Añade un argumento en tu idiomaA peace activist neglects his family while pursuing his causes. As his wife considers leaving, they learn their sons face expulsion for fighting. When they visit the school, the boys are mis... Leer todoA peace activist neglects his family while pursuing his causes. As his wife considers leaving, they learn their sons face expulsion for fighting. When they visit the school, the boys are missing.A peace activist neglects his family while pursuing his causes. As his wife considers leaving, they learn their sons face expulsion for fighting. When they visit the school, the boys are missing.
- Dirección
- Guión
- Reparto principal
- Nominado a 1 premio BAFTA
- 1 nominación en total
Nick Edmett
- Paton
- (as Nicky Edmett)
Stephen Abbott
- Parsons
- (sin acreditar)
Reseñas destacadas
Only the Brits could make such a sentimental film without making it seem 'corny'. The story is nothing less than hilarious yet reverberates with an optimism and endorsement concerning the idealism of youth. Even without that, the immaculate acting of screen giants like John Mills and Alistair Sym make it nothing less than a film masterpiece. No serious film viewer can afford to miss this one.
According to Greek mythology, Icarus was the son of master craftsman Daedalus, who became famous for creating a labyrinth no one could get out of, and who built wings glued with wax for him and son Icarus to fly over the walls of a prison in which they had been placed by King Minos of Crete. The myth says the son ignored his father's advice not to fly close to the sun and, as a result, his wings melted and he fell to the ocean and drowned.
ESCAPADE cleverly mixes that tale of antiquity with a group of children putting together an initially unexplained but ultimately rather preposterous plot to prevent marital dissolution - which, the film subliminally suggests, lies at the root of social decay and crime.
Unbeknown to well known writer and pacifist John Hampden (engagingly played by John Mills, who threatens violence despite peddling peace), his sons are trying to save his marriage and their own way of life by hatching the abovementioned covert plot that also finds roots in the Cold War, with Vienna the chosen location for landing an aircraft because the main powers (UK, US, France and USSR) are all present in it.
His drive and speeches for peace notwithstanding, Mills overlooks his beautiful wife's need to be cherished and loved, thereby causing anxiety among his three sons: Icarus, Max and Johnny.
The names tell you that Icarus stands for someone different, a soaring soul - brilliant chemistry student and a "natural" at flying aircraft as a young teenager. Like all types of intelligence and genius, Icarus is more heard of than understood or definable. So Icarus is never seen, which I find a really fit and intelligent choice.
Alastair Sim is the headmaster of the school attended by the three boys, and he comes into the fray because gifted Icarus has built a pistol and fired a ball bearing into the leg of a teacher. Sim steals the show. His broguish and yet hypnotic diction kept me waiting for his next scene. He too learns from the boys he teaches and guides, always humble and with a fine sense of humor.
Yvonne Mitchell also conveys very convincingly her frustration at feeling ignored, and not quite clarifying to hubby Mills the reasons for wanting separation.
A message from the unseen Icarus puts the human condition and his antiwar quest in perspective: if it is acceptable to send 18 year olds to war and by extension to probable death, why not do so at 16 or even earlier (at birth, for instance?)
It is a thought-provoking message at a time when the world had recently come out of war, but it remains applicable in 2023, with Russia launching war to retake Ukraine, and many longterm low impact conflicts raging around the globe.
I admit that I found it trying to follow the thread and that I did not endorse the behavior of the enigmatic youngsters but ultimately these 79 minutes were worth watching. 8/10.
ESCAPADE cleverly mixes that tale of antiquity with a group of children putting together an initially unexplained but ultimately rather preposterous plot to prevent marital dissolution - which, the film subliminally suggests, lies at the root of social decay and crime.
Unbeknown to well known writer and pacifist John Hampden (engagingly played by John Mills, who threatens violence despite peddling peace), his sons are trying to save his marriage and their own way of life by hatching the abovementioned covert plot that also finds roots in the Cold War, with Vienna the chosen location for landing an aircraft because the main powers (UK, US, France and USSR) are all present in it.
His drive and speeches for peace notwithstanding, Mills overlooks his beautiful wife's need to be cherished and loved, thereby causing anxiety among his three sons: Icarus, Max and Johnny.
The names tell you that Icarus stands for someone different, a soaring soul - brilliant chemistry student and a "natural" at flying aircraft as a young teenager. Like all types of intelligence and genius, Icarus is more heard of than understood or definable. So Icarus is never seen, which I find a really fit and intelligent choice.
