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IT STARTED WITH EVE (Universal, 1941), directed by Henry Koster, stars popular singer Deanna Durbin in one of her finest movie roles. Not quite a Biblical tale about Adam and Eve and the apple as the title might imply, nor is there any character in the story named Eve, but actually a comedy of errors in the screwball comedy tradition providing Durbin, still in her late teenage years, an opportunity in a more adult performance, with fine support by the diverse Charles Laughton in a character role that's both funny and touching, and Robert Cummings as a young man caught in the middle of a series of situations and having a difficult time coming up with a suitable explanations.

The scenario revolves around Jonathan Reynolds (Charles Laughton) a middle-aged millionaire on his death bed whose final request is to meet the young lady engaged to his son, Johnny (Robert Cummings). To make his father's last days on Earth a pleasant one, Johnny rushes out into the rain to get his fiancé only to learn from the desk clerk that she and her mother are not available. Not wanting to waste any more valuable time, Johnny encounters a hat check girl (Deanna Durbin) and offers her $50 to return home with him and pose as his fiancée for about an hour. Explaining the circumstances at hand, she agrees. Masquerading as "Gloria Pennington," the girl, Anne Terry, meets the ailing Mr. Reynolds, who takes an immediate liking to her. After their union, the old man finds his son to be in good hands, and can now die in peace. The following morning, Jonathan miraculously recovers from his illness, gets out of bed demanding a large breakfast from his servants and for Johnny to bring "Gloria" back to visit with him. Complications ensue when Johnny not only has to locate Anne, who's about to take the next train back home to Shelbyville, Ohio, but to explain to the real Gloria (Margaret Tallichet) and her mother (Catherine Doucet), having returned from their trip, the situation that has occurred. Things become even more complex when Johnny tries to prevent his father from learning Anne not to be his fiancée, and keeping Anne from attending his father's dinner function where she wants to audition for his theatrical agent friends in hope to land a singing career.

A highly enjoyable comedy with an original premise done at a leisurely pace with a couple of classical songs thrown in for good measure making use of Deanna Durbin's singing talent, including Peter Tchaikowsky's "The Tchaikowsky Waltz" and Antonin Dvorak's "Going Home." Supporting players consist of Guy Kibbee as Bishop Maxwell; Walter Catlett as Dr. Harvey, the nervous family physician; Dorothea Kent as Jackie Donovan, Anne's roommate; Clara Blandick as The Nurse; and comedian Mantan Moreland adding humor as the harassed train station baggage man.

Obviously a high point in Durbin's career that did very well at box office, it's interesting to note that a fun movie such as this is not relatively better known. Durbin and Cummings do well in the roles that might have been tailer-made for Irene Dunne and Cary Grant for example. However, the characters of Anne Terry and Johnny Reynolds were obviously written for much younger performers as enacted by Durbin and Cummings.

IT STARTED WITH EVE did play for a while on American Movie Classics (1992-93) about the same time it was distributed on video cassette by MCA Home Video. The Hans Kraly story was redone by Universal as I'D RATHER BE RICH (1964) featuring Sandra Dee, Robert Goulet and Maurice Chevalier, with a few alterations, but like the original, has been lost to cinema history, known mostly by film scholars and historians. Even with the original currently available on DVD and latter cable broadcast on Turner Classic Movies (TCM premiere: December 30, 2013) might offer IT STARTED WITH EVE some new life to a new generation of movie lovers looking for something amusing, nostalgic as well as lighthearted entertainment by its three principal actors. (***1/2).

Would anyone not take a bet that a 20-year-old young woman would be mincemeat if she tried to take a film away from the skilled and hammy hands of Charles Laughton, especially when Laughton, to modern eyes, looks suspiciously like he's playing Tim Conway playing one of Conway's old, tottering geezers? It Started With Eve, an attractive romantic comedy, stars Deanna Durbin, Robert Cummings and Charles Laughton. It was a shame Laughton wasn't a few years younger. He and Durbin turn out to be quite a pair, both of them adept at delivering smart lines, doing subtle double-takes or moving from subversive good cheer to tear-jerker moments of sincerity. They dominate the film and they do it as equals. Robert Cummings was a skilled light-weight lead. Here. as in so many of his films, he just doesn't have the leading-man gravitas to appear as anything but an earnest puppy. When he shares a scene with either Laughton or Durbin, he makes a pleasant second banana.

