Añade un argumento en tu idiomaA former student who is now a big Broadway show producer with three flops to his reputation, is invited back to direct the College's annual student stage show.A former student who is now a big Broadway show producer with three flops to his reputation, is invited back to direct the College's annual student stage show.A former student who is now a big Broadway show producer with three flops to his reputation, is invited back to direct the College's annual student stage show.
- Director/a
- Guionistas
- Estrellas
- Nominado para 1 premio Óscar
- 1 premio y 1 nominación en total
Johnnie Davis
- Buzz Bolton
- (as Johnny Davis)
Ford Washington Lee
- Buck
- (as Buck)
John W. Bubbles
- Bubbles
- (as Bubbles)
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Reseñas destacadas
I usually don't like this sort of musical....
I wonder what happened with the missing 40 minutes from "Varsity Show". IMDb lists its original running time as 120 minutes but the Turner DVD is only 80--meaning a third of the film is missing. Perhaps this is just a mistake and the film was always 80 minutes but I wonder if the studio thought 120 minutes made the film incredibly sluggish and they decided to re-edit it--though cutting out THAT much seems very unlikely. Can anyone shed any light on this for me?
Dick Powell as well as Fred Waring and his orchestra star in this light-hearted college musical. Apparently the folks at Winfield College are going to put on another VERY boring show--thanks to the very dull Professor Biddle who insists they do it his way. The students want to breath energy into the program and invite Mr. Daly (Powell) to 'spice it up'. But the faculty is adamant--so what are these co-eds to do? Why SING of course! And, in the end, instead of Mr. Daly saving the college show, the students (much like in "Babes on Broadway") put on a show to save the career of swell 'ol Mr. Daly.
Overall, this is pure escapist fun. While the songs aren't particularly memorable, they are enjoyable. And the final BIG production number (choreographed by Busby Berkeley) is also quite amazing--and better than most of his efforts. While I am not a huge fan of this sort of film, for what this is, it's amazingly well done. Proof that it wasn't just MGM that could make a nice musical, as Warner had a long string of big production number musicals in the 30s. Worth seeing.
By the way, I liked Dick Powell's line "Get back to your rooms and crack a book...". That's because in practically every college film of the 30s and 40s, you almost NEVER see these folks studying or attending classes! Seeing them in the next scene actually studying was a shocker! Although, not surprisingly, the studying session didn't last very long!
Dick Powell as well as Fred Waring and his orchestra star in this light-hearted college musical. Apparently the folks at Winfield College are going to put on another VERY boring show--thanks to the very dull Professor Biddle who insists they do it his way. The students want to breath energy into the program and invite Mr. Daly (Powell) to 'spice it up'. But the faculty is adamant--so what are these co-eds to do? Why SING of course! And, in the end, instead of Mr. Daly saving the college show, the students (much like in "Babes on Broadway") put on a show to save the career of swell 'ol Mr. Daly.
Overall, this is pure escapist fun. While the songs aren't particularly memorable, they are enjoyable. And the final BIG production number (choreographed by Busby Berkeley) is also quite amazing--and better than most of his efforts. While I am not a huge fan of this sort of film, for what this is, it's amazingly well done. Proof that it wasn't just MGM that could make a nice musical, as Warner had a long string of big production number musicals in the 30s. Worth seeing.
By the way, I liked Dick Powell's line "Get back to your rooms and crack a book...". That's because in practically every college film of the 30s and 40s, you almost NEVER see these folks studying or attending classes! Seeing them in the next scene actually studying was a shocker! Although, not surprisingly, the studying session didn't last very long!
Restore Varsity Show If We Can
I was looking forward to seeing Varsity Show because of the fact that I owned the four Dick Powell Decca recordings that were made from songs in this film. The Tony Thomas book, the Films of Dick Powell also said that it was a 2 hour film.
In the abbreviated 80 minute version I saw of it, I'm thinking there was a lot of material that was left out and may in fact now be lost. Two of those songs Powell did not sing on the screen, Have You Got Any Castles Baby and Love Is On The Air Tonight. He did do a very nice version of You've Got Something There with Rosemary Lane and the song Moonlight On The Campus seems to have been edited out all together.