Alastair Sim is the headmaster of the school attended by the three boys, and he comes into the fray because gifted Icarus has built a pistol and fired a ball bearing into the leg of a teacher. Sim steals the show. His broguish and yet hypnotic diction kept me waiting for his next scene. He too learns from the boys he teaches and guides, always humble and with a fine sense of humor.
Yvonne Mitchell also conveys very convincingly her frustration at feeling ignored, and not quite clarifying to hubby Mills the reasons for wanting separation.
A message from the unseen Icarus puts the human condition and his antiwar quest in perspective: if it is acceptable to send 18 year olds to war and by extension to probable death, why not do so at 16 or even earlier (at birth, for instance?)
It is a thought-provoking message at a time when the world had recently come out of war, but it remains applicable in 2023, with Russia launching war to retake Ukraine, and many longterm low impact conflicts raging around the globe.
I admit that I found it trying to follow the thread and that I did not endorse the behavior of the enigmatic youngsters but ultimately these 79 minutes were worth watching. 8/10.
John (John Mills) is an idealistic yet clueless man. He's dedicated himself to the pacifist movement to the detriment of his family. Because he's often gone, his sons and wife are nearly strangers to him...and he has no clue that the kids are in trouble at school and his wife is considering leaving him. And, when the wife tells him she's leaving AND the school contacts them to tell them the boys are in trouble, John refuses to accept any of this. Is there any getting through to this idiot? And, when his sons disappear on a crazy outing, does this get him to accept that there are serious troubles? Probably not, as he IS a complete idiot and terrible family man.
This film kept my interest but the finale, when you learn WHY the boys disappeared...well, it comes off as rather preachy and difficult to believe. In other words, the acting is very good but the overly idealistic ending left me a bit cold when the story concluded. Not terrible...but one that could have been better.
This film kept my interest but the finale, when you learn WHY the boys disappeared...well, it comes off as rather preachy and difficult to believe. In other words, the acting is very good but the overly idealistic ending left me a bit cold when the story concluded. Not terrible...but one that could have been better.
The action in this charming (yes) Cold War comedy centers around the brilliant, extraordinary son of Mills - a son who is never seen, but who has become a school hero, then a national, and finally, an international hero! At turns moving and hilarious, this film is how a highly civilised people react to the dread of atomic war - I refer to the writers. The enemy is hardly the West, of course, but amongst the freest of humanity, complacency and lassitude reign. But in this wonderful tale, one boy ignites (almost literally - you will know what I mean) the minds of young Britons.
10clanciai
Philip Leacock was an expert on filming children, and every film of his is a masterpiece, not just because of the children, but they are usually highly sophisticated, intelligent and interesting plots of steadily increasing suspense. Here is a mystery from the beginning which you only get vague hints of by the strange manoeuvres of the boys, so you as the audience will be as befuddled as the headmaster (Alastair Sim) not being able to make head or tail of anything.
John Mills is excellent as usual as the aggressive pacifist, and no wonder his wife cannot stand him. It gradually appears that they have several children and not just the one clandestinely reading comics when he should go to sleep. The topic of the comics will emerge as an interesting clue to the whole story, as the children see more clearly what the grown-ups are up to than they themselves - "Newspapers are comics for grown-ups, and the problem is they take them seriously."
The great architecture of the film is the towering mystery as it eventually climaxes in sensational glory, dwarfing the whole political world to children's play, while the children are the ones who do something about it. It's one of the most wonderful boys' film ever made, and typical is, that once you have seen it you look forward to see it again.
John Mills is excellent as usual as the aggressive pacifist, and no wonder his wife cannot stand him. It gradually appears that they have several children and not just the one clandestinely reading comics when he should go to sleep. The topic of the comics will emerge as an interesting clue to the whole story, as the children see more clearly what the grown-ups are up to than they themselves - "Newspapers are comics for grown-ups, and the problem is they take them seriously."
The great architecture of the film is the towering mystery as it eventually climaxes in sensational glory, dwarfing the whole political world to children's play, while the children are the ones who do something about it. It's one of the most wonderful boys' film ever made, and typical is, that once you have seen it you look forward to see it again.
¿Sabías que...?
- Citas
John Hampden: Can't you see the headlines? "War and Peace Among the Hampdens. Pacifist's Progeny Pip Pedagogue."
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Detalles
- Duración1 hora 27 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Escapade (1955) officially released in India in English?
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