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IMDbPro

The Last Crooked Mile

  • 1946
  • Approved
  • 1h 7min
PUNTUACIÓN EN IMDb
6,1/10
376
TU PUNTUACIÓN
Don 'Red' Barry, Adele Mara, and Ann Savage in The Last Crooked Mile (1946)
Cine negro¿CrimenDramaThriller

Después de un robo a un banco, el botín desaparece y es buscado por un investigador de seguros, la policía y los ladrones supervivientes.Después de un robo a un banco, el botín desaparece y es buscado por un investigador de seguros, la policía y los ladrones supervivientes.Después de un robo a un banco, el botín desaparece y es buscado por un investigador de seguros, la policía y los ladrones supervivientes.

  • Dirección
    • Philip Ford
  • Guión
    • Jerry Sackheim
    • Jerome Gruskin
    • Robert L. Richards
  • Reparto principal
    • Don 'Red' Barry
    • Ann Savage
    • Adele Mara
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,1/10
    376
    TU PUNTUACIÓN
    • Dirección
      • Philip Ford
    • Guión
      • Jerry Sackheim
      • Jerome Gruskin
      • Robert L. Richards
    • Reparto principal
      • Don 'Red' Barry
      • Ann Savage
      • Adele Mara
    • 17Reseñas de usuarios
    • 3Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes1

    Ver cartel

    Reparto principal42

    Editar
    Don 'Red' Barry
    Don 'Red' Barry
    • Tom Dwyer
    • (as Donald Barry)
    Ann Savage
    Ann Savage
    • Sheila Kennedy
    Adele Mara
    Adele Mara
    • Bonnie
    Tom Powers
    Tom Powers
    • Floyd Sorelson
    Sheldon Leonard
    Sheldon Leonard
    • Ed 'Wires' MacGuire
    Nestor Paiva
    Nestor Paiva
    • Ferrara
    Harry Shannon
    Harry Shannon
    • Police Lt. Blake
    Ben Welden
    Ben Welden
    • Haynes
    John Miljan
    John Miljan
    • Police Lt. Mayrin
    Charles D. Brown
    • Dietrich - Bank President
    John Dehner
    John Dehner
    • Jarvis - Gang Leader
    Anthony Caruso
    Anthony Caruso
    • Charlie - Gang Member
    The Seven Pods of Pepper
    • Singing Group
    John Alban
    John Alban
    • Hotel Clerk
    • (sin acreditar)
    Jimmy Aubrey
    Jimmy Aubrey
    • Nightclub Drunk
    • (sin acreditar)
    Roy Barcroft
    Roy Barcroft
    • Man on Street
    • (sin acreditar)
    Mary Bayless
    • Carnival Patron
    • (sin acreditar)
    Edward Biby
    Edward Biby
    • Carnival Patron
    • (sin acreditar)
    • Dirección
      • Philip Ford
    • Guión
      • Jerry Sackheim
      • Jerome Gruskin
      • Robert L. Richards
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios17

    6,1376
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    10

    Reseñas destacadas

    6sibleybridges

    Light hearted B noir.

    After a bank robbery, $300k goes missing when the robbers are caught. A wise cracking PI inserts himself in the hunt for the money and, along the way, he finds dames, carnies, and conspiracies.

    This was oddly a more light hearted noir since the PI and all other men in this movie are constantly spitting flirty one liners at every woman within reach. It hit all the tropes, but wasn't much more than a light entertainment of a B noir. My favorite scene was the projection screen roller coaster that looked pretty good for a very low budget special effect 🎢.

    Watched on YouTube.
    madsagittarian

    Notable B noir

    Ann Savage will forever be known as the vulturous woman in Ulmer's masterpiece DETOUR. Alas, many other films in her career have not had comparable longevity. This little programmer is one of the many forgotten little baubles that used to dot TV land back in the days before all those rotten Infomercials took over late night viewing. Despite the superb cast of B movie stalwarts, this generic little programmer is nonetheless noteworthy for trying to cram a lot of plot in the confines of an hour, so much so that it appears incoherent. It tries to do everything and ends up not doing much of anything. It's diverting enough because of the haywire plot; you never know where this is going. But see it for Ann Savage.
    6LeonLouisRicci

    Lightweight Crime...Ann Savage & Slick "Republic" Look Highlight

    This Bit of Fluff from "Republic Studios" has a Sharp Noirish Appeal at Times but the Darkness is Overshadowed by a Lighter-Than-Air Tone.

