PUNTUACIÓN EN IMDb
6,8/10
5,6 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaThe story of the great sharpshooter Annie Oakley, who rose to fame while dealing with her love/professional rival, Frank Butler.The story of the great sharpshooter Annie Oakley, who rose to fame while dealing with her love/professional rival, Frank Butler.The story of the great sharpshooter Annie Oakley, who rose to fame while dealing with her love/professional rival, Frank Butler.
- Directores/as
- Guionistas
- Estrellas
- Ganó 1 premio Óscar
- 9 premios y 7 nominaciones en total
Dorothy Abbott
- Carriage Woman
- (sin acreditar)
Bette Arlen
- Carriage Woman
- (sin acreditar)
Polly Bailey
- Minor Role
- (sin acreditar)
Evelyn Beresford
- Queen Victoria
- (sin acreditar)
Margaret Bert
- Bit Role
- (sin acreditar)
Norman Borine
- Dancer
- (sin acreditar)
Tex Brodus
- Ball Guest
- (sin acreditar)
Eleanor Brown
- Minnie Oakley
- (sin acreditar)
Archie Butler
- Cowboy
- (sin acreditar)
- Directores/as
- Guionistas
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
6,85.6K
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Reseñas destacadas
Betty Hutton has fantastic energy!
If you grew up listening to the Broadway soundtrack of Annie Get Your Gun, you'll come to associate Ethel Merman's fantastic, belting voice with Irving Berlin's songs. It's completely understandable that you'd watch the film adaptation and be disappointed by Betty Hutton's less-than-stellar vocals. But I appeal to you, as a fellow musical lover, to give the film a fair shot.
The original casting choice for the tomboy cowgirl Annie Oakley was Judy Garland, and if you buy the DVD, you can watch her perform a couple of songs. Only after watching the outtakes can you see just how far she would have dragged the film down. Her energy was low, her timing was slow, she was too old for the part, and her expressions were too troubled. Annie is supposed to be innocent, fresh, exciting, and endearing: all qualities a 1950 Judy Garland wasn't. Betty Hutton might not have been able to sing all the songs as well as the immortal Ethel Merman, but she was young, innocent, fresh, exciting, and endearing. Her energy was off the charts! And while the part was practically made for Doris Day-Warner Brothers wrote and filmed a knock-off version, Calamity Jane, for the blonde star three years later-Betty was an excellent choice. She made the audience care about her, and she delivered the lines with such sincerity, she even made the audience take the silly story seriously.
Howard Keel played the big-voiced, ridiculously handsome, self-assured Frank Butler. Every time Betty looks at him during their first few scenes together, her jaw drops and she turns to jelly. It's very funny, and I'm sure you'll find yourself mimicking her-I did! He's so incredibly handsome and charming in this movie, it's no wonder he was cast in basically the same role in Calamity Jane-Hollywood just didn't want him to take his cowboy hat off! His handsomeness aside-I know, it's impossible not to notice-he does a very good job in what was only his second film!
Louis Calhern plays Buffalo Bill, and when he meets Betty, she asks if he's really the famous Colonel. He says he is, and he's so convincing throughout the movie, I found myself believing that he really was! I didn't even recognize the veteran actor until the movie was almost over, and he actually looked handsome and distinguished in his long hair and goatee. Also, he was very warm-hearted, a choice of delivery that was welcomed, since Betty wasn't often met with warmth throughout the film.
All in all, this is a great film adaptation of a Broadway show, combining elements that seem to come directly from the stage-hammy but lovable songs-with additions that could never have been seen onstage-rodeo performances. The production values are very good, including breathtaking costumes by Walter Plunkett. Give it a try, even if you're skeptical of Betty Hutton. She's cute as a button!
The original casting choice for the tomboy cowgirl Annie Oakley was Judy Garland, and if you buy the DVD, you can watch her perform a couple of songs. Only after watching the outtakes can you see just how far she would have dragged the film down. Her energy was low, her timing was slow, she was too old for the part, and her expressions were too troubled. Annie is supposed to be innocent, fresh, exciting, and endearing: all qualities a 1950 Judy Garland wasn't. Betty Hutton might not have been able to sing all the songs as well as the immortal Ethel Merman, but she was young, innocent, fresh, exciting, and endearing. Her energy was off the charts! And while the part was practically made for Doris Day-Warner Brothers wrote and filmed a knock-off version, Calamity Jane, for the blonde star three years later-Betty was an excellent choice. She made the audience care about her, and she delivered the lines with such sincerity, she even made the audience take the silly story seriously.
Howard Keel played the big-voiced, ridiculously handsome, self-assured Frank Butler. Every time Betty looks at him during their first few scenes together, her jaw drops and she turns to jelly. It's very funny, and I'm sure you'll find yourself mimicking her-I did! He's so incredibly handsome and charming in this movie, it's no wonder he was cast in basically the same role in Calamity Jane-Hollywood just didn't want him to take his cowboy hat off! His handsomeness aside-I know, it's impossible not to notice-he does a very good job in what was only his second film!
Louis Calhern plays Buffalo Bill, and when he meets Betty, she asks if he's really the famous Colonel. He says he is, and he's so convincing throughout the movie, I found myself believing that he really was! I didn't even recognize the veteran actor until the movie was almost over, and he actually looked handsome and distinguished in his long hair and goatee. Also, he was very warm-hearted, a choice of delivery that was welcomed, since Betty wasn't often met with warmth throughout the film.
