La joven Dorothy y su perro son arrastrados por un tornado desde Kansas a la mágica tierra de Oz, y se embarcan en una búsqueda con tres nuevos amigos para ver al mago, que puede devolverla ... Leer todoLa joven Dorothy y su perro son arrastrados por un tornado desde Kansas a la mágica tierra de Oz, y se embarcan en una búsqueda con tres nuevos amigos para ver al mago, que puede devolverla a su hogar y cumplir los deseos de los demás.La joven Dorothy y su perro son arrastrados por un tornado desde Kansas a la mágica tierra de Oz, y se embarcan en una búsqueda con tres nuevos amigos para ver al mago, que puede devolverla a su hogar y cumplir los deseos de los demás.
- Ganó 2 premios Óscar
- 13 premios y 14 nominaciones en total
- The Munchkins
- (as The Munchkins)
- Munchkin
- (sin acreditar)
- Munchkin
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- Munchkin
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- Munchkin
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Argumento
¿Sabías que...?
- CuriosidadesJudy Garland found it difficult to be afraid of Margaret Hamilton, because she was such a nice lady off-camera.
- PifiasAfter the Wizard gives the Scarecrow his diploma, he says, "The sum of the square roots of any 2 sides of an isosceles triangle is equal to the square root of the remaining side." This is a misstatement of the Pythagorean Theorem, which is, in fact, about right triangles and not isosceles ones. However, this statement is not true about any triangle, and so it is completely wrong.
- Citas
Dorothy: How can you talk if you haven't got a brain?
The Scarecrow: I don't know! But some people without brains do an *awful* lot of talking, don't they?
Dorothy: Yes, I guess you're right.
- Créditos adicionalesToto is listed in the end credits as being played by Toto, when he was actually played by a female dog named Terry.
- Versiones alternativasFrom 1968 to 1984, on NBC-TV and CBS-TV airings of the film, the film was edited to sell more commercial time. As the amount of commercial time on network television gradually increased, more scenes were cut. According to film historian John Fricke, these cuts started with solely a long tracking shot of Munchkin Land after Dorothy arrives there. The rest of the film remained intact. Also according to Fricke, more wholesale cutting of the film took place when CBS regained the TV rights in 1975. By the 1980s, the other excised shots included: the film's dedication in the opening credits, continuity shots of Dorothy and Toto running from the farm, establishing shots of the cyclone, the aforementioned tracking sequence in Munchkin Land, the establishing shot of the poppy field, and tiny bits and pieces of the trip to the Wicked Witch's castle. CBS, which had shown the uncut version of the film in 1956, and again from the films first telecast until 1968, finally started to show it uncut again beginning in 1985, by time-compressing it. Network airings in the 1990s were uncut and not time-compressed; the film aired in a 2-hour, 10-minute time period.
- ConexionesEdited into Una llama en el espacio (1950)
I guess the part that "gets" me about the movie is how the writers made it pretty plain that the Scarecrow, Tin Man, and Cowardly Lion really already had what they thought they were missing; that their respective problems were in misapprehending their own complete natures. That's a powerful statement for many of us. I found myself most touched in scenes where the Scarecrow was showing wisdom, the Tin Man feeling deeply ("...when I think of Dorothy in that awful place..."), and the Lion...well, maybe accomplishing this effect was harder in his case...what *is* true courage?
Anyway, if you're reading this here, you must be a movie weenie, and you've no doubt already seen the movie, so I'm not going to recite the usual "go see this movie" mantra.
I was just very touching to see this movie again, at this phase in my life.
I will mention a few more things about how I now see this movie as a "growed up" (I'm almost 50): It's interesting how you can see the production values of the time; the lot sets and special effects and so forth. This movie is a powerful example of how a good story overcomes limited means in other areas.
People who look back with disdain on the low-tech chintz of old movies can see in TWoO the magic ingredient; narrative solidity. And I'm not a pollyanna about this: I'm sure the underlying reality behind its making is rife with horror stories of expert disagreement, rewrites, discarding, jerryrigging, and the rest of it. But in the end, something like narrative love won out; and that's the important thing.
Oh: And having Harold Arlen write the music was good luck indeed. And orchestrations which cleverly appropriated very tasty new ideas in composition (polymodalism, non-standard phrasings, etc.) didn't hurt, either!
Geez, this movie is such a little universe....I'd better stop here.
- rzajac
- 11 nov 2004
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- El màgic d'Oz
- Localizaciones del rodaje
- Stage 28, Sony Pictures Studios - 10202 W. Washington Blvd., Culver City, California, Estados Unidos(Witch's castle drawbridge; Wash and Brush Up Company; Witch's entrance hall; Witch's tower room; Yellow Brick Road montage song)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 2.777.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 24.668.669 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 5.354.311 US$
- 8 nov 1998
- Recaudación en todo el mundo
- 25.637.669 US$
- Duración1 hora 42 minutos
- Relación de aspecto
- 1.37 : 1