El precio por la libertad

Good film with deft performances from all concerned with continual element of surprises , thrills , humour and turning of the tables . Revolving around a lawman : Audie Murphy , nicknamed "Seven Ways from Sundown" Jones- thus the title- joins the Texas Rangers , as he puts on a badge as a Texas Ranger , accompanying ranger-veteran Hennessey : John McIntire . As his first assignment is to capture the bad guy , skillfully played by Barry Sullivan. Catching him, in New Mexico, is not near the job that getting him back to a Texas jail . Along the way , Audie has to escort back to justice, while must fight and standing against impossible odds , as he has to confront outlaw Sullivan , gunmen and Indians . On the way back to town the two develop a special relationship and while turning-of-the-tables and passes up numerous chances to escape - but in the end Sullivan "asks for it" and Murphy obliges.

An intelligent and brooding Western with a great main and support cast giving awesome interpretations , concerning a curiously close relationship between amiable Audie and wily gunslinger Sullivan . Decent and enjoyable Western with magnificent interpretations from Barry Sullivan and Audie Murphy and a splendid plethora of secondaries . An intelligent , adult and impressively tense Western based on a story and screenplay by Clair Huffaker . The inventive storyline has the vein of humour that keeps this sort of movie going well , and of course , adding usual fights and shootouts , here with a subtle difference . A top-notch cast under superb direction by Harry Keller makes this movie notable in every aspect , being shot on Universal International Pictures scenarios and locations that serve to increase the mood of extreme tension .This acceptable , simple , powerful picture tells a peculiar and likeable relationsip , though , ultimately , things go wrong . Hollywood production full of interesting characters , shootouts and intense drama . This ¨Seven Ways from Sundown¨not the best Western ever,...but pretty darn close . Director managed to create a nice work of art with fine acting , appropriate scenarios , and attractive plot . It provides wonderful sociological lessons that are timeless and transcend the genre . Bursting with appealing , top-drawer characters, including adequate filmmaking and interpretation . The confrontation results to be tense , charged and riveting . This is one of a clutch of acceptable horse operas Universal International Pictures made in the forties , in the late 50s and the early sixties . Here Murphie is again the kid , giving an agreeable acting as ¨Seven ways from Sundown¨whose father numbered the kids and the mother embellished the numbers . While Barry Sullivan is Jim Flood, a famous outlaw who eluded the law for years . They are well accompanied by gorgeous Venetia Stevenson , and an extraordinary plethora of secondaries as John McIntire Kenneth Tobey , Mary Field , Suzanne Lloyd , Don Haggerty , Jack Kruschen , among others .

Thrilling and atmospheric music by Irving Gertz and William Lava . As well as colorful and brilliant Cinematography by Ellis W. Carter. The motion picture was efficiently produced by Gordon Kay and professionally directed by Harry Keller . Harry worked at Republic Pictures , specializing in westerns , where he shot a lot , such as : Phantom Stallion , Red River Shore ,Paso Stampede , Bandits of the West , Savage Frontier , Marshal of Cedar Rock , Thundering Caravans , Black Hills Ambush , Rose Cimarron , Fort Dodge , Stampede , Desert of lost men , Tarnished and most of them starred by Allan Lane and Rex Allen . When that studio folded he went to Universal, directing westerns again : Quantez , Gundown at Sandoval , 6 Black Horses , interspersed with some dramas/thrillers : Step Down to Terror , Man Afraid , Voice in the mirror , Female Animal , comedies : Tammy and the Doctor and war pictures : In Enemy Country. In the late 1960s he stopped directing films and started producing them, although he did keep his hand in directing TV shows. And making TV Westerns : Texas John Slaughter : Stampede at Bitter Creek ; Texas John Slaughter : Wild times . Keller gained some degree of fame as the director called in by Universal to reshoot scenes from Orson Welles' masterpiece Touch of evil (1958), and by most accounts -including Welles'- matched Welles' style quite well . Rating . 6.5/10 . Better than average western . Well worth watching , exciting stuff .

One source I regard as essential when it comes to Westerns is a book by Phil Hardy called " The Western " and forming volume 1 of the Aurem Encycopedia of the cinema .It lists genre movies by year with potted critical reviews .Except that it does not give this robust and unusual little movie its own review relegating it instead to an appendix where it is mentioned but not singled out for comment

Bad error from a normally reliable writer because this is a most enjoyable movie .Murphy plays a neophyte Texas Ranger with the somewhat cumbersome name of Seven Ways From Sundown Jones .He is sent in company with a grizzled veteran to track down Jim Flood a charismatic and freethinking outlaw .Jones captures Flood but not until his partner is killed and he begins the task of returning Flood to captivity .Flood turns out to be a likable man and a friendship develops between the two men whose journey is interrupted by bounty hunters and Indians before reaching its climax at Rangers headquarters

Sullivan is outstanding as Flood and Murphy is more than competent as the Ranger and there is a strong supporting cast

Check this out .Its well made ,well acted and well written .It should not be forgotten or overshadowed by other bigger movies

Seven Ways From Sundown Jones (Audie Murphy) must bring in outlaw Jim Flood, who tries to win Jones over to his side with charm and a fun loving personality. Does Jones put friendship over justice? Does Flood underestimate the green lawman? Watch and see.

Highly enjoyable movie find our hero Seven in pursuit of famed super villain Flood (Barry Sullivan).

As usual Murphy delivers as he transitions from naive rookie to seasoned professional all the while being casually manoeuvred by Sullivan.

As good as Murphy is in the movie, its Sullivan who really owns the film. Playing the suave, charismatic and in an odd way loyal baddie moving from town to town almost as a Robin Hood type persona. He manages to swash buckle his way through the film without a cutlass or a parrot!

Have fun watching this one :)

Audie Murphy stars as Texas Ranger who has a long and strange name, and Barry Sullivan plays Jim Flood, the outlaw Audie has to bring back to face justice, but it's isn't so easy. There's injuns, bounty hunters en route and, most dangerous of them all, Jim Flood's charm. Sullivan plays an outlaw with a lot of charm and he's quite cunning, but so is Audie. There's a nice little twist regarding Seven's late brother who been killed by Flood, good dialogue ( especially Sullivan's lines) and an engaging plot that keeps everything simmering. It's a bit slow in the beginning but it picks up later. However, the main attraction of this film is Murphy's and Sullivan's interplay; they are different as night and day and that makes it interesting.