All in all, this is a great film adaptation of a Broadway show, combining elements that seem to come directly from the stage-hammy but lovable songs-with additions that could never have been seen onstage-rodeo performances. The production values are very good, including breathtaking costumes by Walter Plunkett. Give it a try, even if you're skeptical of Betty Hutton. She's cute as a button!
A Classic Musical Gets the MGM Treatment
1950's ANNIE GET YOUR GUN was originally planned to star Judy Garland in the title role; however Garland had just finished a stint in rehab and doctors recommended a year off. Instead she was given two weeks off and was assigned to report to wardrobe tests for the film. She even filmed a few scenes and a couple of musical numbers (which are included on the DVD), but Garland looks worn and haggard and she clearly was in no shape, physically or emotionally to work, so she was replaced by that bundle of bombastic( an adjective which I think the actress has the patent on)energy, Betty Hutton, who makes the most of this role and the classic Irving Berlin score (not Rodgers and Hammerstein as a previous poster stated). I have to admit I wouldn't have minded hearing Garland's interpretation of "I've Got the Sun in the Morning" or "They Say that Falling in Love" (Hutton's weakest moment) but for the most part Hutton shines as Annie and gets solid support from handsome Howard Keel as Frank Butler. Their duet "Anything you can do" is another highlight. A first rate stage musical gets first rate screen treatment from the MGM dream factory.
Great Movie
I think this was one of the best films ever made and would love to be able to buy it on video. I adore Howard Keel and I think the part was made for Betty Hutton. It is a shame generations are missing out on this movie.
Betty Hutton makes this film!
This really is one of the greatest musicals ever written. It has 11 songs of which 10 are instantly memorable (only "I'm an Indian Too" is not up to scratch). The scene "Anything You Can Do I Can Do Better" is one of my favourite screen moments. I never grew up with this film (I'm 37) since it was never on TV screens on the UK due to legal wrangling. I had to make do with the inferior (but still good!) Calamity Jane. Betty Hutton's performance is one of the great musical performances- up there with Julie Andrews in the Sound of Music. She carries the whole film. I cannot believe anyone who thinks that Judy Garland would be better. I have shown this film to all of my friends and relatives (sad, I know!) and all of them without exception agree that Judy Garland is no patch on Betty Hutton-she is too refined and completely miscast! The deleted song "Going West Again" is fantastic and should have been included in the stage show and film.
Better Betty than Judy!
Betty Hutton is excellent as Annie Oakley, the sharp-shooter who joins Buffalo Bill's circus; and she has just the same amount of OTT acting and raucous singing to pull the role off. Judy Garland was originally cast in the lead and filmed two numbers (both now available on the DVD, and both painfully awful) before having a breakdown and being replaced. Thank goodness Betty was cast instead, and she and Howard Keel make a terrific team. Keel would have another chance to go west with Doris Day as Calamity Jane a few years after Annie, and I'd find it difficult to pick between his performances in these two films.
Irving Berlin wrote a great score for Annie, including 'Anything You Can Do', 'Doin What Comes Naturally','They Say It's Wonderful' and of course, 'There's No Business Like Show Business' and for this the musical will be highly regarded and fondly remembered. What is curious is the fact the film disappeared from public view for two decades before making its video debut. It is to be celebrated that we have the chance to see it again and appreciate its good points.
Irving Berlin wrote a great score for Annie, including 'Anything You Can Do', 'Doin What Comes Naturally','They Say It's Wonderful' and of course, 'There's No Business Like Show Business' and for this the musical will be highly regarded and fondly remembered. What is curious is the fact the film disappeared from public view for two decades before making its video debut. It is to be celebrated that we have the chance to see it again and appreciate its good points.
¿Sabías que...?
- CuriosidadesLouis Calhern replaced Frank Morgan in the role of Buffalo Bill Cody after Morgan died of a sudden heart attack shortly after filming began. In Buffalo Bill's very first appearance on his horse, Frank Morgan is visible a split second before the shot of Calhern.
- PifiasRight before the song "You Can't Get a Man With a Gun," Annie sits down on a bench and opens her mouth wide for her first note; then in a closer shot, she opens her mouth wide again, this time in sync with first note.
- Citas
Annie Oakley: [calling after Frank as he's walking away] Hey, mister...? Don't you like girls?
Frank Butler: [not comprehendeding the question] Well... sure!
Annie Oakley: [realizing it herself] I'm a girl.
Frank Butler: [laughing condescendingly as he walks away] That's fine.
- Créditos adicionalesThe film depicts true-life people, including Annie Oakley, Frank Butler, Buffalo Bill Cody, Pawnee Bill (AKA Gordon W. Lillie), and Sitting Bull, and is loosely based on true events. However, the opening credits claim that all characters are fictional and and any resemblance to persons living or dead is purely coincidental.
- Versiones alternativasThere is an Italian edition of this film on DVD, distributed by DNA Srl: "LET'S DANCE (Torna Con Me, 1950) + ANNA PRENDI IL FUCILE (1950) - New Widescreen Edition" (2 Films on a double DVD, with "Annie Get Your Gun" in double version 1.33:1 and 1.78:1), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConexionesFeatured in Toast of the Town: MGM's 30th Anniversary Tribute (1954)
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Detalles
Taquilla
- Presupuesto
- 3.768.785 US$ (estimación)
- Duración
- 1h 47min(107 min)
- Relación de aspecto
- 1.37 : 1
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