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The Ring

  • 1952
  • Approved
  • 1h 19min
PUNTUACIÓN EN IMDb
6,3/10
884
TU PUNTUACIÓN
Rita Moreno and Lalo Rios in The Ring (1952)
BoxeoDeporteDrama

Añade un argumento en tu idiomaA young American of Mexican decent in East Los Angeles, California uses the boxing ring to make a better life for himself and his family, and learns as much about being a Latino in a white s... Leer todoA young American of Mexican decent in East Los Angeles, California uses the boxing ring to make a better life for himself and his family, and learns as much about being a Latino in a white society as he does about boxing.A young American of Mexican decent in East Los Angeles, California uses the boxing ring to make a better life for himself and his family, and learns as much about being a Latino in a white society as he does about boxing.

  • Dirección
    • Kurt Neumann
  • Guión
    • Irving Shulman
  • Reparto principal
    • Gerald Mohr
    • Rita Moreno
    • Lalo Rios
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,3/10
    884
    TU PUNTUACIÓN
    • Dirección
      • Kurt Neumann
    • Guión
      • Irving Shulman
    • Reparto principal
      • Gerald Mohr
      • Rita Moreno
      • Lalo Rios
    • 16Reseñas de usuarios
    • 1Reseña de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes4

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    Reparto principal40

    Editar
    Gerald Mohr
    Gerald Mohr
    • Pete Ganusa
    Rita Moreno
    Rita Moreno
    • Lucy Gomez
    Lalo Rios
    • Tomas 'Tommy' Cantanios…
    Robert Arthur
    Robert Arthur
    • Billy Smith
    Robert Osterloh
    Robert Osterloh
    • Freddy Jack
    Martin Garralaga
    Martin Garralaga
    • Vidal Cantanios
    Art Aragon
    • Art Aragon
    Jack Elam
    Jack Elam
    • Harry Jackson
    Peter Brocco
    Peter Brocco
    • Barney Williams
    Robert Shayne
    Robert Shayne
    • Jimmy - Aragon's Manager
    Julia Montoya
    • Rosa
    Lillian Molieri
    Lillian Molieri
    • Helen Cantanios
    Pepe Hern
    • Rick
    Victor Millan
    Victor Millan
    • Pablo
    Tony Martinez
    • Go-Go
    Ernie Chavez
    • Joe
    Edward Sieg
    • Benny
    Robert Altuna
    • 'Pepe'…
    • Dirección
      • Kurt Neumann
    • Guión
      • Irving Shulman
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios16

    6,3884
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    Reseñas destacadas

    8mossgrymk

    the ring

    This film was presented on TCM during Hispanic Heritage month as a companion piece to "The Lawless". Both works deal with anti Mexican- American prejudice in California in the 50s and feature the work of one of the few non stereotyped Latinx actors in Hollywood at the time, Lalo Rios. And while "The Lawless" is the more famous and heralded of the two, with a bigger budget and a more artistically significant director, I preferred this unabashed B movie about a Los Angeles barrio kid trying to box his way out, with its low budget, crude immediacy, to Joseph Losey's more polished work that mostly focuses on the effect of racism on Anglo liberals.

    Are there flaws? You betcha. As in most inexpensive, indie type movies the acting can be problematical. It is especially shocking to see Rita Moreno as a typical ingenue with a very limited emotional range. Obviously Kurt Neumann was not the director to see and extract her future talent. Rios is considerably better although he will never be confused with Robert Ryan in "The Set Up" or even Mickey Rooney in "Killer McCoy", for that matter, to take just two other 50s boxing flics. I also noticed a tendency, in Irving Shulman's screenplay from his novel, for the dialogue to be more stiff and declamatory when the Mexican American characters are speaking to each other than when the Anglos are conversing. Can't say I liked this tendency very much.

    Making up for the above lapses, however, are well staged fight scenes as well as tense, powerful examples of discrimination directed by the white denizens of LA toward the brown skinned. The scene set in the Beverly Hills coffee/soda shop, for me at least, had much more of an impact than any number of riots and attempted lynchings, a-la "Lawless".

    Bottom line: As is often the case in Tinseltown the B picture is mightier than the A. Give it a B plus.
    7bkoganbing

    The Arena Of Life Is Not Just A Squared Circle

    Even the cheap production values of The Ring which admittedly looks like it was shot on chump change give it a look of authenticity. The Ring is a fine film about a young Mexican-American kid who thinks that boxing could be his ticket out of the slums. The lead here is played by young Lalos Rios who went on to a substantial career for the next twenty years.

    Better known of course is Rita Moreno who was doing her fourth film and she plays Rios's girl friend. It's a part light years different from Anita in West Side Story.

    Lalos Rios plays young Tommy Cantanios whose family is going through a real financial crisis. His father is laid off from work and they owe a lot of money for furniture on credit. Young Tommy asks to help, but his father, Martin Garralaga sluffs off the offer.

