PUNTUACIÓN EN IMDb
5,7/10
941
TU PUNTUACIÓN
Añade un argumento en tu idiomaAnita Halstead, swept off her feet by magician Arturo, finds the results less than magical.Anita Halstead, swept off her feet by magician Arturo, finds the results less than magical.Anita Halstead, swept off her feet by magician Arturo, finds the results less than magical.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 3 premios y 1 nominación en total
Richard Allen
- Detective
- (sin acreditar)
Granville Bates
- Ship Captain
- (sin acreditar)
May Beatty
- Dowager
- (sin acreditar)
Hillary Brooke
- Blonde on Stage
- (sin acreditar)
George Cathrey
- Officer
- (sin acreditar)
Reseñas destacadas
This movie survived by a very effective layer of gloss, the class and distinctiveness of both Niven and Young's portrayals and the production values. But, oh, the surrounding stuff. Broderick Crawford as a love interest for Ms. Young? Magic acts? What an embarrassing entry this must have been for the star performers in the year of some of the most classic films ever made. This film is one good example of the leads overcoming the liabilities of the vehicle, thus saving the show. Well, sort of. Ms. Young later recounts the scene on the bed with Niven being her favorite subtle type of love scene. Reviewers cite this particular scene as what could have been a censor objection had not the actors handled it with so much sophistication and grace.
Plot: Anita (Young) divorces Tony (Niven) because he appears both unfaithful and more interested in his magic show than her. But despite their separation and new partners, the mutual attraction remains. So what will happen now.
Despite the two scintillating A-list leads, Niven and Young, the flick fails to gel. Maybe that's because I saw a badly edited version whose unfortunate number IMDB points out. Then again, maybe it's the cluttered result of 8 writers working on the same screenplay, which seldom works. Also, it's apparent the producers were clearly worried about the watchdog censors of The Motion Picture Code, since much of the narrative plays around with non-marital sex and how their characters might avoid it. Unfortunately, the solutions are highly contrived (e.g. Crawford getting the clumsy run-around from Young since they're not really married). Still and all, production did manage to sneak in a double bed for N &Y's early wedded bliss, a bed that also symbolizes their enduring love despite the many difficulties.
On the upside are magician Niven's stage tricks and a look at how they're done, though I found his should-be-suspenseful parachuting poorly done (needs more close-ups of his struggling while falling). On the other hand, there's the many close-ups of the lovely Loretta, a wholesome darling. And on a more minor note, how about a youngish Broderick Crawford as a romantic interest - that sure took me some getting used to.
Anyway, too bad the different parts of the romantic comedy fail to gel and that it took 8 writers to apparently keep the censors at bay. Nonetheless, the two photogenic leads show why their careers were long and popular despite the let-down here.
Despite the two scintillating A-list leads, Niven and Young, the flick fails to gel. Maybe that's because I saw a badly edited version whose unfortunate number IMDB points out. Then again, maybe it's the cluttered result of 8 writers working on the same screenplay, which seldom works. Also, it's apparent the producers were clearly worried about the watchdog censors of The Motion Picture Code, since much of the narrative plays around with non-marital sex and how their characters might avoid it. Unfortunately, the solutions are highly contrived (e.g. Crawford getting the clumsy run-around from Young since they're not really married). Still and all, production did manage to sneak in a double bed for N &Y's early wedded bliss, a bed that also symbolizes their enduring love despite the many difficulties.
On the upside are magician Niven's stage tricks and a look at how they're done, though I found his should-be-suspenseful parachuting poorly done (needs more close-ups of his struggling while falling). On the other hand, there's the many close-ups of the lovely Loretta, a wholesome darling. And on a more minor note, how about a youngish Broderick Crawford as a romantic interest - that sure took me some getting used to.
Anyway, too bad the different parts of the romantic comedy fail to gel and that it took 8 writers to apparently keep the censors at bay. Nonetheless, the two photogenic leads show why their careers were long and popular despite the let-down here.
This is a nice classic comedy about the romance between a bishop´s granddaughter and a successful magician. Although it isn´t a typical screwball comedy it has the usual charm of the 30´s. One of the things I most like in the film is the naturality of the characters and the relationships between them, without any superfual mildness. It´s also a film about marriage and divorce in a way that I find outstanding for that time and it´s full of funny and emotive situations in the way of films like Ernst Lubitsch Bluebeard´s Eighth Wife. In a funny way, i just want to comment one detail that makes me laugh but I don't know if that was the original intention. It is near to the end, when the magician is going to make one his most dangerous tricks and his assistant wants to stop him because is going to kill himself. The magician calls the police to take the assistant away from him and says: "arrest him, he is a communist!". And it wasn´t witch-hunt time yet!!
