Cena de Navidad

Barbara Stanwyck could convey merriment, realization, longing and enchantment with a throaty chuckle, a knowing look, a downward glance and a dazzling smile. Boy, does she nail it all in this film. Christmas in Connecticut is one of the most romantic, fun holiday movies with even a cow that nudges the fireworks between Stanwyck, she a food writer with no actual culinary skills and an imaginary farm, and Dennis Morgan as the sailor sent to celebrate a swell ( but trumped up) holiday gathering at her home.

Dennis Morgan singing his gorgeous tenor voice in a spectacular living room overlooking a snowy landscape wishing Stanwyck was his, while Stanwyck decorates the tree, wishing he was hers, is a dreamy, fabulous scene. So is the hoedown on Christmas night as the two glory in promenading and meaningful looks and then escape to a sled, just to sit mind you, while the horse has other ideas and takes them for a ride on a starry night.

The supporting cast is a right-on combo. S. Z. Sakall plays the kindly restaurant owner who supplies Stanwyck with the succulent recipes, who is wise in picking up the vibes between Stanwyck and Morgan and supporting the match - the alternative is Reginald Gardiner, the loyal but boring boyfriend with the farm, who hopes to turn Stanwyck's made-up premise of farm and marriage into the real thing. The ins and outs of the plot are skillful and clever and there are even two babies in the mix adding to the belly laughs. It's a great holiday film that says goodbye to the war years.

It finally hit me watching my VHS of Christmas in Connecticut what other film this one reminded me of. If it weren't for the fact that the other was done 20 years later, I'd say it was a remake.

Just as Rock Hudson was a phony fishing expert for Abercrombie&Fitch who had to get some on the job training at a fishing tournament, Barbara Stanwyck plays an forties version of Martha Stewart.

Stanwyck's a cooking columnist who's built up this whole image of living on a small Connecticut farm with husband and baby cooking all these marvelous delicacies. Trouble is she's unmarried, childless, writes her column from her apartment in New York and doesn't know how to boil water. But her writing is a hit with the public.

Trouble comes when she's hijacked into cooking a home Christmas dinner for a war hero sailor played by Dennis Morgan who gets to sing a couple of songs as well. Got to keep up the image at any cost. And her publisher Sidney Greenstreet likes the idea so well that he invites himself to the dinner.

So with borrowed farm, baby, and Reginald Gardiner who'd like to make it real with Stanwyck she tries to brazen it through.

Christmas in Connecticut's now a Yuletide classic and deservedly so. The leads are warm and human and they get great support from the assembled players. S.Z. Sakall as the Hungarian restaurant owner/friend of Stanwyck from whom she gets her cooking information and Una O'Connor as the housekeeper have a nice chemistry between them. Reginald Gardiner and Stanwyck have no chemistry at all, obvious to all but Reggie and he's funny in his stuffed shirt way.

Most people remember this film as one of Sidney Greenstreet's few ventures into comedy. If he's not an outright villain, a cynical observer of life or a tyrannical tycoon, Greenstreet is few other things on screen. Christmas in Connecticut gave him a rare opportunity to burlesque his own image and he made the most of it.

In a biography of Barbara Stanwyck, she mentions she enjoyed making Christmas in Connecticut as a welcome change from some villainous parts like Double Indemnity she'd been doing recently. One of the things that made doing the film so enjoyable was that between takes, director Peter Godfrey and Greenstreet would do some impromptu entertaining of cast and crew with English Music Hall numbers. Made for a relaxed and warm set and the cast responded accordingly.

Now if only someone had been filming those numbers.

From the perspective of the hectic, contemporary world in which we live, the so called `good old days' always seem so much more serene and innocent; an idyllic era gone by of which we have only memories and shadows that linger on the silver screen, as with `Christmas In Connecticut,' a warm and endearing film directed by Peter Godfrey. Barbara Stanwyck stars as Elizabeth Lane, a popular `Martha Stewart' type magazine columnist who writes about life on her beloved farm in Connecticut, always with the latest recipe at the center of the story. One of her biggest fans is Alexander Yardley, played by Sidney Greenstreet, the publisher of the magazine for which she writes. Yardley has never visited her farm, and in response to an idea expressed to him in a letter from a nurse, Mary (Joyce Compton), he decides to spend an old fashioned Christmas with Elizabeth, her husband and child and, as a special guest, a certain Mr. Jefferson Jones (Dennis Morgan), a sailor just recovered from spending fifteen days at sea on a raft after his ship was torpedoed. Elizabeth of course cannot refuse her boss, but there are problems; not the least of which is the fact that she has no farm and writes her column from the comfort of a high-rise in the city. It makes for a precarious situation for her as well as her editor, Dudley Beecham (Robert Shayne), as the one thing Mr. Yardley demands from his employees is total honesty. What follows is a charming and delightfully romantic comedy that transports the audience back to a seemingly more simple time and place, to share a Christmas Past where a warm hearth, good food and kindness prevail.

Barbara Stanwyck absolutely sparkles as Elizabeth, with a smile and presence warmer than anything the grandest hearth could provide, and totally convincing as a city girl entirely out of her element on the farm. Morgan also fares well as the somewhat naive sailor, whose trust in his fellow man is admirable. Even with the deceptions being played out around him, he's the kind of guy you know will somehow land on his feet, and in the end it's Elizabeth you really feel for. One of the true delights of this film, however, is Sidney Greenstreet. His Yardley has a gruff exterior, but beneath you know without a doubt that this is a man with a heart as big as Texas. It's a straightforward, honest portrayal, and it's a joy to watch him work; the most memorable scenes in the movie belong to him.

The supporting cast includes Reginald Gardiner (John Sloan), the terrific Una O'Connor (Norah), Frank Jenks (Sinkewicz) and Dick Elliott (Judge Crothers). A feel-good movie that plays especially well during the Christmas Season (though it would work any time of the year), `Christmas In Connecticut' is a memorable film that never takes itself too seriously, is thoroughly uplifting and will leave you with a warm spot in your heart and a sense of peace that makes the world seem like a good place to be. It's a true classic, and one you do not want to miss. I rate this one 10/10.

This lightweight but pleasant holiday feature makes the most out of a pretty slim premise, thanks to a solid cast and some resourceful writing. Not meant to be taken very seriously, it provides easygoing entertainment with some simple but upbeat themes.

Barbara Stanwyck was an interesting choice as the lead, and she makes it work well enough. The premise of Stanwyck's writer character trying to fool everyone and maintain her image is more suited to screwball comedy than to a holiday feature, but the tone is kept light and funny while having just enough of the holiday atmosphere to be believable. The supporting cast helps out, with the likes of "Cuddles" Sakall and Sydney Greenstreet getting some good moments.

This kind of light but worthwhile feature is not as easy as it looks - as witness the string of crass, barely watchable holiday features of recent years. While hardly anything deep or brilliant, "Christmas in Connecticut" holds up well enough to be among the more enjoyable movies of its kind.

This romantic comedy stars Barbara Stanwyck as Elizabeth Lane, a woman who writes a lifestyles column for a popular magazine. Her publisher commands that she host and prepare a dinner for Jefferson Jones (Dennis Morgan), a sailor who was lost at sea for eighteen days. Because Miss Lane's own lifestyle is a literary fabrication, she resorts to an elaborate ruse. Her deception has consequences that complicate matters, leading to both romance and comedy.

There is a strong supporting cast, including "Cuddles" Sakall and Sidney Greenstreet, who is fun to watch in a comedic role.

Stanwyck and Morgan display a convincing chemistry that is the focus of the film.