Still even in the shortened version Varsity Show is an entertaining bit of nonsense about a Broadway producer played by Powell who's had a run of bad luck, but answers the call of the student body of his alma mater to produce their Varsity Show. It was the kind of light weight material that Powell was desperately trying to get out of doing at Warner Brothers, but Jack Warner wouldn't see him in anything else.
Jack did give him a good cast to work with however with a lot of very familiar character actors going through their paces. Standing out are Ted Healy on loan from MGM playing Powell's assistant, Edward Brophy as the theater manager who's about to have a stroke because he can't get an advance for rent from the college kids, and Walter Catlett who is very funny as the faculty adviser for the show who knows as much about putting on a show as Ginger Rogers running the Brooklyn Dodgers to quote another Dick Powell song from another film.
Fred Waring and his Pennsylvanians are here to supply the music and chorus and Rosemary's sister Priscilla Lane is another student. The dancing talent is tops with Lee Dixon who had co-starred with Powell in Golddiggers of 1937 and the great team of Buck and Bubbles who I still remember from the Ed Sullivan Show as a lad. Richard Whiting and Johnny Mercer wrote the original songs that I liked so much.
Varsity Show got an Academy Award nomination for Busby Berkeley in the category of Dance Direction which was discarded in the Forties. Berkeley did one of his patented extravaganzas for a finale using the theme songs from several colleges and it's quite an eyeful and most entertaining.
I hope one day we can get a restored version of Varsity Show. I'm betting a lot of good material might be lost as it stands right now. I have a feeling I'd rate Varsity Show higher if we saw the director's cut.
In the abbreviated 80 minute version I saw of it, I'm thinking there was a lot of material that was left out and may in fact now be lost. Two of those songs Powell did not sing on the screen, Have You Got Any Castles Baby and Love Is On The Air Tonight. He did do a very nice version of You've Got Something There with Rosemary Lane and the song Moonlight On The Campus seems to have been edited out all together.
Still even in the shortened version Varsity Show is an entertaining bit of nonsense about a Broadway producer played by Powell who's had a run of bad luck, but answers the call of the student body of his alma mater to produce their Varsity Show. It was the kind of light weight material that Powell was desperately trying to get out of doing at Warner Brothers, but Jack Warner wouldn't see him in anything else.
Jack did give him a good cast to work with however with a lot of very familiar character actors going through their paces. Standing out are Ted Healy on loan from MGM playing Powell's assistant, Edward Brophy as the theater manager who's about to have a stroke because he can't get an advance for rent from the college kids, and Walter Catlett who is very funny as the faculty adviser for the show who knows as much about putting on a show as Ginger Rogers running the Brooklyn Dodgers to quote another Dick Powell song from another film.
Fred Waring and his Pennsylvanians are here to supply the music and chorus and Rosemary's sister Priscilla Lane is another student. The dancing talent is tops with Lee Dixon who had co-starred with Powell in Golddiggers of 1937 and the great team of Buck and Bubbles who I still remember from the Ed Sullivan Show as a lad. Richard Whiting and Johnny Mercer wrote the original songs that I liked so much.
Varsity Show got an Academy Award nomination for Busby Berkeley in the category of Dance Direction which was discarded in the Forties. Berkeley did one of his patented extravaganzas for a finale using the theme songs from several colleges and it's quite an eyeful and most entertaining.
I hope one day we can get a restored version of Varsity Show. I'm betting a lot of good material might be lost as it stands right now. I have a feeling I'd rate Varsity Show higher if we saw the director's cut.
A Few Footnotes
No need to repeat details exhaustively provided by other reviewers. I caught the 80-minute truncated version on TCM and it's a shame despite the lively cast and Berkeley's big production number. Comparing the playlist with what's on screen, most of the musical numbers that survived the edit appear condensed into the closing medley of songs—hardly a fair representation. And what's left intact is musically pleasant but hardly memorable. Generally, the same can be said of the truncated movie as a whole.
