Flor de arrabal

I enjoyed this 1935 movie. I like Jean Harlow and she gives a splendid realistic portrayal of a girl in love with a man who seems to ignore her. She looks wonderful in this movie. The story is rather far fetched about a tuna fisherman who wants better conditions and better pay for himself and his fellow workers but is rather immature and bull headed about everything and everyone. He is always getting in arguments or fights at the drop of a hat. Una Merkel as the sister is fine and the young Mickey Rooney is also in this movie. It is a pleasant story, if rather dated and old fashioned, but I did enjoy it and recommend it, and especially for us Jean Harlow fans, of whom, there are many.

How much you like "Riffraff" depends on whether you're a fan of Jean Harlow or Spencer Tracy. Fans of Jean Harlow will find a lot to like. For fans of Tracy, not so much. Harlow is cute and sexy in her playful innocent way, while Spencer Tracy is strident and overbearing as the union organizer of a fishing fleet. His onscreen persona was not yet solidified and here he strikes a discordant note with his dogmatic portrayal of Dutch Muller, a man who is never wrong. He marries dock denizen Harlow in a wedding that misfires - due mainly to Tracy's intransigence.

It is not really a good story and at times is a chore to watch. A bright spot is Joseph Calleia, the boss and owner of the fishing fleet. He speaks with an Italian accent and is very funny as he mangles the English language. Good cast support from Mickey Rooney, Una Merkel and J.Farrell MacDonald among others. Outside of the good cast it is a potboiler with minimal interest. It plays like a B picture.

5/10 - Website no longer displays my star rating.

...but I guess the title "Riffraff" would do as well as anything else MGM could have come up with - but it's not very descriptive. Hattie (Jean Harlow) is a cannery worker in love with Dutch (Spencer Tracy), a very good fisherman and also a tremendous blow-hard. He fancies himself the leader of some future workers' revolution. Hattie lives with her extended family including sister Lil (Una Merkel) and Lil's husband and two kids, with the son being played by a mischievous Mickey Rooney. Dutch doesn't treat Hattie very well - they spend most of their time arguing, and to complicate matters she has caught the eye of wharf boss Nick (Joseph Calleia).

However, between arguments, Dutch and Hattie do manage to get married. Some have asked whatever Hattie saw in a selfish windbag like Dutch, but if a coherent 500 word essay was a prerequisite for love it would be the end of the human race, and I have seen odder pairings in real life that worked. They are married only a few months when Dutch decides he was meant for bigger and better things, and he tells Hattie he is leaving her - for awhile - to find his destiny. She understandably doesn't take this well, and he gets the last word in by saying that it's goodbye for keeps. Thus begins the long melodrama of these two apart as Dutch's plans don't exactly work out as he figured and an impulsive act by Hattie meant to aid Dutch in a time of trouble and that act's repercussions show Dutch how selfish he has been and how much she really means to him.

In spite of the melodrama, there really are no bad guys here. Even lecherous Nick is likable in his own way, and his conversations with his lawyer are particularly humorous. Thus this film is pure Depression-era entertainment in the MGM tradition. It has many of the familiar building blocks of 30's MGM dramas, but they are assembled in a rather quirky way such that this is nothing that will change the world, but it's still very interesting. The cast is outstanding with good performances by all. Especially notable is Una Merkel's performance as loyal sister Lil who manages to be simultaneously feisty and frumpy.

Temperamental fisherman Dutch Muller (Spencer Tracy) marries cannery worker Hattie (Jean Harlow), but their marriage may not be able to survive Dutch's union work.

Riffraff is incredibly fun. Harlow is perfect, and the supporting cast is great. Una Merkel is a hoot as Harlow's sister, Joseph Calleia has another role as a smooth gangster. Mickey Rooney has some good comedy scenes as Harlow's brother(!). Spencer Tracy is an actor I've never really cared for, and I wish his role had been played by somebody else. Someone like Jimmy Cagney would have been perfect, but Tracy does a passable job.

The script, co-written by Anita Loos, is all over the place: sometimes it's a comedy, or sometimes it's a social drama. The direction is functional but unspectacular. Overall, this is definitely a B film, but it's elevated by Harlow's performance.

"Riffraff" stars Spencer Tracy in an odd role for him and the lovely Jean Harlow as his wife in a story involving the tuna fishermen set, unions, prison, hobos and the like.

It's a true potboiler with Harriet (Harlow) sacrificing everything for her man, an egotistical, bombastic fellow named Rudolph Muller. He's determined to make good but his stubbornness and big mouth get in the way.

Tracy is ill-suited for this role, though at the time, he was mainly playing character roles, and this certainly is one. But the actor comes off as too smart to be playing such a dumb lug.

A year later, his stock at MGM would begin to rise, and he would transition out of this type of role into leading man parts as Bogart did. Tracy is much better in the second part of the film, where he's called upon to show his emotive range, than in the first part where his character is established.

Though Harlow plays a cannery worker turned wife, she still gets to be glamorous in a couple of scenes where the big boss, Nick (Joseph Calleia) takes her out.

Harlow comes off tough and streetwise enough to be right for the role, and she does it well. Actually, she seems more comfortable than Tracy.

MGM at that point was trying to expand the range of this incredibly popular actress. The film was made in 1935, and of course, by 1937 she would be dead, but not before doing another -- and far superior - film with Tracy, "Libeled Lady."

All in all, there's nothing special about "Riffraff" except the two stars, but Tracy and Harlow were always special, so it's worth a look.