Los puentes de Toko-Ri

William Holden is sent to bomb the "Bridges at Toko Ri" in the 1954 film also starring Frederic March, Grace Kelly, and Mickey Rooney. It's a very good film about the carrier operations in Korea, and according to one of the posters here, very accurate. The Korean War was the first war that utilized jets, meaning that the pilots had to be educated in new techniques to take off and land on aircraft. Sometimes there were problems, and they had to ditch into freezing water and be saved via helicopter. There were a lot of technical aspects of the work of the pilots shown in this film.

Holden plays an attorney who is called into service and has to leave his practice and family. He is chosen by his commander (March) to perform a very dangerous mission bombing bridges from the air - in this case, there's no way to hide from the enemy; they can see you coming.

There are some very exciting moments and some striking air fights throughout the film, as well as good acting. It's a little heavy on star power - why was Grace Kelly in this? She has a very small role that could have been played by any young leading woman. Nevertheless, she's lovely and very pretty, certainly a good match for Holden. Holden was an ideal film star, and ideal for this sort of film, with that rugged, handsome face and very masculine persona. He also plays the role with a likability and vulnerability - you really can't lose with him. Frederic March gives a strong performance as his commander. The showiest role belongs to possibly the showiest actor, Mickey Rooney, as a brave helicopter pilot who is a little bit short-tempered while on leave. As the jailer in Tokyo tells Holden, "Keep an eye on him. There's still a part of Tokyo that's unharmed." All in all, a very good and sobering film. The old men send the young men off to war - and they're still doing it.

The Korean War is the setting for `The Bridges At Toko-Ri,' a story of individual sacrifice and the high cost of freedom, from director Mark Robson. Navy fighter-pilot Harry Brubaker (William Holden), a veteran of World War II, is called to serve again when the conflict in Korea escalates, which takes him away from his wife, Nancy (Grace Kelly), two young children and a successful law practice. When his plane goes down after a mission, into the sea just short of the carrier, he survives; but he bitterly questions the fairness of what he has been asked to do, while everyone back home is able to go on with the routine of their lives, uninterrupted. Rear Admiral George Tarrant (Fredric March), a man who has had his own share of personal tragedy (he looks upon Brubaker as the son he has lost to the war, himself), tells Brubaker it's a matter of distance; we do this because we're here; back home they're only doing just as you would be doing if you were there. When Brubaker is granted shore leave, strings are pulled, and arrangements are made for Nancy and the children to join him; a brief respite, after which he must return to face his most formidable challenge yet, flying against the bridges that span the canyons at Toko-Ri. Very probably a suicide mission, it is nevertheless believed that knocking out these particular bridges could bring about a turning point in the war, and Lieutenant Brubaker is called upon once again to play a pivotal roll in deciding the outcome. An excellent supporting cast ably brings to life the characters that infuse this drama with humanity. Mickey Rooney is unforgettable as Mike Forney, the fighting, Irish helicopter pilot who fishes Brubaker out of the sea when his plane crashes. Memorable as well are Earl Holliman (Nestor Gamidge, Forney's partner), Robert Strauss (Beer Barrel), Charles McGraw (Commander Wayne Lee), Keiko Awaji (Kimiko) and Willis bouchey (Captain Evans). An excellent precursor to the more recent `Saving Private Ryan,' and `U-571,' `The Bridges At Toko-Ri' is an intimate study of individual courage and responsibility, and of the moral fortitude of which man is capable in times of crisis. There is a finality to the climax of this film that underscores the intense personal aspects of the larger conflict, and of the price demanded by certain individuals chosen to fulfill a seemingly random destiny. At the end of the movie, Admiral Tarrant sums it up succinctly when he ponders aloud: `Where do we get such men?' To which we can only answer: Where, indeed. I rate this one 9/10.

A couple of years before he made film history with "The Bridge On The River Kwai" William Holden starred in this rather little known Korean War drama, one of the first to be released shortly after the war. Not too many films about the Korean War get made and this is one of the best of a very few. Holden portrays a lawyer who is ordered by the Navy to do his part for the war in bombing missions. A better known cast including Grace Kelly, Fredric March, Mickey Rooney and Earl Holliman costars with Holden (besides Alec Guinness, Jack Hawkins and Sessue Hayakawa, Holden's supporting cast in "The Bridge On The River Kwai" were mostly unknowns) so it's good for big star watchers and it's an overall great film but it won't reach the heights of Holden's later "Bridge" film.

For those who remember it, the war in Korea remains an enigma from murky beginning to wobbly close (1950-1953). It wasn't even called a 'war'. Instead politicians dubbed it a 'police action', which of course fooled no one (30,000 plus, dead Americans). Toko-ri stands as perhaps the only film to capture the popular uncertainty of that conflict. Some reviewers characterize the movie as anti-war, but it's not. Instead it reflects an American public's longing for peacetime following the horrific sacrifices of WWII and the fresh sacrifices of a new war they neither understood nor desired. In the movie, Fredric March's fatherly admiral makes the official case for intervention. In a key scene with a skeptical Grace Kelly, he lectures on communist aggression and the necessity of stopping them where they stand. In a routine actioner that would have been enough. It's not enough for William Holden's Captain Brubaker, however. And the fact that the Holden character continues to question his personal role reflects the mixed feelings of ordinary Americans, who continued to be torn between patriotic duty, on one hand, and the exotic nature of the conflict, on the other. To the film's lasting credit, the ending does not cop-out in a blaze of heroics that might have undercut the script's ambivalent message. And it is this message of moral uncertainty that makes Bridges arguably the most accurate memorandum from that long-ago war.

The movie itself remains an A-grade production with some fine aerial photography, shipboard action, and special effects. It's also one of Holden's best understated performances, superior to his Oscar role in Stalag 17. Not to be overlooked is the Mickey Rooney character which remains a revealing one. His buoyant hijinks and rowdy behavior amount to a holdover of a familiar WWII stereotype. Yet the clowning here fails to gel with the prevailing mood, and would vanish from serious treatments by the time Vietnam rolled around. Then too, by the time of the movie's release (1954), audiences were eager to get back to the certainties of WWII, and studios responded with a spate of popular WWII fare, such as, Mr. Roberts (1955), Battle Cry (1955), and Operation Petticoat (1959). Except for a straggler or two, Hollywood would make no more Korean war films. And so, the process of forgetting that "Forgotten War" had begun. But, in retrospect, this was one of the few films of the decade to foreshadow the Vietnam trauma that was to follow, while the final shot of Holden's Captain Brubaker proved to be far more suggestive of war on the Asian mainland than critics could have anticipated (Toko-ri was not well received). It's only now, many years later, that viewers can appreciate the prophetic value of that final image along with the peculiar merits of this 1950's Hollywood oddity.

I saw this film when first released as a 15 year old teenager and was impressed by James A Michenor's ability to get across the futility of the Korean conflict. William Holden as the embittered "why me again" pilot used his considerable acting skills to get the message across. I thought Frederic March & Mickey Rooney were very effective in their roles as well. The courage of of the military who risk their lives to maintain our freedom of speech and action is well amplified in this film. The flying scenes were also brilliantly portrayed with great skill by the camera men. Unfortunately they do not make films like this anymore