PUNTUACIÓN EN IMDb
6,6/10
9,2 mil
TU PUNTUACIÓN
Las desventuras de Florenz Ziegfeld Jr., conocido productor del espectáculo.Las desventuras de Florenz Ziegfeld Jr., conocido productor del espectáculo.Las desventuras de Florenz Ziegfeld Jr., conocido productor del espectáculo.
- Ganó 3 premios Óscar
- 4 premios y 5 nominaciones en total
Fanny Brice
- Fannie Brice
- (as Fannie Brice)
Joseph Cawthorn
- Dr. Ziegfeld
- (as Joseph Cawthorne)
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
Argumento
¿Sabías que...?
- CuriosidadesA.A. Trimble, who portrays Will Rogers in the film, was a Cleveland map salesman who frequently impersonated Rogers at Rotarian lunches.
- PifiasIn the "Rhapsody in Blue" portion of the mammoth "Pretty Girl" number, one of the silver-fringe-and-antlers quartet of dancers gets visibly disoriented when her group does its final moves. She's the second one from the left, and her movements are completely out of sync with the other three until, with a thump, she sits down on the stairs. Since the incredibly complex number was shot in very long takes, the error was allowed to remain in the film.
- Citas
Florenz Ziegfeld Jr.: [after catching Ray Bolger doing a little softshoe backstage] Buddy, you're better with your feet than you are with your broom.
Ray Bolger: Mr. Ziegfeld, you think so? Gee, I wish you'd give me a chance. I've got talent, and I'd like to get away from shifting scenery and moving props.
Florenz Ziegfeld Jr.: How long have you been a property boy?
Ray Bolger: Five years, but my heart hasn't been in it.
Florenz Ziegfeld Jr.: You've been working a long time without your heart, buddy.
- Créditos adicionalesThe opening credits display the title of the film and the names of the stars in marquee lights, as they would be on Broadway.
- Versiones alternativasThere is an Italian edition of this film, as Bonus Extra, on DVD "FOLLIE DI ZIEGFELD", re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConexionesEdited into Las chicas de Ziegfeld (1941)
- Banda sonoraHarriet Hoctor Ballet
(1936) (uncredited)
(also called "A Circus Must Be Different in a Ziegfield Show")
Music by Con Conrad
Lyrics by Herb Magidson
Sung and danced by male and female choruses
Danced by Harriet Hoctor
Reseña destacada
Knowing several people, on and outside of IMDb, who consider The Great Ziegfeld one of the weakest Best Picture winners, that didn't stop me from seeing it anyway. To me though, while it's not flawless and not the best film of the year it was still incredibly well-made and entertaining stuff and from personal view it is nowhere near one of the worst Best Picture winners.
The Great Ziegfeld agreed is overlong with a draggy and at times uneventful first half and half an hour could easily have been trimmed. And more could have done with the relationship between Ziegfeld and Billie Burke which appeared late in the film and didn't feel developed enough, almost like an afterthought.
However, The Great Ziegfeld is very lavishly mounted, with photography that's both beautiful and clever, sumptuous costume design and some of the most handsomely gorgeous sets of any 30s musical. Other pleasures are the marvellous and very well-staged(without being too overblown) songs with A Pretty Girl is Like a Melody being an absolute show-stopper, a script peppered with humour and heart and the mostly poignant story. Standout scenes were Fanny Brice's charming My Man, Ray Bolger's witty dancing to My Follies Girl, Luise Rainer's heart-breaking telephone(justifiably famous) and especially A Pretty Girl is Like a Melody with its clever photography and perhaps one of the best uses of a staircase in a film. The direction is adept and the performances are great, with William Powell suave personified and especially Luise Rainer who is the epitome of charm and grace, capable of a good range of emotions as seen in the telephone scene. Fanny Brice, Frank Morgan, Ray Bolger are all memorable, while Myrna Loy is underused she's hardly wasted either.
Overall, a well-made, entertaining and very good film and well worth the look. 8/10 Bethany Cox
The Great Ziegfeld agreed is overlong with a draggy and at times uneventful first half and half an hour could easily have been trimmed. And more could have done with the relationship between Ziegfeld and Billie Burke which appeared late in the film and didn't feel developed enough, almost like an afterthought.
However, The Great Ziegfeld is very lavishly mounted, with photography that's both beautiful and clever, sumptuous costume design and some of the most handsomely gorgeous sets of any 30s musical. Other pleasures are the marvellous and very well-staged(without being too overblown) songs with A Pretty Girl is Like a Melody being an absolute show-stopper, a script peppered with humour and heart and the mostly poignant story. Standout scenes were Fanny Brice's charming My Man, Ray Bolger's witty dancing to My Follies Girl, Luise Rainer's heart-breaking telephone(justifiably famous) and especially A Pretty Girl is Like a Melody with its clever photography and perhaps one of the best uses of a staircase in a film. The direction is adept and the performances are great, with William Powell suave personified and especially Luise Rainer who is the epitome of charm and grace, capable of a good range of emotions as seen in the telephone scene. Fanny Brice, Frank Morgan, Ray Bolger are all memorable, while Myrna Loy is underused she's hardly wasted either.
Overall, a well-made, entertaining and very good film and well worth the look. 8/10 Bethany Cox
- TheLittleSongbird
- 29 mar 2015
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- How long is The Great Ziegfeld?Con tecnología de Alexa
Detalles
- Duración2 horas 56 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was El gran Ziegfeld (1936) officially released in India in English?
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