Cruel Love' is not as hilarious, charming or touching as his later work and a good deal of other shorts in the same period. The story is flimsy and the production values not as audacious, the humour only amusing and lacking freshness at times and parts a touch scrappy and occasionally convoluted.

For someone who was relatively new to the film industry and had literally just moved on from their stage background, 'Cruel, Cruel Love' is not bad at all.

While not audacious, the film hardly looks ugly, is more than competently directed and is appealingly played. Chaplin looks comfortable for so early on and shows his stage expertise while opening it up that it doesn't become stagy or repetitive shtick. His character is not one of his most likeable though

Although the humour, charm and emotion was done even better and became more refined later, 'Cruel, Cruel Love' is mildly humorous, sweet and easy to like, though the emotion is not quite there. It moves quickly and doesn't feel too long or short.

Overall, far from one of Chaplin's best but not bad at all. 6/10 Bethany Cox

In 1914, Charlie Chaplin began making pictures. These were made for Mack Sennett (also known as "Keystone Studios") and were literally churned out in very rapid succession. The short comedies had very little structure and were completely ad libbed. As a result, the films, though popular in their day, were just awful by today's standards. Many of them bear a strong similarity to home movies featuring obnoxious relatives mugging for the camera. Many others show the characters wander in front of the camera and do pretty much nothing. And, regardless of the outcome, Keystone sent them straight to theaters. My assumption is that all movies at this time must have been pretty bad, as the Keystone films with Chaplin were very successful.

The Charlie Chaplin we know and love today only began to evolve later in Chaplin's career with Keystone. By 1915, he signed a new lucrative contract with Essenay Studios and the films improved dramatically with Chaplin as director. However, at times these films were still very rough and not especially memorable. No, Chaplin as the cute Little Tramp was still evolving. In 1916, when he switched to Mutual Studios, his films once again improved and he became the more recognizable nice guy--in many of the previous films he was just a jerk (either getting drunk a lot, beating up women, provoking fights with innocent people, etc.). The final evolution of his Little Tramp to classic status occurred in the 1920s as a result of his full-length films.

This short features Chaplin but not as the Little Tramp--his mustache is different and he looks a little more like a dandy. Charlie has a girlfriend, but she catches him with the maid so she breaks up with him. He is so despondent that he takes what he thinks is poison--at which time he goes through the most over-acted death scene in history while some annoying guy laughs hysterically again and again and again and again and again because the poison is actually just water. The ambulance arrives and tell him he's fine and his ex-girlfriend runs back and professes her love. This short DOES have a bit more coherence and plot than most early Chaplin shorts from Keystone, so it merits a 3. Only a 3 because it is terribly over-done and not especially funny.

Cruel Cruel Love might be one of Chaplin's funniest Keystone comedies, even though he doesn't play The Tramp! Instead, he plays a variation of the character he played in his debut, Making a Living -- or at least he wears the same costume.

This film lets Chaplin go completely crazy, hamming and mugging mericilessly. This is not the subtle or graceful Chaplin of later years. This is a manic Chaplin, and while this could well have made Cruel Cruel Love into a disaster, instead it makes this film drop-dead hilarious.

Chaplin plays a bigwig who is jilted by his girlfriend. He decides to take poison and kill himself, but his butler gives him water instead, and then laughs his head off as his boss goes through some of the strangest, most convoluted "death throes" ever seen.

This film includes some surprisingly good (for 1914) special effects - namely a dream sequence in which Chaplin hallucinates that he has gone to Hell. At one point, Chaplin actually turns the comedy into horror by adopting a rather bizarre "death face" that actually is a little disturbing to see. For a moment I thought I was watching a Lon Chaney film.

Of the first dozen or so Chaplin comedies for Keystone, this is definitely one of the best, and well worth seeking out.