Un desertor del ejército se encuentra con una caravana que necesita protección frente a los indios. Decide entonces hacerse pasar por un oficial muerto y lleva a los viajeros hasta su destin... Leer todoUn desertor del ejército se encuentra con una caravana que necesita protección frente a los indios. Decide entonces hacerse pasar por un oficial muerto y lleva a los viajeros hasta su destino. Entonces se presenta a las autoridades.Un desertor del ejército se encuentra con una caravana que necesita protección frente a los indios. Decide entonces hacerse pasar por un oficial muerto y lleva a los viajeros hasta su destino. Entonces se presenta a las autoridades.
- Director/a
- Guionistas
- Estrellas
- Cavalry Corporal
- (sin acreditar)
- Chief Rasacura
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- Cpl. Demington
- (sin acreditar)
- Barfly
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- George Owsley
- (sin acreditar)
- Tillotson Man
- (sin acreditar)
- Wagon Train Member
- (sin acreditar)
- Lem
- (sin acreditar)
- Director/a
- Guionistas
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
Reseñas destacadas
Run-of-the mill and routine B-Western in medium budget , revolving around a wagon train assaulted by Indians .
Nice-looking but run-of-the-mill Allied Artists Western , including some novelties , but also with regular elements , such as frantic action, thrills , shootouts , cavalry charges , drama , romance and some breathtaking action scenes . This movie has a passable combination of decent performances, stirring drama and attractive outdoors .The agreeable script drives mercilessly forward with emotion , love triangles , cavalry charges , overwhelming attacks and turns . Director Lesley Selander aims for nosy action and go riding with a contemporary treatment about an innocent defector who gets redemption by becoming a brave leader of a wagon train . Along with a love triangle in which implicates Sterling Hayden and Keith Andes who is also in love with Coleen Gray . The plot is plain and simple , a wagon train turns out to be pursued , ambushed by the violent Indians. A blending of functional actors with support character players of whom Sterling Hayden holds the best role as a reckless officer . A warm and sometimes slow-moving storyline , makes a passable movie , a real time-passer in B-style . The hothouse plot drives mercilessly forward with rapid action , breathtaking shooting , thrills , impressive attacks , and turns . The yarn is wonderfully located against a spectacular background from Burro Flats, Simi Hills, California , Red Rock Crossing, Sedona , Oak Creek Canyon , Arizona, Courthouse Butte, Sedona, Bell Rock, Sedona, Arizona . Professional , but routine , unimaginative and some pedestrian western directed by Lesley Selander who made a lot of low-budget movies , though he followed to work for a big-budget cinema and was capable of making a few large-scale movies . Alrightly performed by Sterling Hayden as a soldier wrongfully accused of desertion and his his fight for innocence as well as freedom , while escorting a wagon train . Here director takes a fine penned script by Don Martin, based on the novel written by L.L. Foreman , creating a so-so tale that is far from ordinary , exploring the anguish and desperation of an innocent man who has to decide if and when he will leave them . The tale is strong and moving , being the yarn wonderfully located against a background of Arizona mountains . Pretty good main cast , standing out Sterling Hayden as a cavalry deserter risks his life to warn , proving to be a capable leader and quickly gaining everyone's respect . He delivers an enjoyable acting as an innocent deserter who is relentlessly chased . As female partenaire shows up the always gorgeous Coleen Gray . There are well accompanied by a good plethora of secondaries such as : Tom Tully , Tudor Owen , Lee Van Cleef, John Pickard , Carleton Young and Iron Eyes Cody who usually plays Indian roles , though being Italian origin .
This red-blooded Western was compellingly directed in fits and starts by Lesley Selander and superbly filmed on location , though it has some matte painting . Selander is generally considered to be the most prolific director of feature Westerns of all time, with at least 107 to his credit between 1935 and 1967. He realized his first feature in 1936, a western , genre in which he would not only excel but one where he would spent much of the rest of his career. Although Selander couldn't be deemed an "A"-list director, his movies had a professionalism and a verve that many of those made by his fellow B directors lacked . He made a lot of Westerns as The Yellow Tomahawk , Cavalry Scout , Rider from Tucson , Rio Grande Patrol , Storm Over Wyoming , Dakota Lil , Riders of the Range , The Mysterious Desperado , Masked Raiders , Stampede and his last one : The Texan with Audie Murphy . He also filmed detective thrillers, action/adventure motion pictures and even a horror film or two . He finished shooting 106 horse operas helmed between 1917 and 1949. Rating : 5,5 . Acceptable and passable
Nothing gets in the way of the action.
