Charlie Chan en Alcatraz

Most of the movies in the Charlie Chan series were bona-fide mysteries that were short on plot credulity and laced with a measure of comic relief throughout. "Dark Alibi" falls in line with this tried and true formula, but somebody dumped in an overload of comedy and nearly spoiled the whole picture. There are a lot of suspects to choose from in the clever plot in which we have to figure out who is the bank robber/murderer who masterminded the crime and used someone else's fingerprints to frame an innocent man. Not bad, huh? Even though the story is a little hard to swallow it gets points for creativity. However...

No question Mantan Moreland is a funny guy and gets a lot of mileage here with his pop-eyed, 'feets-do-your-duty' scared stiff routine. He is almost hung out to dry with it, and coupled with some misguided scenes with Benson Fong as two incompetents, it is all too much. The picture could have been 15 minutes shorter without some of the excruciating hi-jinks involving these two. The cast was a good one, production values were very good and the film did not betray any trace of a Poverty Row production. Recommended for Charlie Chan fans and for those who enjoy a mystery in which the murderer is very tough to spot (and don't worry too much about the details).

A nice bit of fluff from the Chan series, but not much to dig your teeth into. No one in law enforcement seen anything in the coincidence of three bank robberies solved in the exact same way - the only evidence is fingerprints - with the money never discovered. Of course, Charlie knows that something is going on. The fun cliché of this Chan episode is the warehouse full of theatrical props - like the fun house and the séance, a great setting for a movie mystery.

Prison is never so wacky as when Tommy Chan and Birmingham Brown are let lose - don't fight it, just go with the silliness. Birmingham's brother Benjamin shows up - as a convict, and the duo repeat their stage act for a bit of comic relief.

No dramatic lighting in this one - Monogram wasn't going to pay for fine cinematography. This episode in the series also suffers from a weak female cast - none of the beauties in gowns that fill earlier efforts. The biggest failure is at the very end - the final reveal comes out of nowhere and is over before you can scratch your head. Still, it's a workmanlike Chan, and that's good enough for an hour's fun.

Another enjoyable mystery fused with comedy. This time Charlie is hired by the pretty Teala Loring ( sister of Debra Paget and Lisa Gaye) to prove that her father is innocent of a bank job. There's nine days left before he goes to the electric chair, but if there's anyone can prove his innocence it's Charlie Chan. Great surprise ending. Never expected it to be that person ( the main culprit)

Charlie Chan (Sidney Toler) is asked to prove the innocence of a man already convicted of murder and scheduled to be executed. So Charlie tries to get to the bottom of how the man's fingerprints could have been at the scene of the crime if he was innocent. He's got help from incompetent son Tommy (Benson Fong) and trite comic relief Birmingham Brown (Mantan Moreland). There's a moronic scene where Tommy and Birmingham wander around a prison with no guards even noticing. It's a typically cheap Monogram movie with shoddy writing. Moreland's old vaudeville partner Ben Carter returns for the second time in the series to do one of their old vaudeville routines. It's amusing but essentially the same bit they did the last time. Janet Shaw, Joyce Compton, Teala Loring and Chan regulars Milton Parsons and John Eldredge also appear.

The script is particularly weak. One of the biggest flaws in the Monogram series versus the Fox one is that the scripts are so bad. Often Sidney Toler seems to be padding his lines in an effort to make the scene work. In the older series, particularly throughout the Warner Oland years, Charlie seemed wise beyond his years. In the Monogram films he just seems smug. Don't even get me started on the lack of good aphorisms that Charlie Chan is known for. Here he spouts nonsense about "if tooth is missing, gap will tell us much" or some such baloney.

If you've seen some of the Monogram Chans and liked them, you will probably enjoy this more than I did. If you're new to Charlie Chan movies, do yourself a favor and start with the Fox films. Don't let your first Chan film be from Monogram or you might never want to try another.

The mystery here is not very compelling, which leaves the abundant comedy part that mostly is. Okay, I know the Moreland ("Feets don't fail me now !") brand of silliness is as politically incorrect as can be. But his bits, especially with Ben Carter, are still pretty funny, stereotypes aside. Too bad the weird-looking Milton Parsons (Johnson) doesn't get more screen time. Between him and the jolting Skelton Knaggs, they had the graveyard types of the 1940's all wrapped up.

Seems an innocent man is about to be executed for a robbery and murder he didn't commit. So Charlie has a deadline to meet in clearing him. No dark houses or secret passages here, but there is a prop room full of weird theatrical props (probably Monogram's). Of course, the props meet up with Birmingham (Moreland) creating lots of amusing setups. Fortunately, soon-to-be cult director Karlson keeps things moving in smooth fashion, so we barely notice the skimpy whodunit part. All in all, it's one of the lesser Chan mysteries, but still has compensations.