(In passing—note the rebellious college students impatient with the stodgy musical tastes of their elders. Seems like musical rebellion among the young extends further back than the 1950's and Elvis. More obscurely-- note how the kids at one juncture perform a brief sit-down strike to make their point. The year is 1937, the same period as the historic General Motors Sitdown Strike of 1936-37. Looks to me like a topical reference even in a movie piece of fluff.)
(In passing—note the rebellious college students impatient with the stodgy musical tastes of their elders. Seems like musical rebellion among the young extends further back than the 1950's and Elvis. More obscurely-- note how the kids at one juncture perform a brief sit-down strike to make their point. The year is 1937, the same period as the historic General Motors Sitdown Strike of 1936-37. Looks to me like a topical reference even in a movie piece of fluff.)
Underrated Solid Musical Comedy
This is not "Gold diggers of 1933" or "Footlight Parade," but it is a competent and fun musical. While not an "A" picture, it is a solid "B." There may not be anything great here, but everything is loud, energetic and good. There are many small delights for people willing to look
This was directed by William Keighley between two excellent Errol Flynn movies that he directed: "The Prince and the Pauper" and "Adventures of Robin Hood". He also did directed two fine James Cagney movies, "G Men" and "Each Dawn I Die". He also did the classic comedy, "The Man Who Came to Dinner" The movie has a bunch of fine second bananas, Walter Catlett, Sterling Holloway and Ted Healey. Catlett had bit parts in many classic comedies, for example, "Bringing up Baby" and "Mr. Deeds Goes to Town" He was a much in demand actor doing 50 films between 1940 and 1944, getting 6th-10th billing in almost all of them. Adorable Sterling Holloway adds his nice spaecy bits. Even Ted Healey, who is associated with the Three Stooges comes off well. He played the leader of the Three Stooges, a part that the Moe Fine took over when they split up. In the movie, he is referred to as a stooge and he plays the part convincingly.
This is the first movie for Priscilla and Rosemary Lane. There older sister, Lola, had been a star for eight years by this. All three sisters would continue to make movies for about ten more years. While I'm unfamiliar with Rosemary Lane's films, Priscilla was in at least three classics, "Arsenic and Old Lace" "The Roaring Twenties" and Alfred Hitchcock's "Saboteur. Both sisters are delightful here.
George Washington Lee and William Sublett as Buck and Bubbles do a couple of wonderful dance routines.
The finale is by Busby Berkeley. While people are right to point out that this football number is not one of his best, even average Busby Berkeley is better than most musical numbers by anybody else.
Overall, the movie doesn't dazzle, but it zips along, brightens the day and puts a smile on your face. I would love to see the missing 40 minutes.
This was directed by William Keighley between two excellent Errol Flynn movies that he directed: "The Prince and the Pauper" and "Adventures of Robin Hood". He also did directed two fine James Cagney movies, "G Men" and "Each Dawn I Die". He also did the classic comedy, "The Man Who Came to Dinner" The movie has a bunch of fine second bananas, Walter Catlett, Sterling Holloway and Ted Healey. Catlett had bit parts in many classic comedies, for example, "Bringing up Baby" and "Mr. Deeds Goes to Town" He was a much in demand actor doing 50 films between 1940 and 1944, getting 6th-10th billing in almost all of them. Adorable Sterling Holloway adds his nice spaecy bits. Even Ted Healey, who is associated with the Three Stooges comes off well. He played the leader of the Three Stooges, a part that the Moe Fine took over when they split up. In the movie, he is referred to as a stooge and he plays the part convincingly.
This is the first movie for Priscilla and Rosemary Lane. There older sister, Lola, had been a star for eight years by this. All three sisters would continue to make movies for about ten more years. While I'm unfamiliar with Rosemary Lane's films, Priscilla was in at least three classics, "Arsenic and Old Lace" "The Roaring Twenties" and Alfred Hitchcock's "Saboteur. Both sisters are delightful here.
