PUNTUACIÓN EN IMDb
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TU PUNTUACIÓN
Añade un argumento en tu idiomaA movie star, stranded in the country, trifles with a young man's affections.A movie star, stranded in the country, trifles with a young man's affections.A movie star, stranded in the country, trifles with a young man's affections.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio en total
Alyce Ardell
- Jeanette - French Maid
- (as Alice Ardell)
Nick Stewart
- Nicodemus
- (as Nicodemus Stewart)
Reseñas destacadas
6tavm
This seems a slightly different Mae West picture in that Ms. West pretends to be someone else while hiding her true personality until the right man for her comes along. Also, the females in the cast have more of a scene-stealing status than before especially when the scenes are on Elizabeth Patterson and Isabel Jewell. Because this was made after the Production Code was put into full effect, there aren't too many of those risqué lines one would associate with Ms. West but when she's around Randolph Scott, well, just hear her talk then! The plot, such as it is, has her as a movie star forced to spend some time at a farm after her car breaks down, but really, it's just an excuse for some shenanigans among the cast. No great shakes, but Go West Young Man provides some good amusement for your viewing pleasure.
GO WEST YOUNG MAN is a good but yes, toned down comedy from Mae's pre-code days, but still fun to watch and not a waste of time at all.
Mae plays a movie star who stars in romantic drama and Warren William is her press agent who dreams up schemes to keep her from getting married, because her contract says that she cannot get married until 5 years. While they are on their way to Harrisburg Mae's custom-made car stuffed full of cold cream and shampoo breaks down. So, she is stuck in a rural colonial cottage boarding house with yummy Randolph Scott, twittering Alice Brady, and her biggest (and ditziest) fan Isabel Jewell.
While Mae West's acting and dialog was made tamer for the talkies, so was wonderful, handsome, cynical Warren William's, who was one of Warner Bros. top stars in the pre-code era. Warren William used to play ruthless bosses and all out cads, and while his role here is good and he gets to do some sleazy arguing and engineer some tricks on Mae West, GWYM was indeed a big step down for him. It was all because of that awful Satan MET A LADY (1934) which greatly hurt his career. Not to mention the awakening of the film censors by the Legion of Decency.
Elizabeth Patterson gives a great performance as the spunky Aunt Kate, and Isabel Jewell does a wonderful job as energetic, imaginative, movie-crazy Gladys. She does a funny imitation of Marlene Dietrich.
Oh yeah, and Randolph Scott was a total hunk with his "large and sinewy" muscles.
Mae plays a movie star who stars in romantic drama and Warren William is her press agent who dreams up schemes to keep her from getting married, because her contract says that she cannot get married until 5 years. While they are on their way to Harrisburg Mae's custom-made car stuffed full of cold cream and shampoo breaks down. So, she is stuck in a rural colonial cottage boarding house with yummy Randolph Scott, twittering Alice Brady, and her biggest (and ditziest) fan Isabel Jewell.
While Mae West's acting and dialog was made tamer for the talkies, so was wonderful, handsome, cynical Warren William's, who was one of Warner Bros. top stars in the pre-code era. Warren William used to play ruthless bosses and all out cads, and while his role here is good and he gets to do some sleazy arguing and engineer some tricks on Mae West, GWYM was indeed a big step down for him. It was all because of that awful Satan MET A LADY (1934) which greatly hurt his career. Not to mention the awakening of the film censors by the Legion of Decency.
Elizabeth Patterson gives a great performance as the spunky Aunt Kate, and Isabel Jewell does a wonderful job as energetic, imaginative, movie-crazy Gladys. She does a funny imitation of Marlene Dietrich.
Oh yeah, and Randolph Scott was a total hunk with his "large and sinewy" muscles.
