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Los visitantes de la noche

Título original: Les visiteurs du soir
  • 1942
  • Not Rated
  • 2h
PUNTUACIÓN EN IMDb
7,2/10
2,6 mil
TU PUNTUACIÓN
Los visitantes de la noche (1942)
Cuentos de hadasDramaDrama de épocaEspada y brujeríaFantasíaFantasía oscuraFantasía sobrenaturalRomanceTragedia

En la Francia medieval, el diablo interviene cuando uno de sus dos súbditos, enviado para seducir y engañar a los mortales, se enamora de una víctima.En la Francia medieval, el diablo interviene cuando uno de sus dos súbditos, enviado para seducir y engañar a los mortales, se enamora de una víctima.En la Francia medieval, el diablo interviene cuando uno de sus dos súbditos, enviado para seducir y engañar a los mortales, se enamora de una víctima.

  • Dirección
    • Marcel Carné
  • Guión
    • Jacques Prévert
    • Pierre Laroche
  • Reparto principal
    • Arletty
    • Marie Déa
    • Fernand Ledoux
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,2/10
    2,6 mil
    TU PUNTUACIÓN
    • Dirección
      • Marcel Carné
    • Guión
      • Jacques Prévert
      • Pierre Laroche
    • Reparto principal
      • Arletty
      • Marie Déa
      • Fernand Ledoux
    • 16Reseñas de usuarios
    • 27Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes47

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    Reparto principal24

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    Arletty
    Arletty
    • Dominique - un ménestrel
    Marie Déa
    Marie Déa
    • Anne Hugue - la fille du baron qui se fiance avec Renaud
    Fernand Ledoux
    Fernand Ledoux
    • Le baron Hugues - le châtelain, père d'Anne
    Alain Cuny
    Alain Cuny
    • Gilles - un ménestrel
    Pierre Labry
    Pierre Labry
    • Le seigneur
    Jean d'Yd
    • Le baladin
    Roger Blin
    • Le montreur de monstres
    Gabriel Gabrio
    Gabriel Gabrio
    • Le bourreau
    Marcel Herrand
    Marcel Herrand
    • Le baron Renaud - le fiancé d'Anne
    Jules Berry
    Jules Berry
    • Le diable
    Janine Berry
      Claudye Carter
        François Chaumette
        François Chaumette
        • Gillaume - Un page
        • (sin acreditar)
        Jean Darnel
        • Un page
        • (sin acreditar)
        Arsenio Freignac
          Guy Henry
          Guy Henry
            Robert Hébert
              Robert Le Béal
                • Dirección
                  • Marcel Carné
                • Guión
                  • Jacques Prévert
                  • Pierre Laroche
                • Todo el reparto y equipo
                • Producción, taquilla y más en IMDbPro

                Reseñas de usuarios16

                7,22.5K
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                Reseñas destacadas

                9Zoooma

                A masterpiece

                Unbelievably great film. And chilling. At one point I had to press pause and walk away. Granted I do not watch very many truly shocking films but that never happens with me. The story takes place in 1485 but it's about events in 1940. The great director Marcel Carné, for whatever reason, insisted, until his death, the film was not an allegory for Hitler and WWII and that any correlation was unintentional. Why would he deny it for 52 more years after the liberation of Paris? The similarity is astounding and it's surprising that Nazi censors never caught on to ban this film. Carné was under Nazi leadership when he made this. It could have gotten him sent to a concentration camp. But he was sneaky and to this day we have an amazing film about Hitler's rise and the French Resistance. Tremendously well acted. Some complain the film's a little slow but everything builds so nicely and has its place. A masterpiece and highly recommended!

                8.7 / 10 stars

                --Zoooma, a Kat Pirate Screener
                7athanasiosze

                6.9/10. Recommended

                This is an 82 years old/2 hours movie. One might expect it drags at some point, but no, pace is excellent, i never lost my interest, there is always something going on. Of course, it helps if you know what this is about. This is a drama/fantasy/romance, like a fairy tale for adults. Any romantic soul will appreciate it. It's not a masterpiece, it's not among the best movies of Carne/Prevert, actually i prefer the other collaborations of them. Still, it's enjoyable, legendary Arletty gives another great acting performance, other actors as well and if you love this genre, you are gonna like it at least, it's possible that you might even love it.
                10cat-that-goes-by-himself

                Carné and Prévert at their best

                Simply the most beautiful and moving movie that stemmed from the "réalisme poétique" movement. A truly atemporal story, despite the resistance allusions which can live long after the end of WWII.

                What makes me really love this movie is the contrast between the very dated conventions of acting, the seemingly slow pace that was the rule at a time the video clips were still waiting in an unforeseeable future and the perfect consistency of the characters and psychology. The emotion is still intact no matter how much the way actors and directors are supposed to convey it has changed over decades.

                What a bunch of great actors! True professionals working seamlessly together to serve a masterly written script. I really advise non-french speaking people to watch it in original version with subtitles, to enjoy the music of Prevert's poetic lines.

                This movie is a real gem.
                8Spondonman

                Art!