But there's more than one person on the wagon train who is not whom he seems to be. Rich merchant Tudor Owen is carrying both rifles and whiskey and the Indians want them real bad, they don't even want to wait to pay for them. Seems to me they should have just waited and paid Owen's price.
That however would have gotten in the way of the action and veteran western director Lesley Selander was known for action. The battle scenes are well staged.
It's a good B western could have been better with a little more attention to the story.
Lazy, Incompetent, and Routine Only for Die-Hard Western Fans
The Indians, with Blankets not Covering Up the Fact that They didn't use Saddles, are only On Screen for the Killing, and are Never Shown in Close-Up, making Them Disposable and Less than Human. "You know what Indians do to Women and Children.", is a Line in the Awful Screenplay.
The Battles are Frantic and Bullet Ridden with a few Arrows Flying and couple Landing in the Dust to Justify the Title. Overall, a rushed and Routine, Low-Budget 50's Western (as if We needed more of those in the Decade).
This will be an Embarrassment to Sterling Hayden Fans and despite the occasional good shot of Colorful Scenery, it is easily Forgettable.
Its A Bit Mediocre
A great western will have a great lead/s that you can root for or rally against. They hunt down the killer, complete the impossible drive or defend the town/farm/girl etc.
Hayden lacks the charisma (in this film) to make you care about the cause and the supporting cast don't really fill you with a need to want them to get to safety.
You feel indifference.
The film has some good action along with some poor scenarios, the outcome being a sense of ho-hum.
Watch it but be warned it won't stir your emotions :)
The Laramie Redemption.
Bart Laish (Hayden) is an army deserter, a gambler and a killer, but soon he is going to get a shot at redemption...
It's all very formulaic in plotting, yet there's some thought gone into the screenplay, whilst Selander wastes no chances to keep things brisk by inserting another finely constructed action sequence. Laish (a typically robust Hayden) finds himself in command of a wagon train, with soldiers and civilians, all now looking to him to stave off the wave after wave of Indian attacks, which interestingly sees the Pawnee and the Apache teaming up.
Naturally there's trouble in the camp, not only via some suspicious business men whose motives will reveal a key narrative thrust, but also by way of Gray's Christella Burke. She wanders in from some Estée Lauder advertisement (we don't care, we love 50s Westerns!), and pulses quicken for protagonist and viewers alike. Thematically the narrative is honourable, with decent amounts of angst and tortured heroics. There's some nifty war tactics, plenty of splendid gun play, and of course there's a human redemptive beat pulsing away - just begging to be found?
There's the usual "B" Western issues, such as weakly choreographed fighting between man versus man, dummies being flung over cliffs, and some average acting in support slots (not Lee Van Cleef, though, who is pottering around with menace). However, the Burro Flats location filming is beautifully photographed - in sync with Skiles' genre compliant score, while Hayden does enjoyable stern backed machismo, which plays off of Gray's sensuality perfectly, and Tully does grizzle to actually provide the film's best performance.
One for fans of this era of Western genre film making. Not a waste of time. Good show. 6.5/10
¿Sabías que...?
- CuriosidadesThis was Allied Artists' first domestically produced Technicolor picture.
- PifiasAbout 45 minutes into the movie Major Pepperis has his pants leg cut off by Stella so that she can bandage his leg. Then he goes to solve a problem with one of the wagons. When he returns his pants leg is un-torn and his leg is not bandaged.
- Citas
Maj. Andy Pepperis: Gambler, gunfighter and now deserter?
Bart Laish: Yeah
Maj. Andy Pepperis: It looks like you added coward to the list.
- ConexionesEdited from Wagons West (1952)
- Banda sonoraThe Weary Stranger
By Jimmy Wakely
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Arrow in the Dust
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración
- 1h 19min(79 min)
- Relación de aspecto
- 1.85 : 1






