PUNTUACIÓN EN IMDb
7,0/10
2,7 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaIn 1910, a wayward mother re-visits the family she deserted.In 1910, a wayward mother re-visits the family she deserted.In 1910, a wayward mother re-visits the family she deserted.
- Dirección
- Guión
- Reparto principal
Donald Kerr
- Comic
- (escenas eliminadas)
Lois Austin
- Mrs. Underwood
- (sin acreditar)
Bobby Barber
- Porch Loafer
- (sin acreditar)
Margaret Bert
- Mrs. Pellix
- (sin acreditar)
Henry Blair
- Senior
- (sin acreditar)
Lela Bliss
- Belle Stanton
- (sin acreditar)
Virginia Brissac
- Mrs. Tomlin
- (sin acreditar)
Reseñas destacadas
Saw this film yesterday for the first time and thoroughly enjoyed it. I'm a student of screen writing and I loved the way the minor characters intervened just when something pivotal/climatic happened in a scene.
I thought the dialogue was very sharp and the premise of story is rather shocking - at one particular point Barbara Stanwyck is openly flirting with her daughter's boyfriend; AND rekindling some passion in her husband whom she hasn't seen in ten years; AND with the gunshot signal 'two shots and then one' she hooks up with her old shag mate Dutch (the reason she left town in the first place!) ALL AT THE SAME TIME! The moral majority must have been totally incensed when they saw this flick back in the 50's.
Love the costumes and cinematography and the straight from the hip dialogue - just to watch Barbara Stanwyck and Co doing the 'Bunny Hug' is good enough reason to rent this film on DVD.
One of the best films from that period I've seen in a long time.
I thought the dialogue was very sharp and the premise of story is rather shocking - at one particular point Barbara Stanwyck is openly flirting with her daughter's boyfriend; AND rekindling some passion in her husband whom she hasn't seen in ten years; AND with the gunshot signal 'two shots and then one' she hooks up with her old shag mate Dutch (the reason she left town in the first place!) ALL AT THE SAME TIME! The moral majority must have been totally incensed when they saw this flick back in the 50's.
Love the costumes and cinematography and the straight from the hip dialogue - just to watch Barbara Stanwyck and Co doing the 'Bunny Hug' is good enough reason to rent this film on DVD.
One of the best films from that period I've seen in a long time.
Although not in the same class as Douglas Sirk's major melodramas, "All I Desire" has many of the traits that would be developed in these later works. As such it is essential viewing for fans of Sirk's films. His use of color is legendary so much is lost by this being filmed in black and white, the result of a tight fisted Universal Studios.
Fans of Barbara Stanwyk should not miss it either. Stanwyk is one of a handful of actresses who simply never gave a weak performance. Under the direction of the likes of Wilder or Sirk, she's a compelling screen presence. Sirk had great admiration for Stanwyk calling her "one of the best in town". He used her a few years later in "There's Always Tomorrow" which remains his greatest unrecognised opus. There his criticism of the American family values is particularly cutting, whereas "All I Desire" has an altogether more forgiving view of small town narrow mindedness.
Sirks films are always worth watching. They are extremely well crafted with each shot carefully thought out. Nothing is left to chance. Those who dismiss the melodrama as an inferior genre would do well to take a close look at his body of work. "All I Desire" makes a good starting point.
Fans of Barbara Stanwyk should not miss it either. Stanwyk is one of a handful of actresses who simply never gave a weak performance. Under the direction of the likes of Wilder or Sirk, she's a compelling screen presence. Sirk had great admiration for Stanwyk calling her "one of the best in town". He used her a few years later in "There's Always Tomorrow" which remains his greatest unrecognised opus. There his criticism of the American family values is particularly cutting, whereas "All I Desire" has an altogether more forgiving view of small town narrow mindedness.
Sirks films are always worth watching. They are extremely well crafted with each shot carefully thought out. Nothing is left to chance. Those who dismiss the melodrama as an inferior genre would do well to take a close look at his body of work. "All I Desire" makes a good starting point.
Barbara Stanwyck gives this early Douglas Sirk-directed, Universal-produced soap just the kick that it needs. Not nearly as memorable as Sirk's later melodramas, it's easy to see by watching "All I Desire" where Sirk would be heading artistically in the next few years. Stanwyck is a showgirl who returns to her family in smalltown, U.S.A, after deserting them a decade earlier. Her family and community have mixed emotions in dealing with her shocking return. Some of the cinematography is amazing, and Stanwyck is tough-as-nails and really gives this film a shot of energy. Overall, a fairly good show.
Yes, I call this a perfect movie. Not one boring second, a fantastic cast of mostly little known actresses and actors, a great array of characters who are all well defined and who all have understandable motives I could sympathize with, perfect lighting, crisp black and white photography, a fitting soundtrack, an intelligent and harmonious set design and a story that is engaging and works. It's one of those prime quality pictures on which all the pride of Hollywood should rest, the mark everyone should endeavor to reach.
Barbara Stanwyck is simply stunning. There was nothing this actress couldn't do, and she always went easy on the melodramatic side. No hysterical outbursts with this lady - I always thought she was a better actress than screen goddesses like Bette Davis or Joan Crawford, and this movie confirmed my opinion. Always as tough as nails and at the same time conveying true sentiments. It is fair to add that she also got many good parts during her long career, and this one is by far the least interesting.
