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Tres mujeres

Título original: Kvinnors väntan
  • 1952
  • Not Rated
  • 1h 47min
PUNTUACIÓN EN IMDb
7,0/10
3,2 mil
TU PUNTUACIÓN
Anita Björk, Gunnar Björnstrand, Eva Dahlbeck, Birger Malmsten, and Maj-Britt Nilsson in Tres mujeres (1952)
ComediaDrama

Añade un argumento en tu idiomaThe four wives of four brothers share stories of their marriages as they each wait for their husbands in a small, secluded cottage.The four wives of four brothers share stories of their marriages as they each wait for their husbands in a small, secluded cottage.The four wives of four brothers share stories of their marriages as they each wait for their husbands in a small, secluded cottage.

  • Dirección
    • Ingmar Bergman
  • Guión
    • Ingmar Bergman
    • Gun Grut
  • Reparto principal
    • Anita Björk
    • Eva Dahlbeck
    • Maj-Britt Nilsson
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,0/10
    3,2 mil
    TU PUNTUACIÓN
    • Dirección
      • Ingmar Bergman
    • Guión
      • Ingmar Bergman
      • Gun Grut
    • Reparto principal
      • Anita Björk
      • Eva Dahlbeck
      • Maj-Britt Nilsson
    • 20Reseñas de usuarios
    • 18Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 nominación en total

    Imágenes120

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    + 113
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    Reparto principal35

    Editar
    Anita Björk
    Anita Björk
    • Rakel
    Eva Dahlbeck
    Eva Dahlbeck
    • Karin
    Maj-Britt Nilsson
    Maj-Britt Nilsson
    • Marta
    Birger Malmsten
    Birger Malmsten
    • Martin Lobelius
    Gunnar Björnstrand
    Gunnar Björnstrand
    • Fredrik Lobelius
    Karl-Arne Holmsten
    Karl-Arne Holmsten
    • Eugen Lobelius
    Jarl Kulle
    Jarl Kulle
    • Kaj
    Aino Taube
    Aino Taube
    • Annette
    • (as Aino Taube-Henrikson)
    Håkan Westergren
    Håkan Westergren
    • Paul Lobelius
    Gerd Andersson
    • Maj
    Björn Bjelfvenstam
    • Henrik Lobelius
    • (as Björn Bjelvenstam)
    Wiktor Andersson
    Wiktor Andersson
    • Garbage man
    • (sin acreditar)
    Märta Arbin
    Märta Arbin
    • Rut, nurse
    • (sin acreditar)
    Inga Berggren
    • Dancer at the nightclub
    • (sin acreditar)
    Ingmar Bergman
    Ingmar Bergman
    • Man in the Stairs at the Gynecologist's
    • (sin acreditar)
    Lena Brogren
    • Ms. Brogren, nurse
    • (sin acreditar)
    Rolf Ericson
    • Musician at the nightclub
    • (sin acreditar)
    Jens Fischer
    • Jens, Karin's boy
    • (sin acreditar)
    • Dirección
      • Ingmar Bergman
    • Guión
      • Ingmar Bergman
      • Gun Grut
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios20

    7,03.1K
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    10

    Reseñas destacadas

    7romdal

    An artist emerges

    Early Bergman, and from the onset it is clear an artist is at work. The first conversation piece, with all 5 waiting women in the same room, is a long shot approaching 4 minutes, with various of the women talking. There are also already some typical Bergman postures, with one woman talking intensely and the one next to her staring vapidly past her downwards, seemingly lost in her own inner world. All that in well and good, but as soon as I heard the first monotonous monologue from the mother, her eyes turning to heaven, speaking of how she can not reach out to her husband", not even to scratch his eyes out, my Bergman-radar immediately hit the red zone. And surely enough, we are in for group therapy all the way, as each woman tells of one significant episode from their lives with their husbands. But it is a very elegant movie, and along the way you become quite sympathetic, even though all the stories describe infidelity and frigid bourgeous lives. My eye was caught by Eva Dahlbeck, who I also recently saw in Sommarnöje sökes. Here, at 32, she is sizzlingly hot. Overall it is a movie not to be missed by Bergman lovers, if mainly for historical reasons. His next movie was Monika, so this one can be said to commence his golden period. For the trivia-consumers: IMDb informs that Eva Dahlbeck has recently filed for divorce, after, ahem, 67 years of marriage. You go, girl!
    7Xstal

    Wilting Women...