                This was the fifth of the six Great films directed by Marcel Carne between 1937 & 1945, again with writing collaboration from Jacques Prevert, and perhaps the most neglected. So much so I've yet to see a good print, my latest one from French TV seems to have horses galloping (albeit softly) throughout the soundtrack while the film seems to have been bashed about a bit. Never mind; Carne's career was littered with excellent films but Visiteurs was one of his best - maybe it's best seen now without thinking of metaphorical allusions to the then resistance against the Nazis (except as a piece de resistance?) And the best was still a few years off: the utter magnificence of Les Enfants Du Paradis.

                France 1485: shady Gilles (square jawed Cuny) and Dominique (worldly wise Arletty) arrive at Baron Hugues castle as melancholic minstrels intent on disrupting the marriage preparations going on – as any self respecting devilish envoy would. Alas it goes awry for Gilles when he actually does fall in love with Anne the Baron's daughter (Dea) but Arletty manages to keep to her usual cynical straight and narrow course, and leads the Baron off his. It's beautifully photographed on black & white nitrate film capturing atmospheric sunny days and romantic arc-moonlit nights, gorgeous costumes and fascinating sets equally well. One can almost smell the fresh air! One slight downer: the three midgets go from startling to plain irritating with their omnipresence. It's all about Love, Honour & Purity poetically and elegantly related – which makes the denouement with the supposedly pure Anne and the for once nonplussed Devil so delightful and droll. Even if out of scope for him he should still have been able to guess that all's fair in love!

                Remember: the Devil will always find work for idle hands to do, including his own. Watch it for a thoughtful two hours of breath taking beauty strolling through a lost world as portrayed by another lost world. Next: Les Enfants Du Paradis.
                7Tweetienator

                Master of Puppets

                One of my most favorite movies of all time is The Seventh Seal (Swedish: Det sjunde inseglet) that masterpiece made in 1957, written and directed by Ingmar Bergman. Les visiteurs du soir too is made in black and white and a fantasy movie or tale set in a historical setting, but it is much less dark than Bergman's vision. Whereas 7th Seal is a tragedy, a drama, Les visiteurs du soir got far more elements of romance and comedy. In Bergman's movie the great chess player is Death, the reaper, in Marcel Carné's movie the great master of puppets is the Devil, the seducer. A good one and recommended if you like to watch such "plays". Last note: remarkable is also the production, especially if you are aware that the movie was shot during the German occupation of France in 1942.

                Más del estilo

                Hôtel du Nord
                7,5
                Hôtel du Nord
                Al despertar el dia
                7,7
                Al despertar el dia
                Las puertas de la noche
                7,1
                Las puertas de la noche
                El muelle de las brumas
                7,7
                El muelle de las brumas
                Teresa Raquin
                7,4
                Teresa Raquin
                Los niños del paraíso
                8,3
                Los niños del paraíso
                Un drama singular
                7,4
                Un drama singular
                El cuervo
                7,8
                El cuervo
                El crimen de Monsieur Lange
                7,3
                El crimen de Monsieur Lange
                Me casé con una bruja
                7,1
                Me casé con una bruja
                El asesino vive en el 21
                7,3
                El asesino vive en el 21
                Mendigos de vida
                7,4
                Mendigos de vida

                Argumento

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                • Curiosidades
                  This film was shot while the Nazis were occupying France. Its director faced a number of difficulties in making it. It premiered on December 4, 1942. It was one of the biggest film events during the war. It was called "the grandest film of the Occupation." One of the reasons that the film was such a huge success was the rumor that the film was an allegory. Many people saw the character of the Devil as representing Hitler and the continued beating hearts of the lovers as representing France living under German rule. Until his death in 1996 the director, Marcel Carné, denied any intended hidden messages.
                • Citas

                  Dominique - un ménestrel: Men have loved me, as they like to whisper in my ear. I let them. Is it my fault if they wept, gave everything for me, even their lives? The young men were passionate; the old men crawled at my feet.

                  Gilles - un ménestrel: When did I ever cry or throw myself at your feet?

                  Dominique - un ménestrel: [snorts] You're different - greedy, stubborn, proud. You just want to be loved, to take without giving, to keep it all and leave.

                  Gilles - un ménestrel: Like you!

                  Dominique - un ménestrel: You hunted me like a cat hunts a mouse - but we're both cats, there is no mouse. It's not our fault. We both thought we'd caught a tender new victim... two executioners, face to face and no one to torture. How sad.

                • Créditos adicionales
                  The opening credits are shown as pages of an illuminated book with a gloved hand turning each page over.
                • Conexiones
                  Edited into Histoire(s) du cinéma: Historias del cine: La moneda de lo absoluto (1999)
                • Banda sonora
                  Complainte de Gilles
                  Music by Maurice Thiriet

                  Lyrics by Jacques Prévert

                  Performed by Jacques Jansen

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                Preguntas frecuentes

                • How long is The Devil's Envoys?
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                Detalles

                Editar
                • Fecha de lanzamiento
                  • 5 de diciembre de 1942 (Francia)
                • País de origen
                  • Francia
                • Idioma
                  • Francés
                • Títulos en diferentes países
                  • The Devil's Envoys
                • Localizaciones del rodaje
                  • Franstudio, Saint-Maurice, Val-de-Marne, Francia(Studio)
                • Empresa productora
                  • Productions André Paulvé
                • Ver más compañías en los créditos en IMDbPro

                Especificaciones técnicas

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                • Duración
                  2 horas
                • Color
                  • Black and White
                • Relación de aspecto
                  • 1.37 : 1

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