La calle del misterio

Accurately described by many as "C.S.I. style noir", the mystery-procedural "Mystery Street" is cracking entertainment for devotees of the noir genre. It's also ahead of its time for its approach to solving a case of murder. It bears some of the trademarks of the genre, such as the extremely moody and effective black & white lighting by John Alton.

Ever charming Ricardo Montalban stars as Boston detective Pete Morales, working an interesting case. A skeleton is found buried under beach sand, and Morales must first find out who the person is. So he calls upon Harvard forensic specialist Dr. McAdoo (Bruce Bennett), who determines that the person was a woman named Vivian Heldon (Jan Sterling), who as we saw from the prologue, met a bad end while desperately trying to get in touch with a particular man.

"Mystery Street" is quotable and enjoyable, and snappily paced. It gets points for its casting of Montalban in the lead role, and he's highly watchable as our hero. It also gives fine showcases to its supporting cast: Bennett, a fun Elsa Lanchester in an amusing turn as an eccentric landlady, Marshall Thompson as an unfortunate sap who falls under suspicion due to his circumstances, Sally Forrest as the saps' agitated wife, Edmon Ryan as an upper class type, and Betsy Blair as an associate of the murder victim. Lanchester ends up walking away with the film.

John Sturges directed, and he's in fine form, working from a script by Sydney Boehm and Richard Brooks. This is the kind of story where savvy viewers pretty much figure it all out early on, and thus wait for our hero to play catch-up. At least, he's a reasonably smart guy, if somewhat stubbornly fixated on his red herring, so one doesn't much mind.

Well made and engrossing for an hour and a half.

Eight out of 10.

See it for the Boston locations, for an early gritty performance by Montalban before he became a Latin heartthrob joke, for the intricate plot, vivid characterizations and snappy editing, but see it most of all for the extraordinary cinematography of John Alton. What he does with composition, deep focus and lighting is amazing. That he often does it on locations where he did not have the control of a soundstage is astonishing.

The somewhat generic title "Mystery Street" offers no real clue as to what is contained therein, and belies the fact that this film exhibits some very contemporary themes and devices. It is partnered with "Act of Violence" on a "film noir" DVD which offers an excellent evening of entertainment from two lesser-known movies of that genre.

Ricardo Montalban plays a Portuguese-American police detective trying to piece together the clues left behind by a skeleton found buried in the sand dunes near Hyannis, Massachusetts. The proceedings are a definite precursor to TV's "C.S.I." and similar series devoted to police forensics and procedures, and a crime lab run by Bruce Bennett at Harvard University features prominently. It's no secret to the audience who the skeletal remains are, but it is for earnest, hardworking Montalban to discover for himself.

In the process, the youthful Montalban interacts with several potential suspects and witnesses, all the while treating us to his special brand of Latin charisma that made him so popular with female audiences. He's in fine form, confident and looking great in a trench coat and fedora, although sometimes his accent gets a tad in the way.

The stellar supporting cast includes fabulous Elsa Lanchester as an avaricious and corrupt landlady who soon finds herself in over her head. Her expert dramatics are priceless, and she is allowed ample screen time to flesh-out a unique character who is both compelling and repulsive. Next mention should go to beautiful Jan Sterling in a pivotal role of a cynical but desperate dance hall girl looking to strike it rich. Marshall Thompson and Sally Forrest appear as a young married couple with their share of problems and more than a few secrets. The rest of the cast is filled with great little cameo performances, most with one scene each in rapid-fire succession.

So fans of classic police drama will find much to enjoy in "Mystery Street," a movie which certainly foreshadows current trends in that genre, and gives fine actors a great showcase for their talent.

**** out of *****

A simple, clear plot that doesn't interfere with the power of the personal stories within. In its day it would've been shocking for showing the murder, and the discovery of the body. Good acting from a young Montalban.

This is proof that Ricardo Montalban was actually a fine actor, before he was somehow transformed into a caricature of himself by television. This movie is so well done, so tightly crafted that I am surprised I have never heard of it before. It may be the very first movie-version of "CSI"! Not as graphic and detailed as the TV show, but a forensic anthropological examination of the evidence by a Harvard doctor/professor is integral to the plot, and handled very well. The characters rise above typical stereotypes in this story, which almost plays like a docudrama as opposed to something created from whole cloth. Elsa Lanchester is particularly good too as a nasty landlady with no scruples whatsoever. Truly a hidden gem, and one worth the hour-forty or so you will spend watching it.