George Washington Lee and William Sublett as Buck and Bubbles do a couple of wonderful dance routines.
The finale is by Busby Berkeley. While people are right to point out that this football number is not one of his best, even average Busby Berkeley is better than most musical numbers by anybody else.
Overall, the movie doesn't dazzle, but it zips along, brightens the day and puts a smile on your face. I would love to see the missing 40 minutes.
Near bottom of the ladder of the normally wonderful 1930s and 1940s
I don't usually rate films from this era as low as a 5, and I more often rate 21st century movies a 5 or lower. I am not saying all 21st century stuff is bad. Movies that have come out in the 21st century that I loved and thought were great included "Black swan", "Eternal sunshine of the spotless mind", "The pianist", "Girl with a dragon tattoo", "The Aviator", and "The curious case of Benjamin Buttons". I also thought the Harry Potter films were great.
Generally speaking though in my opinion, old times were better, in films and in real life. My list of great films I love from The Golden Age of Hollywood is pages long. I am not saying old times were perfect, nothing is. "Varsity show" was definitely not perfect. It was one of Busby's "slump films", which were three films he made during a bad spot during his life (the bad spot was Busby having accidentally killed someone in a car wreck and he was initially tried for murder). His three slump films were "Hollywood hotel", "Varsity show", and "Gold diggers Paris". Those three films lacked the magic of his usual wonder and had some characters in them which were more weird and stupid acting than what was in Busby's normal greatness.
The opening scenes I saw a familiar face in the late 1930s college crowd. A funny looking long toothed man who I had seen an older version of as a weird TV repair man in 1962 Twilight zone episode "Whats in the box". The man who voiced Whinny the pooh in the 1960s cartoon Whinny the pooh. He was about 19 here and was one of the students among others such as Johnnie Davis and pretty Rosemary Lane. Rosemary was pretty and nice, and was joined by Dick Powell who is been in almost every 1930s Busby Berkeley film. But Powell lost his touch a little here compared to his earlier stuff. "Gold diggers 37" was the first film where Powell wasn't as great as before (his first number of that film "speakin of the weather. Lighning flash!" did not have the same magic that his songs from "Gold diggers 33", "Gold diggers 35", "Dames", etc. had), although "Gold diggers 37" did have one wonderful song with the magic like in the previous films, which was the song at the party "Let's get our heads together" (even that song had one bad little spot that didn't fit with the magic of the rest of the song, and that was when two weird guys at the bar sung a line of the song in weird voices. That one tiny moment was unfortunately a preview of what was gonna happen a bit more during Busby's slump films which included "Varsity show"). "Lets get our heads together" in "Gold diggers 37" was the last wonderful piece of Busby magic until he bounced back again (due to his murder trials being acquitted) and made the wonderful Judy Garland films, starting with "Babes in arms" in 1939.
Powell here in "Varsity show" was eloped with Rosemary. She was cute and nice, but she wasn't as totally amazing and heavenly wonderful like Powell's earlier partners Ruby Keeler and Gloria Stewart. Ruby was an angel, especially "I only have eyes for you", "Like a waterfall", "Pettin in the park", etc., and Gloria was an angel in "Gold diggers 35's" "The words are in my heart".
"Varsity show" wasn't absolutely terrible. It was just a slump film which lacked the magic from Busby's better times, which fortunately was the higher percentage of his career. There one really miserable guy, who was a slump film style character. First, he yelled at all the kids to get out of the theater and then they just sat down and laughed. And then he got the police, but when they got there they just sat down and enjoyed the show. Then the miserable guy got the swat team, but they only joined the police to watch. Then he got the military armed forces, then the governor. They all did the same while this miserable guy's mounting frustration grew while no one else shared it. Most people knew that shows in the 1930s were nice to watch. This film was, I will call it mediocre.
