Fácil de amar

Quite amusing bedroom farce. As one character puts it: the evolution of marriage - first a double bed, then twin beds, then separate rooms. And so it is for wealthy society couple, John and Carol Townsend (played by Adolphe Menjou and Genevieve Tobin) who are involved in a sort of "love quadrangle". John is having an affair with Carol's best friend Charlotte (Mary Astor), John's best friend Eric (Edward Everett Horton), wealthy "Sardine King", is in love with Carol. When Carol can't get her hubby into bed anymore, she concludes he has no energy from "playing too much polo" (his excuse for his daily afternoon tryst) - but finding out he has NOT been playing polo, she hires a detective who quickly gets the dope on the secret love affair. Now Carol uses Eric to "get even" with her hubby, by pretending to have her own affair!

This lively romp is loads of fun with lots of snappy pre-code dialogue, husband hiding in closets, wife trying to win her man back via negligees and the old "dropping the soap on the floor" bathtub trick, plus all-knowing valet and butler, and women in slinky dresses and fur collars. I liked Edward Everett Horton in this, playing pretty much the exact same guy he always plays, plus Guy Kibbee is very amusing in a small, but memorable part, as the Justice of the Peace. Fast-paced and enjoyable film.

This is a must see....if just for the huge stars at their glamorous best. Edward horton must have made a deal with the devil... he doesn't look anywhere near 48. Cutie mary astor at 28, years before maltese falcon. Dashing adolphe menjou, looking younger than 44. Gen Tobin, looking younger than 34. Hugh herbert is in here for comedy. And the steamy plot. Some great filthy double entendres about 14 minutes in, when wifey is on the phone. If this was released in january 1934, they must have been filming in 1933, just as the film production code was being phased in. But they seem to have snuck this past the censors, or the rules weren't being enforced yet. We watch three couples deal with marriage in various levels of happiness. It's mostly light and fluffy, even with the serious subject of cheating on one's spouse. Moves rapidamente. A warner brothers shortie, at 61 minutes. No wasted lines. Directed by bill keighley. Based on the play by thompson buchanan. Had a bunch of plays made into film. Fun. The picture and sound are exceptionally high quality... it must have been a good restoration!

Thanks to Turner Classic Movie Channel, this rare 1934 Warners Comedy survives and turns up occasionally.

Sexual and boudoir situations and dialogue hold up well in 21st century America as dapper Adolphe Menjou cavorts with gorgeous Mary Astor behind his wife's back. (lovely Genevive Tobin) Supporting role played so well by Everett Edward Horton as a wealthy friend of the family in love with Tobin. The opening scene of a double date swap in the limo must be seen to be believed for this era! What a shame Will Hays prevailed with his "code" and so relatively few movies like this really showed us that they had a lot of fun back in the 30s. Don't miss it when it comes on....it's a joy of an early 30s picture!

Oh, the glories of a pre-Hays Code sex comedy. In this hilarious take on infidelity, Genevieve Tobin and Adolphe Menjou have an unusual marriage. Adolphe is having an affair with Genevieve's best friend, Mary Astor, and Genevieve is relentlessly pursued by Adolphe's best friend, Edward Everett Horton. Their teenaged daughter, Patricia Ellis, is under the impression her parents have the perfect marriage, and when the lid gets lifted off, she's shocked.

With fantastic comic timing from the actors, and beautiful costumes worn by the leading ladies, it's a wonder why Easy to Love isn't one of the most famous comedies to come out of the early '30s. Genevieve reminded me of a combination between Joan Blondell and Ruth Chatterton, and since she spent equal time dressed as undressed, it's a wonder why she didn't rocket to stardom-especially after her nude bathtub scene that flustered both her on-screen husband and I'm sure off-screen audiences.

Check this comic romp out if you like similar movies, like Design for Living and The Palm Beach Story. It's very entertaining, and Mary Astor is absolutely adorable, prancing around in halter tops and cold-shoulder dresses decades before they were popular.

Maybe it's the presence of befuddled Edward Everett Horton, maybe it's the art deco sets, maybe it's rich people being silly but this sweet little motion picture feels very much like one of those lovely daft movies Fred and Ginger would make in a few years' time....but without the singing and dancing.

As an hour of lightweight vintage fun this is perfect! There's absolutely nothing special or memorable about it, there's no deep meaning, in fact you'll probably forget that you've seen it in a couple of days - however if you like that TOP HAT style of sophisticated but ultimately silly humour, you will find this genuinely funny.

Although it looks like an RKO film, it's a Warner Brothers film and if you are familiar with early 30s WB movies you will recognize everyone who pops up here. Genevieve Tobin doesn't often get to play the lead but here she does and she's actually fantastic. I might be a little biased because in this film she looks remarkably like Joan Blondell (who of course was the sexiest woman who ever walked upon the face of the Earth) but posher. There's even that same bath scene from BLONDE CRAZY with Genevieve Tobin being equally as funny and equally as hot!

Warner's films from this era were infamous for being penny-pinching. They were short and not one single millimetre of film could be wasted. There was no time for building up a scene, no time for background, every frame had to be accounted for. This one takes that philosophy to the absolute limit and yet it somehow manages to look really classy. What makes this unlike other WB comedy romances from about the same time such as GOODBYE AGAIN or SMARTY (apart from them starring Joan Blondell, the living goddess herself) is that this doesn't waste a fraction of a second on anything that's not progressing the story. Unlike those other movies, there's no sub-plots, no hint of The Depression, there's no mildly thought-provoking issues; in fact, there's no time to actually think. It's all done in an hour and it works. Guy Kibbee for example looks like he ran over from another set to read his lines and then ran back again but somehow it doesn't feel rushed, just fun.

Just switch your mind off, sit in from of the screen and smile to yourself for an hour.