    Sisters in law do reveal, why married life's so far from ideal, their journeys to (some) contentment, established often on resentment (from them or their partner or both), and how it's left a mark and how they feel. Rakel had an affair with her best friend, Marta caught a child and so was penned, Karin got a confession, Annette mild depression, and Maj, aims to become them in the end.

    Rejoice that the worlds we live in today, in at least some parts of the planet, have holes in their nets big enough for the trapped to escape and forge futures for themselves, unburdened by tradition and past practices.
    8Hitchcoc

    Both Poignant and Sad at Times

    Four women await their husbands/lovers and tell stories of their early encounters with these men. I won't go through the plot but suffice it to say that there is selfishness, self- loathing, sacrifice, and even some empty headed joy. One story tells of a spiteful woman and her boring husband. A childhood lover comes while he is gone and has tryst with her. She tells her husband and this leads to some soul searching. The second is an encounter with an artist that leads to a child being born and his self-centered departure. The third is a couple, married for several years, trapped on an elevator, giving what they say is an honest view of one another. The fourth has arranged to run off with her boyfriend, leaving the family behind. This may sound a bit vapid, but it is done with a master's touch, with the artistry that is Bergman. Every bit of cinema is framed and filled with emotion.
    8Thea-4

    Seldom seen Bergman jewel

    See it. Lyrical, beautifully shot, quietly hilarious in spots, this film is seldom screened. Perhaps more than his better-known works, this film showcases Bergman's love of women. Bjork, Dahlbeck and especially Nilsson are adoringly photographed; this is passionate young Bergman. A delight.
    7boblipton

    Ingmar's First Comedy

    Four sisters-in-law sit around a table and tell each other stories of how they fell in love.

    It's Ingmar Bergman's first comedy and that's probably why this particular film appealed to him, with its anthology structure. Bergman assembled his usual flawless cast and gave them roles they sink themselves into, with a gradually ascending level of hilarity in the four. Yet like all good comedies, like all good stories, it has a serious, if not particularly solemn statement to to make: love isn't one thing to all people. It's different for every human being.

    Gunnar Fischer's black-and-white cinematography is lush and romantic. That's something modern audiences don't understand: black and white photography is more romantic than color, because it hides more; by reducing vivid life to mochmatic mages, it engages the viewer, forcing him or her to imagine, to invest effort into the viewing, and thus engage in the creative process. Bergman knew this, and with the help of his fine cameramen, brought this to life.

    Más del estilo

    Una lección de amor
    7,0
    Una lección de amor
    La alegría
    7,1
    La alegría
    En el umbral de la vida
    7,3
    En el umbral de la vida
    Prisión
    6,7
    Prisión
    Juegos de verano
    7,5
    Juegos de verano
    Tres amores extraños
    6,5
    Tres amores extraños
    Sueños
    7,0
    Sueños
    El ojo del diablo
    7,1
    El ojo del diablo
    Noche de circo
    7,4
    Noche de circo
    Ciudad portuaria
    6,6
    Ciudad portuaria
    El rostro
    7,5
    El rostro
    Musik i mörker
    6,4
    Musik i mörker

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      The title translates to "Secrets of Women" in English
    • Citas

      Karin: Women should talk to each other more openly and more often. We should share our experiences and comfort each other. We shouldn't be affected by men's silly need for prestige and secrecy.

    • Conexiones
      Featured in Minns Ni? (1993)
    • Banda sonora
      Dans i de saligas ängder
      [from the opera "Orfeo ed Euridice"]

      Composed by Christoph Willibald Gluck (1762)

      Lyrics written by Raniero de Calzabigi ( 1762)

      Swedish lyrics by Göran Rothman (from Italian text,1773)

    Selecciones populares

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    Preguntas frecuentes15

    • How long is Secrets of Women?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 3 de noviembre de 1952 (Suecia)
    • País de origen
      • Suecia
    • Idiomas
      • Sueco
      • Francés
    • Títulos en diferentes países
      • Secrets of Women
    • Localizaciones del rodaje
      • Sacré-Coeur, París, Francia
    • Empresa productora
      • Svensk Filmindustri (SF)
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en todo el mundo
      • 1596 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 47min(107 min)
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

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