Señal de alarma

Making allowances for the fact that I saw an abbreviated version of Danger Lights, I'd still have to say that this film is as far as the story goes nothing terribly special. But I have friends who belong to a group called Railroad Enthusiasts and if they haven't seen this movie it ought to be required for those who want to join.

The scenes involving the work in the railroad yards and the trains themselves are the best thing about Danger Lights. It's very reminiscent to the classic Burt Lancaster film The Train of which a good deal is set in the Paris railway yards. I wouldn't be surprised if John Frankenheimer saw Danger Lights and took a lot of ideas from it.

As for the plot it's a simple one, a love triangle involving Louis Wolheim the tough boss of the yards, a young hobo played by Robert Armstrong who was a former railroad worker to whom Wolheim gives a second chance and Jean Arthur the daughter of a disabled former railroad worker whom Wolheim boards with and takes care of. Arthur respects and loves Wolheim, but can't see him as a romantic figure.

I think you can take it from there. You will not see any of the comedic style that we saw with Jean Arthur in her top years, she's merely a romantic ingénue and the object of the affections of all.

The railroad and the yards are the real stars of Danger Lights. And this review is dedicated to that intrepid band of railroad enthusiasts.

I taped the movie from TV broadcast about 15 years ago. My wife saw the movie being filmed in Miles City, Montana ( 8 years old at that time ) She and her older sister and parents were thrilled to see Jean Arthur in person. I liked the railroad scenes. Jean Arthur has long been a favorite of mine. I have been a movie buff most of my life and have collected just about every format that was available to the public. Currently collecting DVDs

I, too, originally saw, and taped, the film from a local PBS channel, and agree with a previous reviewer that it is a difficult film to find. As to the film: the story-line is typical and the acting acceptable; the real "star" of the film is the railroad itself. Made in 1930 during the Age of Steam, the film vividly shows the long-vanished skill and dedication required to keep the trains running. Louis Wolheim plays the hard-as-nails superintendent (such men actually existed) who was absolutely dedicated to maintaining the schedules ("hold up the 'Olympian!' Are you off your nut!"). Filmed on location in Montana on the long-abandoned Milwaukee Road railway, this film is an absolute Must for rail fans who love steam.

This film is billed as a love story (typical love triangle), but the human-to-human love story is left in the dust because the human-to-train love story is much more passionate. I won't tell you how the story ends, but if you love trains (especially steam trains), you will love watching this film. ALL the characters in this film are in love with trains, and you will be, too. Be sure not to miss the lightning train trip to Chicago. The one thing that could have improved this film would have been "brightening up" the night scenes. I have a copy of it in my library - go thou and do likewise (don't know if it can be rented).

I was lucky enough to tape a copy of this once when the local public television station ran it (no commercials!) cause it sure is hard to find. Its not the kind of movie you watch for the story (though it has one) or for it's great acting (its about as bad as "Plan 9 from Outer Space") but if you enjoy trains and a look back at all the work that went on behind the scenes to keep them running, this is the movie for you. One of only a few movies shot in "Natural Vision." I would love to see this projected in a theater where the large vistas would rally come alive.