¡Hundid el Bismarck!

Yes, my children, there was a time when movies knew nothing of CGI, and very difficult scenes of violence and destruction were given over to names like Buddy Gillespie, Wally Veevers, and Warren Newcombe, Howard and Teddy Lydecker. These men looked deep inside their childhoods, and started using miniatures, filmed at slow motion camera speeds to proportionately smooth out the movement of model ships, water, model airplanes, collapsing and exploding buildings, even crash model cars.

The most difficult miniature work was with water and the look of the water in relation to a miniature ship.

It was found that the larger the model ship, the more realistic the water looked, and in Columbia's "Sink the Bismarck", the ships were anywhere from 40-60 feet in length. The water body was an indoor pool over 300 ft. in diameter, surrounded by wind machines and under the floor of the tank, large hydraulic pistons created waves.

Can you imagine what fun that was? Blowing up and sinking these huge models.....it was a dream of mine for years.

Today, a scruffy kid sits in front of a computer and creates sea battles and catastrophes that are astoundingly realistic. He uses 1's and 0's.....nothing of the physical world.

Still, the destruction of the Bismarck, and the capstone piece, the massive explosion of the H.M.S. Hood amaze and awe anyone who watches this film today.

This is a WWII film for the ages, and a centerpiece of a very fun special-effects era.

For starters, this picture was thankfully filmed in black and white. This is only appropriate for gray colored ships shooting it out in the North Atlantic. The performers were, for the most part, convincing. The movie got a little risky by using a fictional character (played by Kenneth More) for the lead role, and delving a bit into his personal life. But it didn't get out of hand. The movie takes just the right amount of time in developing and depicting the important events in the eight day life of the Bismarck. I got the feeling that I was actually there and watching these events take place. The movie is essentially accurate, based on accounts I have read in books; including one by the highest ranking German survivor. The depiction of the destruction of the British battle cruiser Hood was not exactly accurate, but I would rank that a minor point. Getting the ship used in the movie to blow up the same way the Hood would probably have been more trouble than it was worth. The bottom line is the ship was destroyed and only three crew members survived.

This movie is an excellent, no-nonsense portrayal of the short and dramatic life of the legendary German battleship Bismarck.

and could just watch and enjoy the movie without analyzing it. That's what movies were originally for - entertainment and enjoyment. I don't know if the special effects were great for the time or not, but they looked enough like the real thing for me. Great naval battle scenes and the acting was perfect for the times portrayed of the 1940's and the real way that military people are mostly low key in planning discussions and carrying out their duties. All very believable scenes with the flavor of the way it really was even in portions that were added to entertain (when history takes a back seat to entertainment). Kenneth More showed his versatility in excelling in such a serious part and Dana Wynter very professional. I don't know why she didn't become a larger name here in the States with such pure beauty, grace and honest acting ability. By coincidence I just saw her in another movie In Love And War where she played a totally different type of part and nailed it great. Anyway, if you haven't seen Sink The Bismarck, then by all means give it a gander. It is time well spent for not only those who enjoy naval movies, but good drama films as well.

The British have made war and historical movies with an unrivaled consistency of quality, and Sink the Bismarck is no exception. The details are meticulous, the casting first-rate (except for a hokey voice-impersonation of Churchill), and the battle sequences marked by accuracy and fine special effects.

This otherwise fine film is marred, however, by the false depiction of one of the major characters, Admiral Lutjens, commander of the Bismarck. In the film, he is stereotyped as the typical Nazi - a Hitler sycophant, careerist and wild-eyed fanatic. This was most certainly not the historical Lutjens, who was by no means a Nazi fanatic. Lutjens was a naval hero from World War I, who served out of duty and dedication, not Nazi conviction. (Lutjens protected Jews under his command, and members of his family were in trouble for their anti-Nazi views.) This is at complete odds with his depiction in Sink the Bismarck, which I find inexcusable, given that the above information was certainly available to the production. In fact, an accurate depiction of Lutjens would have, in my opinion, added interest to the plot.

Nevertheless, Sink the Bismarck is eminently watchable and a fine addition to any war movie collection, if you bear in mind the above caveat.

This is a little known war time epic movie that should rank with the likes of "Patton". The story is about the grudge match that's spawned from sinking of battleship Hood by the German battleship Bismark. A full blown search for the German battleship by the British navy takes place to hunt down and sink the Bismark. Acting is first class, and although the special effects have something to be desired by today's standard, movie none the less conveys the tension and excitement of what probably was the greatest and the final naval conflict between battleships. In recent years Bob Ballard and the Oceanographic Institute rediscovered the sunken remains of the battleship Bismark which confirmed the ferocity of the fire power that was exchanged in this naval warfare. This movie gets mentioned by movie producers of today when they sight their seminal influence it had on some of their plot lines, which attests to its production value. The sub plot which unfolds between Kenneth Moore and Dana Wynter is also written superbly. A good war time semi documentary that's worth seeing.