Generally speaking though in my opinion, old times were better, in films and in real life. My list of great films I love from The Golden Age of Hollywood is pages long. I am not saying old times were perfect, nothing is. "Varsity show" was definitely not perfect. It was one of Busby's "slump films", which were three films he made during a bad spot during his life (the bad spot was Busby having accidentally killed someone in a car wreck and he was initially tried for murder). His three slump films were "Hollywood hotel", "Varsity show", and "Gold diggers Paris". Those three films lacked the magic of his usual wonder and had some characters in them which were more weird and stupid acting than what was in Busby's normal greatness.
The opening scenes I saw a familiar face in the late 1930s college crowd. A funny looking long toothed man who I had seen an older version of as a weird TV repair man in 1962 Twilight zone episode "Whats in the box". The man who voiced Whinny the pooh in the 1960s cartoon Whinny the pooh. He was about 19 here and was one of the students among others such as Johnnie Davis and pretty Rosemary Lane. Rosemary was pretty and nice, and was joined by Dick Powell who is been in almost every 1930s Busby Berkeley film. But Powell lost his touch a little here compared to his earlier stuff. "Gold diggers 37" was the first film where Powell wasn't as great as before (his first number of that film "speakin of the weather. Lighning flash!" did not have the same magic that his songs from "Gold diggers 33", "Gold diggers 35", "Dames", etc. had), although "Gold diggers 37" did have one wonderful song with the magic like in the previous films, which was the song at the party "Let's get our heads together" (even that song had one bad little spot that didn't fit with the magic of the rest of the song, and that was when two weird guys at the bar sung a line of the song in weird voices. That one tiny moment was unfortunately a preview of what was gonna happen a bit more during Busby's slump films which included "Varsity show"). "Lets get our heads together" in "Gold diggers 37" was the last wonderful piece of Busby magic until he bounced back again (due to his murder trials being acquitted) and made the wonderful Judy Garland films, starting with "Babes in arms" in 1939.
Powell here in "Varsity show" was eloped with Rosemary. She was cute and nice, but she wasn't as totally amazing and heavenly wonderful like Powell's earlier partners Ruby Keeler and Gloria Stewart. Ruby was an angel, especially "I only have eyes for you", "Like a waterfall", "Pettin in the park", etc., and Gloria was an angel in "Gold diggers 35's" "The words are in my heart".
"Varsity show" wasn't absolutely terrible. It was just a slump film which lacked the magic from Busby's better times, which fortunately was the higher percentage of his career. There one really miserable guy, who was a slump film style character. First, he yelled at all the kids to get out of the theater and then they just sat down and laughed. And then he got the police, but when they got there they just sat down and enjoyed the show. Then the miserable guy got the swat team, but they only joined the police to watch. Then he got the military armed forces, then the governor. They all did the same while this miserable guy's mounting frustration grew while no one else shared it. Most people knew that shows in the 1930s were nice to watch. This film was, I will call it mediocre.
¿Sabías que...?
- CuriosidadesWhen Fred Waring was approached to play a starring role in this film, he brought his famous glee club, The Pennsylvanians, to the shoot and planned on using the college glee club from Pomona College for additional singers. When he arrived at the campus he found the Glee Club conductor was ill but his replacement was a young, energetic man named Robert Shaw. After the movie was finished, Shaw followed Waring to New York, where he founded the Collegiate Chorale and the Robert Shaw Chorale. Robert Shaw went on to be one of the most important personalities in American choral music in the 20th century.
- Citas
Professor Sylvester Biddle: [to Chuck and Williams] Oh, uh, I'm very glad that I ran into you.
William Williams: Well, I'm glad I run into you. It's too bad it wasn't in my truck.
- ConexionesFeatured in No Maps on My Taps (1979)
- Banda sonoraOld King Cole
(1937) (uncredited)
Music by Richard A. Whiting
Lyrics by Johnny Mercer
Played by Fred Waring and His Pennsylvanians and sung by Johnnie Davis
Reprised with Priscilla Lane and Lee Dixon dancing
Reprised in the finale with Johnnie Davis singing
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Pesma mladosti
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración
- 2h(120 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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