Añade un argumento en tu idiomaThis 'Special' entry from the Warners/Vitaphone shorts department is less the story of Clara Barton and more the story of how Barton helped further the cause of the Red Cross in the United S... Leer todoThis 'Special' entry from the Warners/Vitaphone shorts department is less the story of Clara Barton and more the story of how Barton helped further the cause of the Red Cross in the United States and the birth of the American Red Cross. Barton went through many trials and setback... Leer todoThis 'Special' entry from the Warners/Vitaphone shorts department is less the story of Clara Barton and more the story of how Barton helped further the cause of the Red Cross in the United States and the birth of the American Red Cross. Barton went through many trials and setbacks before she succeeded. This short, as were all Warners' shorts, was made for the express ... Leer todo
- Dirección
- Guión
- Reparto principal
- Robert Todd Lincoln
- (sin acreditar)
- Johnny Wilson
- (sin acreditar)
- Boy Soldier
- (sin acreditar)
- Stretcher Bearer
- (sin acreditar)
- Butler at Clara's Deathbed
- (sin acreditar)
- Bill - Union Sentry
- (sin acreditar)
- Man at Barton's Death Bed
- (sin acreditar)
- President Rutherford B. Hayes
- (sin acreditar)
- Bradley's Assistant
- (sin acreditar)
- Military Man at Clara's Deathbed
- (sin acreditar)
- Wounded Soldier on Battlefield
- (sin acreditar)
- Henry Dunant
- (sin acreditar)
- Dr. Louis Appia
- (sin acreditar)
Reseñas destacadas
Life most of Warner Brothers' pre-war Technicolor shorts, this one shows off the process beautifully. Director Jean Negulesco and cinematographer Charles Boyle. light the battlefield shots so the faces as the sources of light in a dark world. The scenes set nominally in Europe wind up looking like fine lithographic work. While most of this is a talking-heads hagiography, the visuals are not neglected.
I really had difficulty finding anything redeeming about it, and my vote (of 5) was generous, to say the least.
Made by Warners, surely they could have turned the idea over to their script department and given it some real flesh--the idea really deserves to be a feature length film as the story is one we are familiar with, and the characters are historical. Perhaps in the hands of MGM or Paramount, who had a much better sense of history, it could have had more merit.
It was interesting to see John Hamilton (later, "Perry White" on the SUPERMAN TV show) in a beard as President Garfield. Yep--it's him under that beard.
Clara Barton was a human being. She had passions, desires, love, pain, embarrassment, weakness, and self doubt just like the rest of us. You would never know that from this film of the lead actress's performance. In fact apply that to every character in the film, but in Barton's case: Every sentence is a speech. An epic over the top speech as though from an inhuman robot. In fact the only scene that plays well in one in the board meeting, and I realized thats because she's making a speech! Every idea she has is unbelievable in its context and she comes up with ideas that sound like they take a lifetime of soul searching right on the spot. For example, when she sees a wounded man, she'll start pontificating about the needs of the battlefield and to protect soldiers and putting up white flags, etc. As played in the film, there's no WAY she could come up with such a detailed well thought out idea in seconds.
IN conclusion, this film robs Clara Barton of her struggles. It robs her of her humanity, and it inherently cheapens all she did because the script is written in clichés. The writer doesn't know Clara Barton, and seems to have based his script on an encyclopedia Britannica article. (yes they had those back then) But hey, nice Technicolor! (who cares)
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- CuriosidadesVitaphone production reels #9889-9890.
- Citas
President James Garfield: Things are too easy for you, when it comes to twisting men around your finger. If I don't watch myself, you'll be asking me permission to vote next!
- ConexionesVersion of Angel of Mercy (1939)
- Banda sonoraBattle Hymn of the Republic
(1856) (uncredited)
Music by William Steffe
In the score during the opening credits
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Technicolor Classics (1952-1953 season) #4: The Flag of Humanity
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración19 minutos
- Relación de aspecto
- 1.37 : 1