Las minas del rey Salmonete

In my younger days pre teens in fifties Britain always regarded A and C movies as a treat and there is something about the unsophisticated bye play between them that appeals more to the child in us than to the adult mature taste Here they play two sales assistants who go to Africa as part of a safari to locate diamonds ,although the hapless pair have been told it is to locate a species of orang utang There are predictable encounters with lions,gorillas and alligators,giving ample opportunity for Lou to do his patented terrified voice and herky-jerky motions to denote extreme terror.The movie is casually racist as was all too typical of its period -natives are either loyal but cowardly bearers or lip smacking cannibals with bones through the nose The most interesting bit was the performance of Joe Besser as a decidedly camp butler,a performance that today looks almost John Inman-esque.I wonder if the audience of the day picked up on it.There are roles for noted hunters of the day Clyde Beatty and Frank Buck as well as the Baer pugilists Max and Buddy

The film looks ugly with little in the way of production values

Recommendable to admirers only.The rest will probably find it an ordeal at best and wince making at worst

"Africa Screams" was Abbott and Costello's independent production for 1949, filmed at Nassour Studios. A&C are booksellers who find themselves on an African expedition; the leader of the expedition (lovely Hillary Brooke) is after diamonds. Hilarity ensues as A&C dodge lions and gorillas; Will A&C get their share of the diamonds?

"Africa Screams" boasts one of the finest supporting casts A&C worked with. In addition to Hillary Brooke (who later co-starred on their TV show), the movie is aided greatly by the appearances of legendary funnymen Shemp Howard and Joe Besser. An air of authenticity is given with the appearances of Frank Buck and Clyde Beatty. The tough-guy roles are nicely handled by boxers Max and Buddy Baer.

Bud is given more to do in this film, and he shines - he shows again that he would have made a wonderful character actor. He stands up to Hillary Brooke and her goons, and cuts deals for himself. Although he takes advantage of Lou once again, I can report that Bud does get his in the end! (How, I won't reveal. Watch for yourself and see.)

What prevents me from giving this film a higher rating than "6" are the low-budget sets at Nassour. Bud and Lou never had a big-budget film at Universal, but this film looks paltry by comparison. What also hampers the enjoyment of the film is the fact that it appears to still be in public domain; low-grade, scratchy prints are usually what can be found in the bargain section of the video store. All in all, though, a fun film. 6 out of 10.

Wow! The usually frumpy Costello looks positively dapper in his snazzy salesman's suit at movie's start. Superior A&C comedy with good routines, productive premise, and unusual cast. The boys get to chase around the wilds of a Hollywood sound stage pretending (not very hard) to be adventuring in darkest Africa. Of course, Lou gets to do his slow-to-catch- on routine as crocodiles, gorillas, and other assorted man-eating critters nuzzle up in humorously menacing fashion. I love it, though, when that savage-looking kitten scares the be-Jesus out of him in a downtown department store, no less.

And whose great idea was it to load up the cast with some real characters. Take the giant Baer brothers, Max and Buddy, for example. Together they look like they could tear down the Empire State building without a wreaking ball. Not exactly, your usual movie types, and when they start scuffling, you can almost feel the ground shake. Then too, what an inspiration to stick coke-bottle glasses on Shemp Howard of Three Stooges fame and turn him into a nearly blind big-game hunter! So, better hide the house pets. But I really am curious how little, fat comedian Joe Besser snuck on set when the movie already had a little, fat comedian who's a lot funnier. Add real life adventurers Clyde Beatty and Frank Buck, along with the always regal Hillary Brooke who glitters, as usual, but never gets in on the fun, and it all adds up to a lively and entertaining bunch of characters.

Perhaps best of all, A&C are still looking fresh in their roles, and if some of the routines wheeze a bit, the boys are still able to give them the needed lift, something they did not do in the last few years before the final 1956 break-up. Sure, this kind of nonsense is not everyone's cup of tea. But I defy even the sourest sour-puss not to surrender a few chuckles as the boys bumble along Africa-style.

This A&C film is right on par with most of their other work. It has its silly moments (like the opening scene of Lou vs. the kitty cat) and it has some really good moments. One theme in A&C flicks I just have to mention is how poor Lou always gets stuck with the angry-evil-pushy woman - who gets so sick of him that she wants to kill him. He just seems to attract'em like flies. Ah well, it makes good comedy.

While this isn't the best of the famous comedy duo's films (I personally think that A&C Meet Frankenstein has that honor), this is a decent comedy for fans of the pair. They manage to wring a few laughs out of a jungle theme that I personally feel was overused in films at that time. The actor who makes the film for me, however, is that wonderful "unknown" stooge, Shemp Howard, in a humorous supporting role.