Maisie Was a Lady

"Maisie Was A Lady" is an undiscovered comedic gem from 1941. It is not quite as humorous as "Bringing Up Baby" or "It Happened One Night" because it is more ambitious-injecting a fair amount of social commentary into the story in place of additional comedy elements. About the only explanation for its obscurity is its association with the less than overwhelming "Maisie" series.

"Maisie Was a Lady" is the fourth film in the series; each story being completely unrelated (like episodes of "The Three Stooges") and linked only by the title character, a part that Sothern specialized in portraying.

"Maisie Was a Lady" transcends the other films in the series in part because the formula had been debugged by that point yet had not yet exhausted story ideas. More important, Sothern was finally given a strong supporting cast for this one; Lew Ayres as the disillusioned rich kid, Maureen O'Sullivan as his vulnerable sister, and C. Aubrey Smith as the family's very proper but kindhearted butler. All four actors give quite possibly the best performances of their careers, at least in part due to the perfect physical casting. All four parts (especially the Ayres and O'Sullivan characters) require extensive behavioral elements to enhance the characterizations, and they manage this quite deftly.

The film begins with drunken Bob Rawlston (Ayres) heckling Maisie Ravier (Sothern) while she is working as the headless woman in a carnival sideshow. When his antics destroy the illusion Maisie loses her job. She borrows Bob's car to get home but is pulled over by the police and spends the night in jail. Maisie get off her best line when she tells the cop that she knows a pinhead in the carnival and wonders why he never mentioned having a son on the police force.

In court the next morning a sympathetic judge orders Bob to give Maisie a job for two months, at the salary she was receiving with the carnival. When sober, Bob is a really nice guy and he makes her a maid in his mansion, under the kind direction of his butler Walpole (C. Aubrey Smith). Bob's sister Abby (O'Sullivan) is also very nice. They have been neglected by their globe-trotting father, Abby has accumulated a collection of unwanted jewelry-sent to her each time her father misses a special occasion. Maisie arrives on the eve of Abby's engagement party and quickly catches onto the true nature of her fiancée Link Phillips (Edward Ashley).

Abby is devastated when she receives yet another piece of jewelry in the mail, meaning that her father is not planning to attend the party. This is compounded by revelations about Link's real reason for wanting to marry her. O'Sullivan's performance as the vulnerable and insecure (yet very likable) Abby is especially convincing and should bring out the protective instincts in all viewers.

All in all a nice little film, with excellent performances from the entire ensemble.

Then again, what do I know? I'm only a child.

Our MAISIE WAS A LADY, or at least took care of one after going to work for two very wealthy siblings.

In this, the fourth entry in the Maisie series (1939-1947), lovable Ann Sothern continues to shine as the brassy showgirl who uses her innate decency and good old common sense to see her - and those around her - through life's rough patches. Although the film can boast of good production values and a fine supporting cast, Sothern remains the primary reason to watch.

Lovelorn Maureen O'Sullivan and alcoholic Lew Ayres are the sister & brother in need of Maisie's not-so-gentle ministrations. Paul Cavanagh, as their too-often-absent father, does well with his few scenes. Ushering in some unexpectedly serious sequences, Edward Ashley as O'Sullivan's caddish boyfriend, and pretty Joan Perry as his jilted lover, give the film a raw edge often missing in most comedies.

Best of all is wonderful Sir C. Aubrey Smith as the family's elderly, kindhearted butler. In a role which could have been rather insignificant in lesser hands, the old gentleman works a gentle magic with his lines and turns his part into one of the film's highlights.

Movie mavens will recognize Billy Curtis & Jerry Maren as two of the carnival's Little People, and Hans Conried as one of the silly house guests.

In this entry in the Maisie series our showgirl from Brooklyn finds herself involved with the Rawlston family. She gets involved because a drunken Lew Ayres reprising some of his role as drunken playboy Nick Seton from Holiday gets Ann Sothern fired from her carnival act.

Through some interesting circumstances Sothern winds up working for the Rawlston family whose head is Paul Cavanaugh who runs an airplane factory, son Ayres and daughter Maureen O'Sullivan who Cavanaugh thinking her a plain Jane just smothers completely. He is glad however that O'Sullivan has found Edward Ashley and maybe someone from the same social background to take her off his hands.

Ashley is from the same background, but what he is is a thoroughgoing WASP blue chip rat. When O'Sullivan finds he's two timing her it almost becomes tragic and our Brooklyn showgirl springs into action.

Of course things work out for the best as Maisie instills some common sense into these upper crust folks. It's always happy for Sothern except that when the next film in the series comes along you know it didn't work out.

I must also single out C. Aubrey Smith as the family butler who has instilled those same blue chip values that his employers have. He and Sothern have some great scenes together.

Maisie fans and others will like this.

You can tell that the "Maisie" films were popular, especially when you compare the first two or so to this one. The budget has gone up considerably by the time "Maisie Was a Lady" was produced. Not only are the production values better but the cast is of a higher level, too. Besides the incomparable Ann Sothern, Lew Ayres, Maureen O'Sullivan, C. Aubrey Smith and Paul Cavanagh are on hand, playing members of a wealthy family. When the drunken Bobby manages to lose Maisie her job in a carnival as the headless woman and then forgets he gave her his car so that she's arrested, a judge orders him to employ her at her headless woman's salary for the allotted period of time. After she nearly ruins his sister Abby's (O'Sullivan) engagement party, Abby changes Maisie's position to that of personal maid. Maisie discovers that the young woman is very much alone, especially after she realizes her fiancée only wants her money.

This is the best entry into the series of the ones I've seen, though Sothern is great in all of them, beautiful, sassy and vibrant. Maureen O'Sullivan is wonderful as the sweet and heartbroken Abby, and C. Aubrey Smith is great as the loyal, loving family butler. Lew Ayres, when he wasn't Dr. Kildare, seemed to be typecast as a drunken playboy a good deal before the war - it's a role he plays convincingly, though in life he was a deeply religious, health and work-oriented person. Handsome Paul Cavanagh plays Abby and Bob's dad, "Cap" who gets his comeuppance from Maisie.

Great fun and a must for Sothern fans.

There are already a number of well-written reviews that explain the movie very well so I'm not going to give a full-fledged review here. What I will point out is how much I loved Maureen O'Sullivan's performance as Abigail in this film. She plays a woman that is so kind, sweet, and thoughtful--not to mention pretty that you want to take her home to marry your son. However, there is also a torment to the character's life because she feels unloved due to circumstances that are apparent when you see the film. Ms. O'Sullivan gives such a dramatic depth to her characterization and is so appealing that she really deserves an award. You just want to watch her over and over again. A captivating and brilliant performance in an important role in the film. Ann Sothern, C. Aubrey Smith, and Lew Ayres are wonderful, too, but I just can't say enough about Maureen O'Sullivan in this film.

The one other comment I will make is the last scene was quite disappointing to me and detracted somewhat from my enjoyment of the film but to discuss why would risk others not wanting to see the film and Maureen O'Sullivan's performance is definitely worth seeing and appreciating.