Las vacaciones del señor Hulot

The picture deals with Mister Hulot going to a holiday resort where he accidentally originates destruction and disaster . The movie is plentiful of original sketches . From the beginning to the end the good humor and bland comedy are continued . The film blends tongue-in-cheek , irony , giggles , joy , jokes , social critical and is pretty bemusing and entertaining .

In spite of runtime is overlong , the run is two hours and some , isn't boring neither tiring but funny . The gentle humor developed in the film is clever and thoughtful and the comic numbers vary between slapstick and surrealist . The argument is plain and simple though is only set in a hotel and beach isn't dreary . Jacques Tati is extraordinary as Mister Hulot , character he'll repeat in a sequel : ¨My uncle¨ . Direction and interpretation by Jacques Tati is magnificent and excellent . Alain Romain's score ( habitual musician of Tati ) is agreeable and cheerful . The motion picture received awesome reviews and deserves the complete knowledge because there are amount chuckles and entertainment . The picture is nowadays considered a European cult film .

All Tati's films are a gentle poke in the ribs...Nothing wrong with that...Totally different performer to Keaton, Chaplin and Lloyd...Those who compare him with them, know nothing of comedy..Tati dealt in observances, the others in pure slapstick where they were the ones to be looked at..Tati through his use of the camera and his setup's asked the audience to look at everything on the screen..At everything that was happening around the central character..Those who need their comedy force fed to them in huge exaggerated doses shouldn't watch a Tati film, I doubt whether their concentration spans would last the distance.

But then again, to ask some audiences (probably American) to appreciate a subtlety, is a very hard task indeed, especially if they have been raised on the cinema de tripe which comes out of Hollywood.

A French classic every bit as funny as "Monty Python and the Holy Grail."

Except for missing the wonderfully amusing sound effects, this nearly silent film could be viewed with the sound on mute. Its plethora of homages to the great films of the silent era, meticulously executed slapstick and sight gags make me grin, smile broadly and laugh out loud every time I watch this Gallic masterpiece.

On a visual level alone, this movie works. Kids too young to understand anything about how movies are supposed to work laugh at the kayak, the fireworks, the tennis, at M. Hulot's gawky awkwardness, etc, etc.

It takes a bit more maturity, or perhaps immersion in Gallic sensibilities, to get all the underlying humor.

Whereas Monty Python takes more obvious pokes at the French, Tati's Hulot takes subtle swipes at the Brits and the Americans. It's 1953. The English speaking world has saved France from the Germans, but the French are losing the cultural battle not only to their liberator's language, but to their mechanized world. Hulot, the old French owl (note Tati's birdlike mannerisms), has become the awkward outsider in his own seaside resort. In that context, much of what might appear disjointed, takes on an appealing continuity. Ferreting it all out is like peeling an onion, layer by layer. Each viewing finds something new.

A film which improves with age and frequent viewing.

Jacques Tati's first Monsieur Hulot feature is an enjoyable throwback to the days of silent comedy, with plenty of Tati's own style thrown in as well. The series of vignettes passes by at a well-timed pace, and for all that there is little in terms of plot development, it's not long at all before you feel as if you know not just Hulot but the other characters as well.

The vacation setting makes for a pleasant, leisurely atmosphere that makes a nice setting for Hulot and the others. Each scene has plenty of good-natured humor, and most of them also contain some amusing details that are hard to catch the first time you see it, making it well worth re-watching.

The opening sequences are easy to identify with, for all that the story occurs in another time and place, since some of the numerous snags faced by the vacationers are common experiences. Then, from the time that Hulot leaves the door open as he enters, there is a non-stop stream of good comic material that highlights Tati's own character.

By keeping the dialogue to a minimum, it emphasizes the visual gags (with occasional sound effects), some of which are also amusing yet wordless comments on human nature. Tati's style would have worked very well in silent comedy, yet he also has his own character, not an imitation of Keaton or of Chaplin or of anyone else. He made even better use of the character in "Mon Oncle", but this one well deserves to be remembered and enjoyed as well.

"Mr. Hulot's Holiday" is a terrific comedy. But be warned, it is also deliberately paced, almost lacking in dialog, and absolutely plot less. In order for you to enjoy this film, you must not wait for the "story" to begin--there is not one. In fact, the film is not much more than a series of sight gags held together by a single set of characters and a single locale--but as such, it is brilliant.

Director/Star Tati's work in the Hulot films was an obvious influence on the solo films of Jerry Lewis a decade later. It is amazing that the French purportedly think Lewis a genius when in fact his best films (such as "The Bellboy," "The Ladies Man," "The Errand Boy," etc) borrow from the Tati style to the point of plagiarism.

Well, the original is better, and you don't have to endure the constant mugging.