Adelante, mi amor

Mitchell Leisen gets superb performances from CLAUDETTE COLBERT and RAY MILLAND in ARISE, MY LOVE.

It's a comedy/drama with Claudette as a journalist tired of covering fluffy stories who decides to get into serious journalism by rescuing a man about to be executed during the Spanish Civil War (Milland) so that she can be the first writer to get a scoop on a great story. As soon as she and her prisoner meet, the deft comic timing of these two pros are given great support from Billy Wilder's clever script. Early on, there's a scene of mistaken intentions that has Ray thinking Claudette wants to seduce him. He's oblivious to the fact that she merely wants to take some photos of him for the article she intends to write. The double entendre dialog has seldom been matched, in this scene alone.

Personally, I prefer "Midnight," another Leisen/Colbert film shown before this one on TCM. It's even wittier and much funnier. The trouble with ARISE, MY LOVE is that it attempts to do too many things at once and emerges as an uneven romantic comedy with a war background. For the ending, Claudette gets to deliver a flag waving speech that is obviously meant for 1940 audiences who were facing the prospect of getting involved in WWII.

Lots of laughs along the way with both stars delivering excellent performances.

Both Claudette Colbert and Ray Milland are superb in this brilliant war comedy drama in the shadow of the Spanish civil war and the Second World War. It was Claudette Colbert's own favourite among her films, and you'll understand some of its qualities better when you study the list of the script writers, one of whom was the young Billy Wilder. The dialog is brilliant all the way, there is any amount of eloquent scenes, and the romance gradually grows quite naturally with some skirmishes along the way. Walter Abel also gives one of his best performances as Claudette Colbert's employer, as he also gets his nose too far out into the business. Claudette Colbert is a journalist who goes to Spain to get out an American prisoner, who awaits his execution. That is Ray Milland, and the very first scene is perhaps the very best one, as Ray Milland sits in his cell waiting for his execution playing cards with a priest, while the firing squad is busy just outside, leaving one body just outside Ray Milland's window in a shadow that won't go away. Add to this the romantic music of Victor Young, which adorns many of the long romance scenes, while gradually the comedy transcends into a major war drama, with some curious coincidences on the way: on the train to Berlin, both Ray and Claudette being together on it, the emergency break is pulled just as the war breaks out, and when Ray and Claudette decide to leave all career thinking behind and go back to America to embark on a normal life, their ship gets torpedoed, and the war starts for real.

It's a delightful and innovative comedy all the way, eloquently mixed with some very serious business, and the film is so positive and edifying, that it would be worth returning to it every once in a while - it's the perfect emergency readiness film.

I am so mad at myself because I watched this in the 80's and 90's on American Movie Classics and like an idiot I didn't record it. Now I haven't seen it on any channel in years and it isn't available on VHS or DVD.

This is just such a breath of fresh air for a 1940 movie. It's a movie where the woman is as smart as the man and is allowed to show it and in the end stands tall with him instead of behind him. The dialogue is funny, which given the exceptional writers like Billy Wilder, is not surprising. Colbert and Milland have wonderful chemistry. It's a movie I adore from start to finish. Now if only Paramount would get off their arses and release this movie on DVD, I'd be thrilled.

This is a good movie, full of snappy lines, very capable acting and interesting scenes. Mitchell Leisen has an above average script to work with, and when this happens you can be assured of a very watchable movie. Well worth a DVD release (can you hear me Universal!), but this inexplicably has never even made it on to VHS.

It features a strong capable woman (a trademark Leisen feature), but her male counterpart is no weakling is either, Ray Milland matches Claudette Colbert all of the way, helping create dramatic interest. The last section of the movie after the sinking of the Athenia is a bit underwritten and slightly unconvincing, but this is only a minor quibble.

Very well worth watching.

I loved this film from beginning to end. It made me laugh and it made me cry, and it left me with the feeling that I had watched one of the best screen romances ever. The script was so wonderfully written, the dialogues really sparkled like diamonds and ... Ray Milland was handsomer here than in any other film I have seen him!! He treated Clodette Colbere with a mixture of humor ,tenderness and respect, that was very endearing and touching. At moments, he seemed like an insecure little boy, and I am sure that he was never like that with any other of his co-stars. Needless to say, I loved this aspect of his very much!!! Something else that I found interesting is that the film was made almost simultaneously with the historical events it describes. This adds to its authenticity and gives us a sense of watching history in the making. The mixing of comedy and drama does not annoy me. It is more than realistic and in fact welcome, here. We deal with two very smart and out of the ordinary people, living very unusual lives, taking active parts in what goes on around them, so it is to be expected that they will have an acute sense of humor as well as forceful feelings about the war and about each other. In our lives there is place for both comedy and drama, why it should not be so for a movie, who depicts life? Just to add that the DVD now available, (spanish edition but with English audio)has very good quality of sound and picture, and does justice to this uniquely beautiful film.