If there was ever one thing every one could agree about David Niven is he had no small amount of debonair charm. It got him through many a film when the role required little else. I would say that is the case in Eternally Yours.
Loretta Young, granddaughter of Episcopalian minister C. Aubrey Smith, meets and falls in love with a magician. That would be David Niven. But he's more than a magician, he's the current Houdini wannabe who has skill as a hypnotist and an escape artist.
Niven likes the life of a traveling entertainer, but Loretta wants to settle down with a home. After a death defying leap from a plane when he's handcuffed behind him, Young can't deal with the tension any more and she leaves him. He finds he can't go on without her, but she ups and divorces him and marries Broderick Crawford.
Of course the rest of the film is about Niven winning Young back in the best tradition of Cary Grant who may very well have been offered this part before Niven. Loretta is certainly worth winning back. I'm betting that Ralph Bellamy turned down the Ralph Bellamy part so Broderick Crawford was cast. Niven enjoys tweaking him in this film, but I'm not sure why unlike Bellamy who was usually a well meaning goof, Crawford didn't just punch him out.
The climax takes place at the 1939 World's Fair and you might want to see Eternally Yours for some nostalgia footage of that event. But it is a film that really does get by on the charm of its leads.
Loretta Young, granddaughter of Episcopalian minister C. Aubrey Smith, meets and falls in love with a magician. That would be David Niven. But he's more than a magician, he's the current Houdini wannabe who has skill as a hypnotist and an escape artist.
Niven likes the life of a traveling entertainer, but Loretta wants to settle down with a home. After a death defying leap from a plane when he's handcuffed behind him, Young can't deal with the tension any more and she leaves him. He finds he can't go on without her, but she ups and divorces him and marries Broderick Crawford.
Of course the rest of the film is about Niven winning Young back in the best tradition of Cary Grant who may very well have been offered this part before Niven. Loretta is certainly worth winning back. I'm betting that Ralph Bellamy turned down the Ralph Bellamy part so Broderick Crawford was cast. Niven enjoys tweaking him in this film, but I'm not sure why unlike Bellamy who was usually a well meaning goof, Crawford didn't just punch him out.
The climax takes place at the 1939 World's Fair and you might want to see Eternally Yours for some nostalgia footage of that event. But it is a film that really does get by on the charm of its leads.
Watching a beat up copy on Tubi in 2022.... Wonder if anyone else noticed at the start of the opening credits the title reading '"Movies for Television"? Television was in it's earliest stage then and with World's Fair promising so many future advancements, this seemed to be a nice tie-in at the time.
Of course, the impeccable David Niven and lovely Loretta Young carry this film along...but Eve Arden adds fun to the production. Of course, to me, this is the same person nearly unchanged in her real TV program "Our Miss Brooks" which I grew up watching as a child!
And, it's interesting to see a very young Broderick Crawford playing a nice guy early in his career.
Of course, the impeccable David Niven and lovely Loretta Young carry this film along...but Eve Arden adds fun to the production. Of course, to me, this is the same person nearly unchanged in her real TV program "Our Miss Brooks" which I grew up watching as a child!
And, it's interesting to see a very young Broderick Crawford playing a nice guy early in his career.
¿Sabías que...?
- CuriosidadesPaul Mantz (air race pilot, stunt pilot) performed aerial stuntwork and photography for the film.
- Citas
Anita Halstead: What if the parachute didn't open?
Tony Halstead: Darling, all parachutes are guaranteed to open. If it doesn't, they give you a new one.
- Créditos adicionalesOpening credits are shown on sheets of stationery, through which someone seems to be flipping.
- ConexionesFeatured in Sprockets: Heart Throbs (1995)
- Banda sonoraETERNALLY YOURS
Music by Werner Janssen
Lyrics L. Wolfe Gilbert
Sung behind credits by unknown male singer
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Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 184.500 US$
- Duración
- 1h 35min(95 min)
- Color
- Relación de aspecto
- 1.37 : 1
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