    In the history of Mexican-Americans, The Ring tells its story in a time almost halfway between the zoot suit rioters of the Forties and the organization of migrant farm laborers by Cesar Chavez in the Sixties. Still a time when the discrimination that brought on the zoot suit riots was very real.

    After a couple of encounters with some discrimination young Rios gets a lift by chance from fight manager Gerald Mohr who sees some possibilities in the kid. He takes him under his wing and changes his professionally to Tommy Kansas. He and trainer Robert Osterloh bring him up the ranks slowly.

    Of course Rios is impatient and Mohr starts to question whether he really does have the talent to make it really big in the fight game.

    The Ring is a very realistic film about the fight game and life in East Los Angeles in the Fifties. Look also for good performances from Jack Elam as a sleazy fight promoter and from Art Aragon who was a popular welterweight boxer from back in the day who later went into acting after his ring days were done.

    Rios learns two very valuable lessons, one is best summed up by that eminent American philosopher Clint Eastwood who once remarked a man's got to know his limitations. But even more important Rios learns that The Ring is not the only place he can fight for his beliefs and his people. The arena of life is not just a squared circle.
    6st-shot

    The Ring throws some punches at society.

    East LA local Lalo Rios has a quick temper and quick hands. When a fight promotor (Gerald Mohr) gets him out of a street scrap arrest he takes him on as a boxer, much to his proud father's chagrin. Things start out rosy as "Kid Kansas" wins his first three fights. The undisciplined Rios soon goes diva as his skills dull and his beatings increase.

    The Ring is a sincere little effort that shows brief flourishes of style but is unable to go the distance or rank with the heavyweights of the genre. There are split second shots that evoke Raging Bull and Mohr's manager is a switch from the usual exploitive orgre to down to earth realist but Lalo Rios's pugnacious Tomas is a flat lead unable to go the distance.

    The film's most notable feature is the injection of institutional racism that culminates in a Beverly Hills restaurant scene which not only comments on race but status as well. Neither champ or tomato can The Ring is a game low-budget effort.
    7SnoopyStyle

    early anti-racism indie

    Vidal Cantanios struggles to find honorable work in East Los Angeles. He's been laid off by the Anglo boss. Rebellious son Tomas 'Tommy' Cantanios gets into a street fight with a couple of racists and gets picked up by boxing promoter Pete Ganusa. He starts prize fighting despite his father's disapproval. Lucy Gomez (Rita Moreno) is his girlfriend.

    It's an early film examining institutional racism with a boxing film. It's a little jarring to see overt racism against Mexicans done so plainly. The lead's acting is rather amateurish. He does act opposite future star Rita Moreno. This is one of her first non-dancing acting jobs in a non-racist role. Overall, this is an important indie for the themes of racism and lower class struggles. The lead's poor acting does hold this back. If only, they had somebody real.
    8Junker-2

    A boxing movie ahead of its time

    While obviously made as a "B" feature in its day, "The Ring" is a surprisingly good little flick deserving of far better than the relatively low rating (a 5.6 as I write this) it is currently receiving here on the IMDb.

    "The Ring" starts off as a typical boxing "rags to riches" story. A young kid gets into a street fight just as a boxing manager happens to be passing by. Liking what he sees, the manager vows to turn the fiery youngster into a star.

    Halfway through the film, however, the "rags to riches" storyline begins to turn and a much deeper side is revealed. More than a decade before the civil rights movement became a large issue in American society, "The Ring" tackled head-on topics such as stereotypes and racial discrimination.

    The issues raised are still very relevant today, 56 years after this film was made. Are professional sports truly a way out for impoverished minorities? Or just an unobtainable illusion? And is becoming white the only way for minorities to become accepted into our society? (What could be whiter than a ring name of Tommy Kansas?) All this and a young Rita Moreno, too!...as the "girl next door" love interest.

    "The Ring" is not a perfect 5 star film, but it was a movie truly ahead of its time. If you give it a try sometime I think you will be pleasantly surprised.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Robert Altuna received an "Introducing" credit.
    • Pifias
      Before the final boxing match; real film footage of Art Aragon is clipped into the fight. His three corner men in the real footage are clearly completely different from the actors playing his corner men in the movie.
    • Conexiones
      Referenced in Crisis in Morality (1962)
    • Banda sonora
      A-Cheep, A-Cheep
      Music by Herschel Burke Gilbert

      Lyrics by Lenny Adelson

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 26 de septiembre de 1952 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Español
    • Títulos en diferentes países
      • Pachuco
    • Localizaciones del rodaje
      • 701 N. Hill Place, Fort Moore, Downtown, Los Ángeles, California, Estados Unidos
    • Empresa productora
      • King Brothers Productions
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 19min(79 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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