    Peppered with Comedy-Relief in the Form of a Running-Joke the Annoying Don Barry "Standing-Up: the Pretty Adele Mara.

    The Grim and Scary Ann Savage who Left an Indelible Mark on Film-Noir in "Detour" (1945), Plays a "Songbird" and Another Love Interest for the Cocky, Belligerent Barry.

    Although She Doesn't Quite Pull it Off as a Nightclub Singer because of Her Hard Look and Demeanor, Savage Does Make an Impression.

    The Overall Tone is too Wishy-Washy for a True Noir.

    But its a Good Time-Passer and Republic Studios was Humming Along as One of the Best "B-Studios" in Hollywood.

    Those Looking for Film-Noir Need Go Elsewhere, but Still it's...

    Worth a Watch.
    7goblinhairedguy

    rapid-fire hidden gem

    This nifty, fast-paced B mystery, based on a radio play (as were many superior second features of the time) is a nice surprise from Republic Studios. It features original situations and plenty of fancy patter, some of it slightly risqué for the time (obviously, the production code mavens were more diligent in scrutinizing the A product than these minor programmers). Lightweight leading man Don "Red" Barry, with the wavy hair and tenor voice, gives as good as he takes (he also sports one of the most outrageous wide ties in memory), and B movie icon Ann Savage has a sizable role as a slinky cabaret singer who may know more than she lets on. Connoisseurs will appreciate the parade of offbeat character turns by vets like Irving Bacon, Sheldon Leonard, and especially Tom Dugan in a little deadpan bit as a sarcastic souvenir salesman. The photography is suitably shadowy, the carnival background sleazy, and there are some clever editing tricks. Obscure director Phil Ford, who was John Ford's nephew (and Francis Ford's son), certainly takes advantage of his studio's affinity for serials, emphasising reckless car chases and a wild ride aboard a roller-coaster. (By the way, reliable historian Tom Weaver claims that Phil was often more interesting than both John and Francis!) If you like this one, try the similar No Hands on the Clock from Paramount's splendid B-movie mill.
    6boblipton

    Where Can I Buy A Tie Like That?

    A gang steals $300,000 from a bank, but all die in the robbery and pursuit. The money has disappeared. The insurance company offers a 10% reward for the total, and in waltzes cocky PI Don Barry in a grey outfit and hand-painted tie, leaving girl friend Adele Mara dancing by herself while he pursues night club singer Ann Savage and the money.

    Republic was interested in expanding Barry beyond his fans from the Red Ryder movies, and he slips easily into this movie, which has some nice film noir touches -- notice the shadows thrown off by a set of Venetian blinds early on. Despite these visuals, and a sequence set in a fun fair at night, it's not in the least noirish. Barry is too cavalier, and there's a hint of 1930s screwball in Miss Mara's role. All in all, an entertaining little film, with a couple of nice twists, and Sheldon Leonard as a hood called 'Wires' McGuire.

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    Argumento

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    ¿Sabías que...?

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    • Pifias
      When detective Dwyer finishes up using his acetylene torch to loosen the metal running board of the getaway car, he immediately grabs the running board with his hands--a very foolish move as the still hot surface would certainly inflict severe burns.
    • Citas

      Bonnie: Hello, Mr. Ferrara. Having a nightcap?

      Ferrara: Oh, hello.

      Bonnie: Betcha don't remember me. I'm a friend of a friend of yours, Tom Dwyer.

      Ferrara: I know, I've been waitin' here for him for half an hour. He told me to meet him.

      Bonnie: If he ever kept a date it would be a mirage.

      Ferrara: [hmph] You mean a miracle.

      Bonnie: Nope. A miracle is something you believe but never see. A mirage is something you see but brother, don't ever believe it.

    • Banda sonora
      The One I Love Belongs to Somebody Else
      Words by Gus Kahn and music by Isham Jones

      (c) 1924

      Sung twice in restaurant by Ann Savage

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 11 de diciembre de 1946 (España)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • The Crooked Mile
    • Localizaciones del rodaje
      • Republic Studios, Hollywood, Los Ángeles, California, Estados Unidos(Studio)
    • Empresa productora
      • Republic Pictures
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 7min(67 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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