Añade un argumento en tu idiomaCantina performer Juan aspires to opera singing under mentor Estaban's guidance. He falls for Maria, an escaped nun. Torn between marrying her and pursuing his ambitions, Juan faces oppositi... Leer todoCantina performer Juan aspires to opera singing under mentor Estaban's guidance. He falls for Maria, an escaped nun. Torn between marrying her and pursuing his ambitions, Juan faces opposition.Cantina performer Juan aspires to opera singing under mentor Estaban's guidance. He falls for Maria, an escaped nun. Torn between marrying her and pursuing his ambitions, Juan faces opposition.
Sidney D'Albrook
- Police Officer
- (sin acreditar)
Julia Griffith
- Dowager Empress Opera Spectator
- (sin acreditar)
Fred Hueston
- Opera Spectator
- (sin acreditar)
Lillian Lawrence
- Nun
- (sin acreditar)
Lillian Leighton
- Shawl Vendor
- (sin acreditar)
Adolph Milar
- Police Officer
- (sin acreditar)
Rolfe Sedan
- Actor in Opera
- (sin acreditar)
Leo White
- Impressario's Assistant
- (sin acreditar)
Frank Yaconelli
- Fruit Vendor
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesRenée Adorée was cast at the insistence of her friend and frequent costar Ramon Novarro, who probably didn't know how ill she was with tuberculosis. She suffered two hemorrhages during production which almost shut the project down. After one setback, Novarro tried to convince production supervisor Hunt Stromberg to relieve her of her duties and re-shoot her material with another actress, offering to waive his salary, but Stromberg insisted, against doctor's orders, that it would be too expensive. After completing her last scene, Adorée had a second hemorrhage again and lost consciousness; she was rushed to a sanitarium in La Crescenta, California. Although Adorée survived two more years, her health effectively ended her chances at a continued career. Call of the Flesh (1930) was her last film.
- Versiones alternativasSevilla de mis amores (1930) - Spanish language version
- ConexionesAlternate-language version of Sevilla de mis amores (1930)
- Banda sonoraLonely
(1930) (uncredited)
Words by Clifford Grey
Music by Ramon Novarro and Herbert Stothart
Copyright 1930 by Robbins Music Corporation
Reseña destacada
In a Spanish convent, girlish-acting Dorothy Jordan (as Maria Consuelo Vargas) is thinking about taking her final vows when she hears handsome Ramon Novarro (as Juan de Dios) singing in a nearby cantina. She sneaks away from the nunnery to watch Mr. Novarro sing. The seemingly aroused Ms. Jordan looks like she may never become a nun. Novarro playfully turns down some after-hours bedtime with attractive dancing partner Renee Adoree (as Lola) – proving "Whatever Lola wants, Lola gets" is not correct, this time. Next, Novarro sups with operatic mentor Ernest Torrence (as Esteban), steals a few things at the market, and then meets Jordan. The two become mutually attracted...
Hoping to advance his career, Novarro moves to Madrid with Mr. Torrence going along as singing coach. They take love-struck Jordan along to serve as cook. Back at the convent, Ms. Adoree jealously informs Jordan's brother Russell Hopton (as Enrique Vargas) about her association with Novarro. The nuns say Jordan never took her final vows, but Mr. Hopton expects his sister to remain holy – he is understandably upset about her running away with a young man. We're supposed to think there is some danger in this, but there is none...
"Call of the Flesh" is a silly piece of fluff. Jordan was capable of much more – here, she's stuck impersonating a giggling novice. Adoree does better with her role. Sadly, this was the last film for Adoree, who often appeared supporting bigger stars – like Novarro, John Gilbert and Lon Chaney. She became ill during production and succumbed to tuberculosis in 1933. His female co-stars have a fine rapport with Novarro. Greater as a villain, Torrence is out of sorts as Novarro's loving mentor. The cameras adore Novarro. There are clearly times when director Charles Brabin is unable to reign him in, but Novarro is charming in spite of it all. Most important to his new generation of fans, he looks terrific.
***** Call of the Flesh (8/16/30) Charles Brabin ~ Ramon Novarro, Dorothy Jordan, Ernest Torrence, Renee Adoree
Hoping to advance his career, Novarro moves to Madrid with Mr. Torrence going along as singing coach. They take love-struck Jordan along to serve as cook. Back at the convent, Ms. Adoree jealously informs Jordan's brother Russell Hopton (as Enrique Vargas) about her association with Novarro. The nuns say Jordan never took her final vows, but Mr. Hopton expects his sister to remain holy – he is understandably upset about her running away with a young man. We're supposed to think there is some danger in this, but there is none...
"Call of the Flesh" is a silly piece of fluff. Jordan was capable of much more – here, she's stuck impersonating a giggling novice. Adoree does better with her role. Sadly, this was the last film for Adoree, who often appeared supporting bigger stars – like Novarro, John Gilbert and Lon Chaney. She became ill during production and succumbed to tuberculosis in 1933. His female co-stars have a fine rapport with Novarro. Greater as a villain, Torrence is out of sorts as Novarro's loving mentor. The cameras adore Novarro. There are clearly times when director Charles Brabin is unable to reign him in, but Novarro is charming in spite of it all. Most important to his new generation of fans, he looks terrific.
***** Call of the Flesh (8/16/30) Charles Brabin ~ Ramon Novarro, Dorothy Jordan, Ernest Torrence, Renee Adoree
- wes-connors
- 21 ago 2014
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
Detalles
Taquilla
- Presupuesto
- 464.000 US$ (estimación)
- Duración1 hora 40 minutos
- Color
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta
Principal laguna de datos
What is the Spanish language plot outline for Call of the Flesh (1930)?
Responde