This movie was shown on Australian TV in the mid-'60s and never been seen here since. True, this is not an out-and-out romp like Mae's earlier films but it does have a more subtle comic line about a movie star in small-town America. The scene where Mae is lying down in the hay is surprisingly explicit: she reaches out her arms to Randolph Scott and says: "I love it." She was actually talking about the country life or something but in the context it was pretty strong stuff for 1935. I'm sure this is the movie where she is chauffeur-driven in a fantastic Rolls-Royce town car with "rattan"-work around the rear of the car, rather like Norma Desmond's in Sunset Boulevard. The car would be worth a fortune today. Also featured was the wonderful Elizabeth Patterson as the cynical granny of the house, a characterisation she made her own, and reprised it as late as 1957 in Pal Joey. It's a bit more subtle than Mae's earlier films but it has a certain maturity and a low-key humour as a gentle poke at country folks. The young Randolph Scott is quite a hunk in this too. I quite enjoyed it.
Mae West (Mavis) plays a character very much like herself. When the film begins, lots of men are watching her in a movie--much like wolves looking at a plate of pork chops! After the movie ends, Mavis makes an appearance in the theater and talks about how the image on the screen is not the real her--that she is, at heart, a simple country girl! Of course this is a lot of hooey thought up by studio man, Morgan (Warren William). In fact, he was assigned to follow her like a guard to keep her from begin her real self! And, in desperation, Morgan arranges for Mavis to go live on a farm and stay out of the sites of reporters. Of course, however, Mavis can't be too good and almost immediately notices hunky Bud (Randolph Scott). It's a frustrating job of vamping, however, as Bud is mostly interested in mechanical things and is oblivious to her wiles. Where it goes from there, you'll just need to see for yourself.
Like most of West's films, I had a hard time accepting the notion that she's THE sexiest woman alive. But I appreciate how in "Go West Young Man" for once someone ISN'T immediately smitten with her and it makes the film a lot more watchable--especially since West didn't even begin appearing in movies until she was 40. Being a very sexual 43 year-old isn't a bad role for her in this film instead of being universally adored by men (which, to put it bluntly, made no sense--especially when she continued in this role into her 80s!!). While not as good as her wonderful role in "She Done Him Wrong", it is one of her better performances and the film is worth seeing. Rather slight but quite enjoyable.
Like most of West's films, I had a hard time accepting the notion that she's THE sexiest woman alive. But I appreciate how in "Go West Young Man" for once someone ISN'T immediately smitten with her and it makes the film a lot more watchable--especially since West didn't even begin appearing in movies until she was 40. Being a very sexual 43 year-old isn't a bad role for her in this film instead of being universally adored by men (which, to put it bluntly, made no sense--especially when she continued in this role into her 80s!!). While not as good as her wonderful role in "She Done Him Wrong", it is one of her better performances and the film is worth seeing. Rather slight but quite enjoyable.
If you want to know who inspired Lady Gaga and Madonna, just look at Mae West. She stars and wrote the screenplay for this film vehicle of hers. She knew how to market herself in her career. In this film, she played Mavis Arden, a celebrity on her way to Los Angeles where she gets stranded in a small town in middle America. I believe it was Gettysburg. Anyway, she acts rude and offensive when her car breaks down in the small town but she comes back with an apology. Mae West characters are never really vicious or obnoxious. In this film, she is surrounded by great supporting cast of characters. While this film is about her, she doesn't forget the other characters and the storyline about her falling in love with a country aspiring inventor and mechanic. The film may have some issues with storyline and script but it's satisfactory with a surprising ending.
¿Sabías que...?
- CuriosidadesOne of the most exclusive limousines to feature in a film has a prominent role transporting Mae West's character in this story. The Rolls Royce Phantom was one of only 727 manufactured between 1936 and 1939.
- PifiasThe story is set in mid-1930s, but at the premiere of Mavis Arden's latest movie, stock footage of audiences watching the film are people dressed in fashions and hairstyles of some ten years earlier.
- Citas
Mavis Arden: Don't be modest. Modesty never gets you anything. I know. Now, show it to me.
- ConexionesFeatured in Arrebato (1979)
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- How long is Go West Young Man?Con tecnología de Alexa
Detalles
- Duración
- 1h 20min(80 min)
- Color
- Relación de aspecto
- 1.37 : 1
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