The title fits this movie very well. It is about desires, human desires I think everyone can understand. Actually, no one seems to be scheming in this movie, all characters act on impulse, everybody wants to be happy without hurting anybody else. The sad fact that this more often than not leads to complications makes for the dramatic content into which I will not go here.
I liked what this movie has to say about youth, about maturing and about the necessity to compromise. The movie I associate most with this one is Alfred Hitchcock's Shadow of a Doubt, it creates a similar atmosphere of idealized and at the same time caricatured Small Town America. The story has a certain similarity with Fritz Lang's considerably harsher movie Clash by Night, made one year earlier, where Stanywck stars in a similar part. I can also recommend it.
Barbara Stanwyck is simply stunning. There was nothing this actress couldn't do, and she always went easy on the melodramatic side. No hysterical outbursts with this lady - I always thought she was a better actress than screen goddesses like Bette Davis or Joan Crawford, and this movie confirmed my opinion. Always as tough as nails and at the same time conveying true sentiments. It is fair to add that she also got many good parts during her long career, and this one is by far the least interesting.
The title fits this movie very well. It is about desires, human desires I think everyone can understand. Actually, no one seems to be scheming in this movie, all characters act on impulse, everybody wants to be happy without hurting anybody else. The sad fact that this more often than not leads to complications makes for the dramatic content into which I will not go here.
I liked what this movie has to say about youth, about maturing and about the necessity to compromise. The movie I associate most with this one is Alfred Hitchcock's Shadow of a Doubt, it creates a similar atmosphere of idealized and at the same time caricatured Small Town America. The story has a certain similarity with Fritz Lang's considerably harsher movie Clash by Night, made one year earlier, where Stanywck stars in a similar part. I can also recommend it.
"All I Desire" from 1953 is a drama from Douglas Sirk, filmed in black and white and starring Barbara Stanwyck, Richard Carlson, Maureen O'Sullivan, Lori Nelson, Lyle Bettger, Billy Gray, and Marcia Henderson.
Stanwyck plays an actress, Naomi Murdoch, who at this point in her life, isn't very successful. Some years earlier she was living in a small town and left her husband and chldren. The family maid keeps her posted on how everyone is doing.
One of her daughters, Lily (Nelson) is an aspiring actress who is going to be appearing in her high school play. She invites her mother, who is encouraged by the woman sharing her dressing room to attend.
With some new outfits, she comes back into town with much hoopla. Her older daughter (Henderson) isn't happy to see her; her son (Gray) really doesn't remember her; and her husband wonders what she's doing in town.
It doesn't take long to find out why Naomi left town - she was seeing a man Dutch Heinemann (Bettger) and got out before there was too much of a scandal. Now that she's back, her husband (Carlson) realizes that he still loves her, and she him. He wants her to stay. Lily wants her mother to take her to New York. And Dutch wants to pick up where they left off.
Good film about small town nosiness and gossip with a wonderful performance by Stanwyck, who really drives the film. This is from Universal Studios, so frankly, she's really the only true star in the movie and lacks the usual Sirk touch of color.
The musical score is overwrought and very distracting.
This film is about fighting for what you want, following your heart, and realizing the true meaning of success. "All I Desire" brings home these themes very well.
Stanwyck plays an actress, Naomi Murdoch, who at this point in her life, isn't very successful. Some years earlier she was living in a small town and left her husband and chldren. The family maid keeps her posted on how everyone is doing.
One of her daughters, Lily (Nelson) is an aspiring actress who is going to be appearing in her high school play. She invites her mother, who is encouraged by the woman sharing her dressing room to attend.
With some new outfits, she comes back into town with much hoopla. Her older daughter (Henderson) isn't happy to see her; her son (Gray) really doesn't remember her; and her husband wonders what she's doing in town.
It doesn't take long to find out why Naomi left town - she was seeing a man Dutch Heinemann (Bettger) and got out before there was too much of a scandal. Now that she's back, her husband (Carlson) realizes that he still loves her, and she him. He wants her to stay. Lily wants her mother to take her to New York. And Dutch wants to pick up where they left off.
Good film about small town nosiness and gossip with a wonderful performance by Stanwyck, who really drives the film. This is from Universal Studios, so frankly, she's really the only true star in the movie and lacks the usual Sirk touch of color.
The musical score is overwrought and very distracting.
This film is about fighting for what you want, following your heart, and realizing the true meaning of success. "All I Desire" brings home these themes very well.
¿Sabías que...?
- CuriosidadesThis marked the first time Barbara Stanwyck and Richard Long worked together. They became good friends more than a decade before playing mother and son in Valle de pasiones (1965).
- PifiasIn he scene in the kitchen, where Lily is eating honey, the cooks hands go from dirty to clean and back again.
- Citas
Naomi Murdoch: We're a big disappointment to each other, aren't we? You've got a mother with no principles; I've got a daughter with no guts.
- ConexionesFeatured in Acting Normal: Billy Gray on Douglas Sirk's All I Desire (2008)
- Banda sonoraAll I Desire
by David M. Lieberman
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
- How long is All I Desire?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 460.000 US$ (estimación)
- Duración1 hora 20 minutos
- Color
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta