PUNTUACIÓN EN IMDb
6,4/10
2,1 mil
TU PUNTUACIÓN
La dependienta del economato de Warner Bros confía en que su gran oportunidad en el mundo del cine ya está aquí cuando dos de los actores deciden ayudarla.La dependienta del economato de Warner Bros confía en que su gran oportunidad en el mundo del cine ya está aquí cuando dos de los actores deciden ayudarla.La dependienta del economato de Warner Bros confía en que su gran oportunidad en el mundo del cine ya está aquí cuando dos de los actores deciden ayudarla.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 1 nominación en total
Mazzone-Abbott Dancers
- Dancers
- (as The Famous Mazzone-Abbott Dancers)
Jean Andren
- Headwaitress
- (sin acreditar)
Lois Austin
- Saleslady
- (sin acreditar)
Shirley Ballard
- Beautiful Girl on Bike
- (sin acreditar)
Janet Barrett
- Michael Curtiz's Secretary
- (sin acreditar)
Eugene Beday
- Frenchman
- (sin acreditar)
Al Billings
- Wrestler on Television
- (sin acreditar)
Mel Blanc
- Bugs Bunny
- (voz)
- (sin acreditar)
Paul Bradley
- Frenchman
- (sin acreditar)
Carol Brewster
- Model
- (sin acreditar)
Jan Bryant
- Redhead
- (sin acreditar)
David Butler
- David Butler
- (sin acreditar)
Reseñas destacadas
Doris Day became an old hand at comedy by the time her career was over, but this early musical comedy with Dennis Morgan and Jack Carson is one of her funniest jobs. She plays a waitress at the Warner studio who wants to break into movies. Aided and abetted by Carson and Morgan, she gets her chance at stardom but not before a series of misadventures that are really an excuse to trot out some of the big Warner stars for brief cameos. She gets to warble a couple of so-so tunes but it's her comedy scenes with Bill Goodwin (as the studio head she's trying to impress) that display her true comic gifts, batting her lashes and giving him a silly grin. It cracks me up every time! Dennis Morgan has a nice duet with Day and there are some other standard tunes thrown in, but it's an amiable piece of entertainment, nicely packaged in technicolor. Danny Kaye has an unbilled cameo at the train station--and Irving Bacon does a comic turn that's quite amusing. Guest stars include Joan Crawford, Errol Flynn, Jane Wyman, Sydney Greenstreet, Patricia Neal, Eleanor Parker , Ronald Reagan and Edward G. Robinson. The "surprise" ending is a fun twist. And if that's not enough, there's S.Z. Sakall ("Cuddles") for even more laughs.
How revealing when Joan Crawford goes into her "drama queen" act and then admits she does that in all her movies. Or when Edward G. Robinson does his tough guy routine after persuading the studio guard to please let him act tough or they'll all be out of work. Good for a laugh. But it's also a little unsettling to see these super-stars as just ordinary folks, after all.
I gather (from TMC) the production was rushed through to meet certain obligations. If so, they did a cracker-jack job. Sure, the plot is about as shopworn as they come—provincial girl (Day) breaking into show business, helped (or hindered) by two fast-talking smoothies (Morgan & Carson). But it's done up with great bounce and energy. The youthful Day sparkles with the kind of winning luster that made her a movie star perennial. Carson mugs it up in amusing Carson fashion, while his buddy Morgan sings and looks handsome.
Then, of course, there are the star cameos from the Warners 1940's stable, including a "yup- ified" Gary Cooper sipping a malted through a straw, of all things. (Note how the famously boozy Hollywood suddenly prefers malts and ice cream to scotch and water—perhaps the movie's most amusing fiction.) Personally, though, I like Bill Goodwin's discombobulated producer best. His shtick with Day is a good running gag and I kept hoping he wouldn't get his glasses fixed.
Anyway, the movie's full of amusing bits cleverly woven together, including a behind-the- scenes look at the studio (to save time instead of building sets—TMC). In my book, it's the kind of pleasure that comes as a reward to old movie buffs and should not be missed.
I gather (from TMC) the production was rushed through to meet certain obligations. If so, they did a cracker-jack job. Sure, the plot is about as shopworn as they come—provincial girl (Day) breaking into show business, helped (or hindered) by two fast-talking smoothies (Morgan & Carson). But it's done up with great bounce and energy. The youthful Day sparkles with the kind of winning luster that made her a movie star perennial. Carson mugs it up in amusing Carson fashion, while his buddy Morgan sings and looks handsome.
Then, of course, there are the star cameos from the Warners 1940's stable, including a "yup- ified" Gary Cooper sipping a malted through a straw, of all things. (Note how the famously boozy Hollywood suddenly prefers malts and ice cream to scotch and water—perhaps the movie's most amusing fiction.) Personally, though, I like Bill Goodwin's discombobulated producer best. His shtick with Day is a good running gag and I kept hoping he wouldn't get his glasses fixed.
Anyway, the movie's full of amusing bits cleverly woven together, including a behind-the- scenes look at the studio (to save time instead of building sets—TMC). In my book, it's the kind of pleasure that comes as a reward to old movie buffs and should not be missed.
This one of good natured spoofs on Hollywood that is set in a real studio and has a number of stars appearing as themselves, usually satirizing their screen personalities. Unlike many films of this type the stars don't out stay their welcome, and are sometimes genuinely funny. The movie is no classic (certainly it's no SINGING IN THE RAIN) but it passes the time agreeably enough and leaves the impression , whether true or not, that the cast and crew had a good time making it. The stars; Dennis Morgan, Jack Carson and Doris Day; work well together. Highlights are Dennis Morgan and Doris Day singing a very pleasant duet, Jack Carson doing an impression on Maurice Chevalier and Irving Bacon in a funny sketch as railway station information clerk.
Dennis Morgan and Jack Carson are again buddies in this one.They are trying to get the lovely Doris Day in movies.There are many cameos by Warner Brothers stars including Joan Crawford,Danny Kaye and Errol Flynn..(He plays Jeffery Bushfinkle!).The best part of this movie in my opinion is when Dennis and Doris sing BLAME MY ABSENT-MINDED HEART together.They both had such beautiful voices it's a joy to hear them sing!! People who love star-filled movies or just like to see Dennis and Jack being funny together should see this film!
Doris Day was already a singing sensation by the time she made her first film alongside her at-the-time sweetie-pie Jack Carson. She shared the screen with Jack in her second and third films, and their chemistry was so fantastic, those early films are always a pleasure to watch. In her third film, It's a Great Feeling, Doris plays a waitress with dreams of stardom. She has a character name, but virtually everyone else in the film plays themselves, which is pretty cute. Jack Carson and Dennis Morgan-playing themselves-have ulterior motives when they offer to help Doris start her acting career, and along the way, we're treated to cameos by Gary Cooper, Joan Crawford, Michael Curtiz, Danny Kaye, Eleanor Parker, Patricia Neal, Ronald Reagan, Edward G. Robinson, King Vidor, Raoul Walsh, Jane Wyman, and Errol Flynn.
Chalk full of well-known songs like "Blame My Absent-Minded Heart" and "That Was a Big Fat Lie", you'll be entertained from start to finish. It shows a funny, delightful side to the golden age of Hollywood, and it's adorable to see big stars making fun of themselves. For example, Joan Crawford, fresh from her Oscar for Mildred Pierce, slaps Jack Carson across the face, mimicking her famous slap from her earlier film. Rent this one when you're in the mood for something light and fun, and I guarantee Doris and Jack will give you a great feeling.
Chalk full of well-known songs like "Blame My Absent-Minded Heart" and "That Was a Big Fat Lie", you'll be entertained from start to finish. It shows a funny, delightful side to the golden age of Hollywood, and it's adorable to see big stars making fun of themselves. For example, Joan Crawford, fresh from her Oscar for Mildred Pierce, slaps Jack Carson across the face, mimicking her famous slap from her earlier film. Rent this one when you're in the mood for something light and fun, and I guarantee Doris and Jack will give you a great feeling.
¿Sabías que...?
- CuriosidadesJoan Crawford does a cameo and directs a short speech to Jack Carson before slapping his face. It's the same one she gives to Ann Blyth in Alma en suplicio (1945) before slapping her face. Carson co-starred in that film with Crawford.
- PifiasWhen Dennis, Jack and Judy are at the Hollywood Bowl, Dennis stands up to get Judy's coat out of the car. When he does so, his shadow is cast on the backdrop, which is painted to look like a clear, starry night sky.
- Citas
Jack Carson: [after being slapped] What was that for?
Joan Crawford: Oh, I do that in all my pictures.
- Banda sonoraIt's a Great Feeling
(uncredited)
Music by Jule Styne
Lyrics by Sammy Cahn
Sung by Doris Day during the opening credits and played at various times throughout the picture
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- How long is It's a Great Feeling?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- It's a Great Feeling
- Localizaciones del rodaje
- Schwab's Pharmacy - 8024 Sunset Blvd., West Hollywood, California, Estados Unidos(where Dennis, Jack and Judy go after the Hollywood Bowl concert)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 25 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
What is the English language plot outline for El amor no puede esperar (1949)?
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