Richard Burton's posthumously-published diaries reveal that he accepted the role of Philip in this film because it was being planned as a comeback vehicle for
Greta Garbo under the direction of his friend
George Cukor, whom he regarded as one of the great Hollywood directors. He claims that Garbo personally told him she would only do the film with him as her leading man. After negotiations with both Garbo and Cukor fell through (Garbo never made another film, and Cukor was replaced by
Henry Koster and he and Burton never worked together), Burton remained attached to the project, which was re-fashioned as a vehicle for
Olivia de Havilland. Burton claims that de Havilland was impossibly arrogant following her recent Oscar win for
La heredera (1949), insisted on having sole above-the-title billing, and would not allow anyone to address her by her first name, only by "Miss de Havilland". He found this state of affairs preposterous and was rude about her for the rest of his life whenever the film (which he also disliked) came up in interviews.