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I don't know if the term war oater exixts but I don't care, I have no other word to describe this film, very watchable but worth only for movie buffs like me, from time to time nostalgic of the Hollywood golden years, the last ones, the fifties. Arthur Lubin was guilty of this comedy, after all comedy was his domain, with the exception of PHANTOM OF THE OPERA of course, his best movie. Not the Francis talking mule movie nor Abott and Costello's series. Exotic cinema charm lovers won't be deceived.

The least significant entry in Warners' 5-Disc "Burt Lancaster Signature Collection" is this obscure but harmless WWII action comedy that is sufficiently enjoyable without being remotely memorable. The film starts out with Lancaster refusing to defend himself in the court-martial he is facing and the events unfold in flashback as the various witnesses give their testimony: Lancaster is a U.S. marine who (together with his pal Chuck Connors and the latter's fiancée Virginia Mayo) 'deserts' to a tropical island on the eve of the Pearl Harbor sneak attack where they proceed to live it up over there for a while, in the company of local madame (Veola Vonn), her three nieces and assorted beachcombers (including Arthur Shields). However, when a Dutch captain visits the island on his yacht, Lancaster and Co. steal it to go "have a crack at those Japs" – to borrow Errol Flynn's famous last words in Raoul Walsh's DESPERATE JOURNEY (1942); this leads to a rousing action climax in which the renegade band of islanders take on the Japanese fleet and manage to sink one of their ships – with Connors sacrificing his life in the process and leaving the way open for the budding romance between Lancaster and Mayo (reunited here three years after their joint participation in Jacques Tourner's colorful adventure, THE FLAME AND THE ARROW) to bloom. Two final things worthy of note: a young Strother Martin is clearly recognizable sitting next to Mayo in the courtroom and the eventual fate of the seaside dive might well have inspired a similar incident in, of all things, PORKY'S (1982)!!

In 1944 U.S. Marine Master Gunnery Sergeant James O'Hearn is facing a court martial for desertion, theft, scandalous conduct and destruction of property, charges which in time of war carry the death penalty. ("Scandalous conduct" in this context means sex outside marriage; if that were to be regarded as a capital offence under military law I suspect that the fighting strength of most of the world's armies would be drastically reduced overnight).

The above might suggest that this is a serious courtroom drama along the lines of "The Caine Mutiny". Admittedly, the film starts off in serious vein, but as soon as Ginger Martin (she with whom O'Hearn allegedly conducted himself scandalously) takes the stand seriousness goes out of the window and it descends into ridiculous comedy.

Ginger is presumably the "South Sea Woman" of the title, but she is actually a white American rather than a Polynesian and only finds herself in the South Seas by chance. When O'Hearn first meets her she is working as a showgirl at a nightclub in Shanghai, where his regiment is stationed, and is the girlfriend of his friend Private Davy White. An attempt by White to slip away to marry Ginger leads to the three finding themselves adrift at sea on a small motor boat. In a series of increasingly farcical misadventures, in the course of which they inadvertently commit the acts which will form the basis of the charges against O'Hearn, they are rescued by a Chinese junk and eventually cast away on the French-ruled island of Namou. As the Governor of Namou is pro-Vichy, and as the attack on Pearl Harbor has now brought America into the war, the two Marines have to pretend to be deserters in order to avoid being interned. White and Ginger attempt to marry several times, but are always frustrated.

It is at this point that the film changes direction again, largely abandoning comedy and turning into a patriotic wartime adventure as O'Hearn and White discover a fiendish Nazi plot and decide to take action to thwart it, to seize a boat and to rejoin the Marines who are fighting the Japanese at Guadalcanal.

Mixing genres in this way is often a risky business, the risk being that the resulting film can end up as neither fish nor flesh nor fowl nor good red herring, or in this case neither drama nor comedy nor action. I don't think there was ever any possibility of this film being a sort of "Caine Mutiny Court Martial", but it could certainly have been made either as a comedy about the adventures of a pair of bungling Marines and a girl or as a standard gung-ho action war film about two heroic Marines with a sub-plot about their love-interest.

The attempt to make the film as a combination of these two approaches simply results in a misbegotten dog's breakfast, a film which is not very amusing when it tries to be a comedy and not very exciting when it tries to be a wartime adventure. About all one can say for it is that Virginia Mayo looks lovely, as she normally did.

This is not quite Burt Lancaster's worst movie; he normally saved his worst for those occasions, mostly in the sixties and seventies, when he allowed his political judgement to overcome his artistic judgement and ended up playing a villainous right-wing fanatic in turgid, paranoid left-wing thrillers like "Executive Action" or "The Cassandra Crossing". It is not, however, one of his better ones, and is one that is probably best forgotten by all but the most obsessive Lancaster fans. 4/10

South Sea Woman is a fun, entertaining, and sadly to say, forgotten old movie. Burt Lancaster hand-picked Chuck Connors for the supporting role; what a compliment, and what a debut to the movies! It's a court-martial drama, with Burt facing over one hundred years in prison. Despite having his reputation tarnished and serving the rest of his life in jail, he refuses to give a plea or testify in his defense. Ladies, this will be a fun treat for you. Not only is Burt playing a tough marine, but his strong, silent type is sure to make you love him even more!

Virginia Mayo, in the titular role, can't stand Burt's silence. She takes the stand when he won't and tells the true story. It's a very exciting story that shows so much of his character: strength, loyalty, courage, and selflessness. I would definitely recommend this military drama if you like these types of stories (a defendant refusing to talk is a common story element), if you like Burt, or if you want to see Chuck's film debut. I was a bit skeptical, since Virginia Mayo is no Susan Hayward, but she didn't detract from the drama. For a double feature, you can watch Burt in the same year's From Here to Eternity!

I found my way to this film after seeing Veola Vonn playing "Arlette" a voluptuous painter's model in "Le Fantome de la rue Morgue" (1954) which is loosely based on an Edgar Allan Poe novel.On looking at Veola's film career she seemed to specialise in acting roles playing French ladies of easy virtue and the subject film is typical when she plays Lillie Duval a madame of a brothel on a remote French island.Although she was born in NYK.(1918-1995), I wondered whether she had French parents/relatives or connections to give substance to these roles.

Virginia Mayo first came to my attention in "The Best Years of Our Lives" (1946) playing the initially good-time wife of Dana Andrews a returning bombardier officer from the U.S.A.F. being demobbed at the end of WWII.In this film Virginia as "Ginger Martin" shows off her very feminine figure to its best advantage and soon gets Chuck (The Rifleman) Connors (Pvt.Davey White) & Burt Lancaster (Sgt. O'Hearn) squabbling over her and how best to get back into WWII on the side of Uncle Sam.For Burt it must have made a change doing this knockabout comedy after filming the heavy dramatic acting required playing another sergeant in "From Here To Eternity (1953)" in the same year.Coincidentally both films have the Japanese attack on Pearl Harbour as a theme.Another face I spotted was Paul Burke (The Naked City - 1960s TV series) playing an ensign at Sgt.O'Hearn's court marshal.

Obviously the plot outlined in other user comments above is comedic and Hollywood stereotypes abound which include (from an American perspective,) all foreigners who cannot speak English but we must remember that these films were produced by Americans for average Americans.I would place the growing international maturity of U.S. film producers from 1962 with "The Longest Day".One obvious editing device used in "South Sea Woman" is to utilise B&W war newsreels of the real WWII U.S./Japanese conflict and splice them into the subject B&W film. Also used were back-projection screens with "real" studio action by the actors.Oh well, c'est la guerre.I rated it 6/10 on purely on an entertainment level.