Como ella sola

The family patriarch (Frank Craven), who has long since lost control of the business he himself started, and winds up only being an employee at, raises two distinctly different daughters. One (played by Bette Davis) is corrupted by her own personality defects and the attentions of her uncle (Charles Coburn), who has plenty of ability in business (it is revealed that he swooped in and took over the business that Craven started at an opportune time), but has a childless and cold marriage and presumably for that reason, showers money, gifts, and attention on his niece, foolishly believing he can buy her love and his happiness. This turns out to be probably Stanley's (Bette Davis) most formative relationship. Why De Havilland's Roy is so different we can only assume was because she came more under the influence of her father (Craven). That involved background story is actually more interesting than the story that is presented in the foreground, of Davis and sister Olivia De Havilland and their relationships with George Brent and Dennis Morgan. Nonetheless, Davis' relationship with Uncle William (Coburn) reaches a climactic point that ties in beautifully with the climax of the film.