Redada

Jack Webb was a one of a kind filmmaker. Whether it was in the movies or on television he was, in his own way, a genius. His was work is easy to spot. He had a style all his own. "Dragnet" is not Webb at his best but it's still good. I watch it for the straight detective story that it is but there are quite a few funny moments to. The "Naked Gun" movies have ruined this movie a little for me. The dated "hi-tech" stuff is pretty funny now. Those moments don't take any enjoyment away from the movie. They actually add to the fun. "Dragnet" is always a welcome visit.

I agree with the other comments that it is somewhat disappointing that we already know the identity of the killer at the beginning, but it is obvious that the killing was shown so that we know Friday and Smith aren't harassing an innocent man throughout the movie. And harass they do. Because we know the killer, we can laugh they way Friday and Smith do when they frisk him four times a day and tailgate his car. The main problem with the movie is that the story just isn't as interesting as most of the stories of the television episodes were, and, as someone wrote, Friday is a different, tougher man, not as likeable as before. Another unfortunate thing is that in making the movie in color to attract audiences who had only seen "Dragnet" in black-and-white, the movie loses the stark film noir feel that many of the television episodes had. In addition, the movie was made when the television series started to bring more silly comedy into it, and, as a result, the movie contains far too much of it. The early episodes had a lot of dark humor, but not silly humor like this movie does, such as the scene with the big-busted singer, and the scene in which the bystanders watch Friday and Smith frisk Max Troy. Even Friday's one-liners aren't as darkly funny or clever as they are in the early television episodes. That said, the movie is still very interesting and rather entertaining if you give it a chance. Webb directs with a nice pace and the big production gives it a grand atmosphere that the television show can't capture. Had a "Dragnet" movie been done in black-and-white, with a more accessible story, and during the 1951-52 season when the only comedy was dark comedy, the movie would have been a bonafide classic.

This film is so true to the atmosphere of the 1950's that you could show it in a history class, but it's a lot of fun. Jack Webb is fantastically straight as Joe Friday; he never had a better role. He speaks every word with a cement-like conviction; he's always got a snappy answer for every sarcastic criminal. Everyone in the movie is great, but the standouts are Virginia Gregg as the murdered man's alcoholic and handicapped wife, Stacy Harris as Max Troy, insincere head of the crime syndicate, and Richard Boone as the police captain, who says to his men with angry authority "all right, bumper to bumper tail; get up with em in the morning and put em to bed at night".

Dragnet is an interesting Crime Drama film released that was released in 1954. It is about 2 detectives, Sargeant Joe Friday played by Jack Webb and Officer Frank Smith played by Ben Alexander, assigned to investigate a shotgun murder. The acting, the cinematography, and the dialogue are the best parts of the film.

Ben Alexander and Jack Webb play their parts incredibly well. In the beginning of the film, they are given a briefing on their case and after-ward they proceed to begin bringing witnesses for questioning. The dialogue is entertaining and the actors executed their lines well.

"Dragnet" was the first theatrical feature to be based on a successful television series. Too bad its script bears little relation to the elements of that show.

In the 1952-59 series, viewers never saw the crime being committed. "Dragnet" was a mystery program; Sgt. Friday and Officer Smith would be called in to solve a crime, then locate and arrest the guilty party/parties. (As Webb put it, "This makes YOU a cop, and you unwind the story.") "Dragnet" (1954) begins with the actual crime, so that we KNOW who's guilty even before the titles appear. The movie is no mystery, merely the depiction of a murder investigation, in toto.

Worse, the Sgt. Friday in this film is not the quiet, dedicated cop of the radio and TV original. The feature marks the beginning of Friday the Supercop, the holier-than-thou sergeant never without a wisecrack for the criminal ("Unless you're growin', sit down!") or a put-down for the recalcitrant citizen ("Mr. Friday, if you was me, would you [testify]?" "Can I wait awhile... before I'm you?").

The film was a huge box office success, the most profitable of Webb's five theatrical productions. It cost a hair over $500,000 to make, and took in nearly six million. It was Warner's second-highest grossing film of 1954, after "The High and the Mighty." And, of course, it opened the door for the TV crossovers that continue to this day. It's just a shame that the "real" Sgt. Friday didn't appear, and an even bigger shame that this 'evil twin' eventually eclipsed the original.