Nick Carter, Master Detective

Based on the popular Nick Carter pulp stories, this detective B movie should have been a real winner with Walter Pidgeon as Carter and a host of excellent character actors. But instead it's only average. The movie takes place a couple of years before America entered WWII and involves a plot to steal blueprints for a new aircraft design by foreign spies from an unnamed country (duh, maybe Germany?). There is an attempt to bring humor to the film with the role of Mr. Bartholomew, the master beekeeper played by Donald Meek. While the character is occasionally amusing, he is just as often irritating. What was nice was the Rita Johnson role of the stewardess/nurse who actually helps Carter in his investigation. While this is good enough that it makes one want to see the other two entries in the Nick Carter series, it is not in the top tier of B detective movie series entries.

Nick Carter, Master Detective was the first of the two movies about a very popular fiction detective Nick Carter, which were directed by Jacques Tourneur for MGM, the other one being 1940 Phantom Raiders.

Nick Carter was created in 1886 and since the times of silent cinema had several times been chosen as a protagonist of various films made in France and United States prior to this 1939 Jacques Tourneur version. This time Nick Carter is played by Walter Pigeon in his first starring role. He is chosen to conduct an investigation in the case of industrial espionage on one of the American factories that manufactures warplanes. The film quite memorable especially because of the very remarkable plane chase sequence at the end and because of the comic relief given by Bartholomew, the Bee-man, wonderfully played by Donald Meek, a Nick Carter's partner in investigation who always appears when less expected to give help or to free a number of bees.

Overall Nick Carter, Master Detective is a quite pleasant 1930s B detective film, with its memorable moments, worth to take a look at. 6/10

A rather good looking B-Movie that has that MGM sheen. One of the earliest Pulp Detectives, Nick Carter on screen turned out to be a rather ho-hum, if pleasant presence, although the surroundings in this film, especially the visuals, are quite impressive.

It is an interesting pre-war (but gearing up for war) entry that is heavy on parading the growing aircraft industry and "new" weapon mythological propaganda. Although Hitler was on the move at this time, America's entry in the WWII was still two years away. But, you would never know it from this movie. The villains have German accents and names like Otto.

There is some creative editing and some fine aerial work. Also, a bizarre scene of Carter using a tommy-gun while zipping around in an open cockpit that looks straight out of a Pulp Magazine cover.

Overall it is a thrilling one hour ride that is either aided or distracted (depending on your taste) by some silly Bee-Movie comedy relief.

Tourneur's first feature was basically a B-movie, albeit made for slick-but-superficial MGM; at a mere 60 minutes, it is eminently watchable and, given the film's modest reputation, it proves surprisingly enjoyable. Watched after the same director's CIRCLE OF DANGER (1951) and the somewhat similar ROUGH SHOOT (1953), this provides yet another connection to Fritz Lang's MAN HUNT (1941) in leading man Walter Pidgeon.

The central figure was a popular crime-fighter in print, debuting in 1886 and reportedly involved in over a 1,000 cases before transferring to a 12-year stint on the radio between 1943-55. However, only 3 films were ever made and, bafflingly, they all turned out to be based on original scripts (since such characters' exploits were, in any case, being updated to the prevalent wartime aura – for instance, the contemporaneous Sherlock Holmes series); incidentally, I just found out that the second one, PHANTOM RAIDERS (1940), was also directed by Tourneur! Anyway, the narrative here involves secret aviation plans being leaked to the enemy that climaxes in a far-fetched chase sequence involving a plane and a speeding boat.

Apart from leading lady Rita Johnson, the rather-too-jovial star is ably supported here by the likes of Henry Hull (already playing eccentric old types!), Stanley Ridges (type-cast as a villain), Martin Kosleck (ditto) and Donald Meek. The latter's hilarious characterization, of an improbably zany private eye, seems to have dropped in from another movie altogether: keeping bees as a hobby but constantly getting into the hero's hair, he even ends up deposited in the trash-can!

Very Entertaining-----Walter Pigeon was charming as the lead and Rita Johnson was excellent as his leading lady. The plot is a bit sophomoric, but the leads make this an A film. Although some of the humor is lost with the beeman, the movie is rather fast paced, albeit short-length with a rather abrupt ending. The special effects are rather good for that time, and the line, " If I am wrong, I will apologize" serves as a great tagline for Pigeon's Carter. Ultimately you watch a film like this for the chemistry of its two main stars, and this film delivers. Walter Pigeon and Rita Johnson are no William Powell and Myrna Loy, but they are perfectly matched for each other and cover some of the plot holes amicably. This is a great movie to see on AMC or TNT one late night.