El rey del tabaco

I too have seen this movie many times & whenever possible. I have seen nearly every Gary Cooper movie. This is by far his best performance! The combination of star power, story and character interplay is flawless. If you have never seen a Cooper movie, see this one first. I'm also a huge fan of Donald Crisp. Again, a tremendous performance (though a slight step back of How Green Was My Valley). Never been a big Patricia Neal fan but, again, a great performance. Just another great job by Bacall. This is nearly in the EPIC category as movies go. Somewhat loosely based on the history of the tobacco industry/progression, it chronicles the rise in popularity & proliferation of cigarettes. This is truly a hidden gem that most movie fans are unaware of, but should be. And if that weren't enough, it was directed by the great Michael Curtiz.

Brant Royle (Gary Cooper) returns to what was once his father's tobacco farm before Major James Singleton (Donald Crisp) bought the father out in a foreclosure in his bid at concentrating all the prime tobacco land under his ownership. The film boils down to a contest between Crisp's Old South and Cooper's New South over the invention of the machine by Jeff Corey as John Barton that enables the mass manufacture of cigarettes, a direct challenge to the cigar industry, which occurs as the nineteenth century recedes into the twentieth. In on the initial investment in what would become the cigarette craze are Lauren Bacall as what appeared to be a higher class prostitute and Jack Carson as a traveling con-man. Patricia Neal as Singleton's only daughter is the most memorable part in the film which seems to want to come down on Cooper's side but turns him into a raving capitalist monopolist who always had a desire for Neal and another desire to get even with her father, which leads to pretty high dose of melodrama.

Gary Cooper plays Brant Royle, a guy from the wrong side of the tracks who sets out to conquer the cigarette market at the turn of the century, whatever the cost. He's pitted against the Southern Aristocracy who've owned the market for generations. His only ally is Lauren Bacall, as the town "bad girl", but that doesn't stop him from pursuing the daughter of his worst enemy: Patricia Neal as the cool embodiment of aristocracy.

It's fairly heavy going through most of the film. There is some technical stuff about the tobacco business, but mostly it's about Royle's emotional conflicts: Love vs. social climbing; his conscience vs his business sense; what to do when achieving your dreams isn't enough; loyalty vs expedience; etc. It's all rather slow and humorless, not at all gripping.

Cooper is a good enough actor to keep you watching through all this even though his character is basically unlikeable, but Patricia Neal is the best reason to watch the film. The best moments of the film, the only ones that make it worth watching, are when she drops the icy mask of aristocratic poise and reveals her true character and motivations. That part it genuinely gripping. Bacall is likeable, but doesn't make an equal impact, and doesn't really seem to belong there. Perhaps it's because she looks terrible in the period wardrobe (19th century clothes were not designed for tall, skinny women).

It's also historically interesting to see a movie about the tobacco industry made before they found out about nicotine causing cancer. Nobody seems to think cigarettes are anything but a harmless indulgence and a cash cow.

"Bright Leaf" is a 1950 Warner Brothers southern extravaganza starring Gary Cooper, Lauren Bacall, Patricia Neal, and Jack Carson.

Gary Cooper is Brant Royle, who in 1894 returns to his southern town of Kingsmont, where his family was driven out of the tobacco market by Major Singleton (Donald Crisp). Royle has returned to get his revenge and reinstate the family name in the area. There are two women in his life: a madam, Sonia (Lauren Bacall) and Singleton's beautiful daughter Margaret (Patricia Neal).

With the help of Sonia, Royle buys into a machine that actually rolls cigarettes, which drives down the cost of producing them. He eventually takes over nearly the entire tobacco industry. But Royle won't be happy until he has brought Major Singleton to his knees and marries Margaret. But in his determination to get what he wants, he loses even more.

The moral of "Bright Leaf" is two-fold: Beware of what you want; and big talent won't really help a mediocre movie. The novel was probably inspired by "Gone with the Wind," but the quality of the story - in the film, at least - doesn't come close. There are two likable characters - Sonia and Carson's role of Chris. The rest of the main characters are odious.

Patricia Neal and Gary Cooper were in the midst of their passionate affair, but the relationship between the characters they play is pretty frosty. Given their romance, perhaps the Bacall role would have been better for Neal.

Bacall took this job to finish off her contract with Warners. She's good, but her character isn't really fleshed out. Cooper is a great presence, but he has a difficult job because the character is not sympathetic. Also, I suspect that at age 50, the character was supposed to be younger. Neal is beautiful, and her performance has some real bite.

All in all, not up to the talents on screen.

... and fortunately I am not a post-war audience because I liked it a great deal.

It's got a pretty familiar outline among melodramas - a man run out of town (Gary Cooper as Brant Royale) by the local king of tobacco Major James Singleton (Donald Crisp), decides to get revenge by backing the development of a cigarette manufacturing machine and grinding Singleton to financial dust. All the while he is entranced by Singleton's daughter Margaret (Patricia Neal), a bloodless creature, while ignoring the girl who has loved him all along, the true blue Sonia (Lauren Bacall).

Its charm is in its casting. Never has Gary Cooper played somebody so unlikeable and so far from the heroic characters he typically played such as Alvin York and Will Kane - the latter character being one he hadn't even portrayed yet. Lauren Bacall balked at playing both the proprietor of a bawdy house AND having a southern accent. The screenwriters thus made her Polish, I guess to explain her rather mild New York accent in a North Carolina setting???

Patricial Neal is a standout. Throughout the piece she moves and stands stiffly, appearing as a mannequin or a music box dancer, only smiling - also stiffly - when she can think of some kind of trouble she can cause. Thus even in movement she is in sharp contrast to straight shooter Sonia. Finally there is Jack Carson - he's a patent medicine salesman who Brant cavalierly makes a partner at the beginning of his entreprises, and he turns out to be a loyal friend. This is something I've noticed about director Michael Curtiz - He certainly knew how to give good roles to and get good performances out of Warner Brothers contract player Jack Carson.

I'd recommend this one. I think it has redeemed itself over time from being the "doomed masterpiece" it was once called.