It Started With Eve begins with Jonathan Reynolds (Laughton), a rich old tycoon, apparently on his death bed. When his son, Jonathan Junior (Cummings), comes rushing in from a trip to Mexico, old Jonathan asks to meet young Jonathan's new fiancé, who has come to New York with him, accompanied by her mother. Young Jonathan tries to contact his fiancé, can't reach her, and believing his father is now dying, happens upon Anne Terry (Durbin), a hat-check girl. He rushes Anne to the side of his father and introduces her as his fiancé. But the next day his father recovers. Now young Jonathan has his fiancé he can't let his father meet, and his father wants to keep seeing Anne, thinking she's the fiancé. The movie's an hour-and-a- half of mistaken identity and screw-ball encounters. Love finally wins out, but only after Laughton plays matchmaker and Durbin sings two or three songs. Along the way we have some clever lines ("The trouble with being sick is you have to associate with doctors!"), a good deal of skullduggery as Laughton contrives to smoke the cigars his doctor forbids him, and a fast pace set by director Henry Koster. Laughton, of course, overacts but gets away with it. He also has a comb-up hair style that, if he were a foot shorter, would let him pass for a munchkin. He does a lot of stooped-over shuffling, squinting from under his eye- brows, and little bits of business that we wind up hardly noticing when Durbin is around. She must have been quite a challenge for him. Durbin, at 20, is no longer the child star. She's well-nigh gorgeous, with a figure that could make staring illegal. She is natural and straight- forward, and completely self-assured. She's one of the few actresses who could get away with sniffing mightily or falling down next to a piano and make us smile just at her style. She was, in a word or two, sui generis. And for those who admire subversive scene-stealers, the movie has that master, Walter Catlett, playing Dr. Harvey. Catlett was in hundreds of films, usually playing blowhards or flustered shysters. He's a bit subdued here, but just the sound of his voice is enough to make me smile.

The movie is a bit of froth, expertly served. If it's a little dated, well, so am I.

This is a sweet movie. Far better than remakes that followed. Durbin and Laughton seemed to really enjoy their scenes together (The Conga is unforgettable). Her singing is beautiful-"Going Home" brings a lump to the throat. This is my all time favorite movie set of the interior of the mansion. They don't (can't afford to) build sets like that anymore. Great escape.

Let's see - you're a classically trained singer with a gorgeous voice, you're pretty, a good actress, highly paid...and all you want is to get out of show business.

That's Deanna Durbin's story, and thank goodness, she didn't get her wish until she made films like "It Started with Eve," also starring Charles Laughton and Robert Cummings.

Durbin plays Anne Terry, a hat check girl trying to make it as a classical singer. One night, she is drafted by Johnny Reynolds Jr. (Cummings) who believes his father (Laughton) is dying. His father has insisted on meeting his fiancée, but when Johnny returns to the hotel to find her, she and her mother (Margaret Tallichet and Catherine Doucet) aren't in their room. Desperate, he offers Anne money if she will pose as his fiancée. Anne wants to return home to her family, so the money will come in handy. She accompanies him to his father's deathbed.

Well, Jonathan Reynolds Sr. rallies! He's not going to die, and his son may well -- he now has two fiancées. Jonathan Sr. plans a party for all his high falutin' friends, including people like Leopold Stokowski, to meet Anne and to have her sing for them.

Johnny Jr. is in a pickle and tells Anne that he will say that they broke up and then introduce his father to his real fiancée, whom Reynolds Sr.'s doctor will bring to the house. But Anne wants to sing at the party, so after he announces the big breakup, Anne rushes in and begs forgiveness.

Robert Cummings, a huge star in television, was usually second tier in films. He always excelled in comedy, and he does a great job here. Laughton, playing a man who's supposedly dying, looks quite gaunt and is, of course, marvelous as a man who has a great relationship with Anne and grows fond of her.

Deanna Durbin herself acts and sings like a dream and looks beautiful. Her warm personality shines through. She sings "Clavelitos," "Goin' Home," "When I Sing," and "Ahi, viene la conga" impressively.

"It Started with Eve," is a fast-moving, fun, highly entertaining film with moments of poignancy. This film marked the end of Deanna Durbin's work with producer Joe Pasternak and director Henry Koster; Pasternak went to MGM, and Deanna went on suspension for turning down a script. In the end, she was given approval of her directors, stories and songs.

Hard to believe this songbird, now 90, retired at the age of 26 and never looked back. It's a tribute to her that 64 years post-retirement, Deanna Durbin still has plenty of fans.

I liked this movie very much and maybe that's because I am a baby boomer and prefer movies made in the 40's and 50's. Because I have always liked Deanna Durbin I bought this movie from Amazon.com and was very pleased with it. The scene when Deanna sang "Going Home" with Charles Laughton standing in the background was very moving. I thought they were a great team together and it really seemed like they had a great affection for each other. I was a bit annoyed with Robert Cumming's characterization, being a wimp and having no backbone to stand up to his father but then that's where the story lies. I thought Deanna's acting was very good and believable and her singing scenes (though unnecessary,except for "Going Home") did not detract from the story. This was quite an enjoyable light comedy and I would recommend it for anyone who likes movies of the 40's. The performances of Charles Laughton and Deanna Durbin definitely make this picture a treat.