The Sinister Urge

The Sinister Urge (1960)

* 1/2 (out of 4)

Edward D. Wood, Jr.'s hard-hitting look at the smut business has Lt. Carson (Kenne Duncan) and Sgt. Stone (Duke Moore) trying to solve a couple murders where the victims had just taken part in the pornography world. They believe the victims can be traced to a certain woman (Jean Fontaine) but they need to find out who's actually doing the killing. THE SINISTER URGE is Wood's attempt to show how ugly and evil the porn business is so I guess it's kind of ironic that this would be his last directing job for ten years until he would start working in, you guessed it, the porn business. As you'd expect, this here is a pretty poor film that like most of Wood's stuff has an interesting idea but the story is all over the place and in the end it just makes no sense. It seems that Wood was wanting to do the story about a psycho turned on by porn and then mix in a detective tale and the two items just didn't mix very well. The film is certainly a tad bit sleazier than the normal 1960 production but this doesn't make up for the weak dialogue or bad performances. It's funny but the film really puts down those who take advantage of girls who come to Hollywood to become stars and the film also preaches that girls should just stay home. The first female victim has such a Southern accent that I'm guessing Wood found her as she stepped off the bus. Wood's regular outlaws (Duncan, Moore, Conrad Brooks) are all here and it's worth noting that this here was Duncan's last feature film. Fans of Wood's work will still want to check this out but it's certainly miles behind his classics.

Some people believe that Ed Wood knew exactly what he was doing: that he *intended* to make "bad" movies in order to make people laugh. There are plenty of good reasons not to buy into that theory, and THE SINISTER URGE is Exhibit A.

PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA, and BRIDE OF THE MONSTER are endearing in their goofy lunacy. This one, though just as bad as the rest of Wood's oeuvre, is mostly just plodding and dull.

Not that there isn't entertainment to be had here, at least for the bad movie connoisseur: my personal favorite is the obvious use of pre-existing (and completely unrelated) footage, shoehorned in on the waste-not want-not principle and "justified" through the use of atrocious dubbing and risible expository dialogue (which takes place *after* the inserted scene, making it even more ludicrous).

But that's not the sort of thing calculated to make a mainstream audience roar with laughter.

I can imagine someone trying to make a movie like PLAN 9. I can't imagine anyone trying to make a movie like this.

You know that when Mr. Wood made a film he did put all of his heart and soul in each one of the films (ok the ones I saw and the 50's films that most people see) The problem being is that he was completely incompetent as a director. You can't polish a turd and all of these films are turds. But he did try his best, in my opinion this is one of the best and funniest, with or without MST. A fairly static film, the only action happening with a fight scene. The rest of the film consist of all the actors explaining about the plot. Carl Anthony is the most static of this bunch. Kenne Duncan and Duke Moore, two of the laziest cops on the beat. Then the rest, Jaffe, Mr. Taxpayer, Dirk (a swell guy), Kline (KLINE!!!!!) and best of all: GLORIA. The scariest woman on the planet who's probably passed on by now of throat cancer, or squeezed to death by some of those outfits, likely from Mr. Woods own collection. Why this film is not on DVD like the rest of the Ed Wood collection I don't know. Somebody get out there and pester Wade Williams productions and get this on DVD too.

What a night. The stuff of which legends are made.

In 1995 in beautiful downtown Toronto, when Tim Burton's mighty biopic ED WOOD went into second-run, one of our rep cinemas had a never-to-be-forgotten quadruple bill of films by everyone's favourite cross-dressing auteur. JAIL BAIT, BRIDE OF THE MONSTER, NIGHT OF THE GHOULS preceded this, the final programme of the evening, and perhaps Ed Wood's final masterpiece (well, for his "legit" non-porn movies anyway). From the expected pimply nerdy geeks to one dignified old gentleman who said that they SHOULD have given Mr. Wood a star in front of Grauman's, this, the least seen of all of Wood's pictures from his "classical" period, was a real crowd pleaser.

THE SINISTER URGE is a must for anyone with even a passing interest in the films of this precious Gonzo genius, or, like myself, who have a strange attraction to works made by people who eke out an existence way way way in the back alleys of Tinseltown. This riotous "expose" is classic Edward D.: long scenes which don't go anywhere (including an extract from his uncompleted JD epic- HELLBORN), priceless dialogue which waxes profundity about everything and nothing, and a strange attempt at morality while also delivering whatever exploitation elements that unsuspecting people paid to see.

My favourite bits include:

1) the long scene where the two hardworking cops out to bust the porn ring must explain to an anonymous taxpayer who comes to the station, and tell him exactly why they are spending his hard-earned tax dollars on such a seemingly trivial matter; this scene wouldn't even pass the green light in a pre-production meeting for an educational film, however with typically Woodian panache, the taxpayer leaves afterwards shaking his head in amazement over the great public service these man are performing. Once again, within his ridiculous subplots, Wood slyly inserts bits where you realize how subversive his scenarios really are. The ever-critical writer-director is simultaneously praising and damning these intrepid cops for a seemingly superfluous service-- remember, only two years later the US government spent a huge wad of the taxpayers' money to decipher the lyrics to "Louie Louie" because the song was considered to be corrupting the minds of impressionable youngsters.

2) the director's cameo appearance; since one of the main subplots concerns some knife-wielding loony who attacks women in the park (apparently looking at semi-clad girls in magazines drove him to his social deviance), the two cops talk about sending an undercover male officer in drag to the park and foil the psychotic pervert (right here, the audience knowingly began to applaud), and in the next scene, there is Mr. Wood in a dress and mop wig trying to ferret out the guy in the park. A cameo appearance to save some money instead of hiring another bit player? In most likelihood, a good excuse for the eccentric auteur to insert his personal baggage-- a Brechtian cry for identity.

3) a bizarre climax, featuring a decapitated head in someone's bushes!

Man, they sure don't make them like this anymore. Seeing THE SINISTER URGE is like a breath of fresh air. As much as PLAN 9, GLEN OR GLENDA and BRIDE OF THE MONSTER are important works of this pioneering independent filmmaker, the stories about their creation, and their dialogue is cited so often that perhaps they no longer seem new. It is great to see this, and also JAIL BAIT, and appreciate the charms that even his under-hyped works have.

General, bland 50s fear mongering film. This was the first Ed Wood movie I ever saw and it was only because it was an episode of Mystery Science Theatre 300. The acting was wooden and forceful and the scenery looked as if it would collapse at any second. Plot concerns a syndicate of 'smut' makers and the polices crusade against it and the woman who runs the show. The bad guys get it in the end and there is a half hearted attempt is made in showing a link between crime and porn. Watch the MST3K version. It makes the movie actually worth watching.