Odio y orgullo

The film is much too short .A melodrama demands lavish details ,mainly when it deals with a "forbidden" past.Here Gardner's grandma's racy past is only skimmed over.Her relationship with Mitchum -not convincing as a professor-makes me think of a poor man' s "Jezebel" .And Mitchum's character's attitude does not make much sense when he come s back with a wife.Besides the ending I-hope-she-will -mend-her-ways is unworthy of a great melodrama :never Sirk,Stahl , Minnelli or Wyler would have ended one of their works that way.Ava Gardner is for me the most beautiful actress that has ever been but there are so many works to remember her,better than this one!

While the story meanders and wavers,and at times seems like a quick spin off of "Gone with the Wind", some of the scenes and closeups with Ava Gardner are lovely and amazing.

Robert Mitchum as a research physician studying at Tulane;Gardner the unrequited love who delivers a letter to him before he leaves to go up north. Mitchum returns to New Orleans with a new brassy blonde in tow. She is clearly an opportunist who wants Mitchum for his future fortune, unlike Ava who claims to truly love him.She uses an ill-gotten inheritance to tempt him, there is a scandal and she indeed reminds us of Scarlett O'Hara.

This film also reminds one of "Raintree County" another imitation of "Gone with the Wind" with Elizabeth Taylor as the set-piece.ThIs film though has several nice sets of Old New Orleans,the manners and customs and varied cultures,and with the lovely Gardner in several memorable shots, is well worth a look.

This is a dark, noir, B-movie. If you like the genre you shouldn't miss this one. Gardner is good as the deceitful southern belle, and Mitchum is mysterious and handsome as the doctor. Its not outstanding, but it is intriguing to see the stars together (lovers in real life) and knowing its a rare film makes it all the more interesting. Catch it on the classic movie channel.

Romantic melodrama hung with Spanish moss, My Forbidden Past is so much gaudy claptrap. Taking several actors who made their names in the hot crucible of film noir and plunking them into a tired, costumed period-piece showed perverse ingenuity. The plot involves duplicitous machinations within a love...trapezoid?...in New Orleans at some vague juncture between the Surrender at Appomatox and the Guns of August, 1914.

Both Robert Mitchum and Ava Gardner, as the "good" lovers, flail around like fish out of water; the best performances come from the skunks: Melvyn Douglas, Lucile Watson and, especially, Janis Carter, as Gardner's rival (and in the same league of tough cookies; she has been called, from her relative few appearances, the "poor man's Barbara Stanwyck").

The most baffling part of the movie concerns Gardner's deceased grandmother, whose name MUST NOT BE UTTERED! Mixed blood? It's just left that she was a "notorious" woman -- what, a voodoo priestess? Her life story sounds like better watching than these silly 70 minutes.

This movie is not great. Just how many boring movies did Howard Hughes make? But it does have two of the beautiful and fascinating stars of the Hollywood Golden Age: Ava Gardner and Robert Mitchum. Melvyn Douglas (who doesn't look so good in this) plays Ava's fey playboy cousin. There are a couple of good lines. The plot is slim and the movie is not long. Only 71 minutes, for those with a short attention span.

We're never told exactly what Ava's forbidden past is, but it has to do with her grandmother. Was she a prostitute? Maybe it's supposed to be ambiguous.

The man who directed it made the 1940s "Jane Eyre" with Orson Welles and Joan Fontaine and also the Disney "Mary Poppins."