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Las vírgenes de Roma

Título original: Le vergini di Roma
  • 1961
  • Not Rated
  • 1h 30min
PUNTUACIÓN EN IMDb
5,0/10
237
TU PUNTUACIÓN
Louis Jourdan and Sylvia Syms in Las vírgenes de Roma (1961)
A warrior chieftain dashes between his barbaric allies and a beleaguered city that's being defended by embattled women warriors.
Reproducir trailer2:06
1 vídeo
3 imágenes
AventurasDrama

Ante el millar de mujeres hermosas que hay en Roma, los hombres deben luchar por ellas.Ante el millar de mujeres hermosas que hay en Roma, los hombres deben luchar por ellas.Ante el millar de mujeres hermosas que hay en Roma, los hombres deben luchar por ellas.

  • Dirección
    • Carlo Ludovico Bragaglia
    • Vittorio Cottafavi
    • Peter O'Cord
  • Guión
    • Luigi Emmanuele
    • Léo Joannon
    • Gaetano Loffredo
  • Reparto principal
    • Louis Jourdan
    • Nicole Courcel
    • Sylvia Syms
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,0/10
    237
    TU PUNTUACIÓN
    • Dirección
      • Carlo Ludovico Bragaglia
      • Vittorio Cottafavi
      • Peter O'Cord
    • Guión
      • Luigi Emmanuele
      • Léo Joannon
      • Gaetano Loffredo
    • Reparto principal
      • Louis Jourdan
      • Nicole Courcel
      • Sylvia Syms
    • 12Reseñas de usuarios
    • 1Reseña de críticos
  • Ver la información de la producción en IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 2:06
    Official Trailer

    Imágenes2

    Ver cartel
    Ver cartel

    Reparto principal17

    Editar
    Louis Jourdan
    Louis Jourdan
    • Drusco
    Nicole Courcel
    Nicole Courcel
    • Lucilla - Porcenna's Wife
    Sylvia Syms
    Sylvia Syms
    • Clelia
    Paola Falchi
    • Aurelia
    Ettore Manni
    Ettore Manni
    • Horatio…
    Corrado Pani
    Corrado Pani
    • Muzio Scevola
    Carlo Giustini
    Carlo Giustini
    • Bruto
    María Luisa Rolando
    • Donna Romana
    Renaud Mary
    • Stravos
    Nicolas Vogel
    • Rasmal
    Jean Chevrier
    Jean Chevrier
    • Porcenna - Etruscan Leader
    Michel Piccoli
    Michel Piccoli
    • Console Publicola
    Jacques Dufilho
    Jacques Dufilho
      Bekim Fehmiu
      Bekim Fehmiu
      • Etruscan Soldier
      • (sin acreditar)
      Andrej Gardenin
      • Fencer
      • (sin acreditar)
      Predrag Milinkovic
      • Etruscan Soldier
      • (sin acreditar)
      Rastko Tadic
      • Etruscan Soldier
      • (sin acreditar)
      • Dirección
        • Carlo Ludovico Bragaglia
        • Vittorio Cottafavi
        • Peter O'Cord
      • Guión
        • Luigi Emmanuele
        • Léo Joannon
        • Gaetano Loffredo
      • Todo el reparto y equipo
      • Producción, taquilla y más en IMDbPro

      Reseñas de usuarios12

      5,0237
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      Reseñas destacadas

      3poly-nikes

      Too many cooks ...

      You know you might be in for a less than stellar time when a film has more than one screenwriter. There are exceptions, of course, but this one has at least four, and thus is no exception to the rule.

      My favorite part in this turkey is during the fight at the flimsy wooden bridge at the beginning of the film when one of the extras playing a barbarian puts his hands up to his face and you can clearly see a Band-Aid on his thumb. Once you see something like this, it's hard to take the rest of the film seriously.

      It's amazing when you think that Sylvia Syms played the female lead in the excellent Dirk Bogarde film, "Victim," in the same year she appeared in "Amazons of Rome."
      3dbborroughs

      Good Looking Dud

      Good looking spectacle with a cast of tens. You can see that actors are playing both sides in what amounts to a Euro-western set in the ancient world. Its Etruscans vs Romans with the woman taken hostage after they dressed as Roman soldiers after their side lost. The dialog is stupid and the romances wobble any hope of a decent story. Its the kind of film that almost seems good but isn't so seems much worse as a result. I've seen it twice by accident and I hope never to see it again.
      5Maciste_Brother

      Well mounted Peplum with one big problem: Louis Jourdan as a Barbarian

      I recently saw AMAZONS OF ROME on cable. The first thing that stood out was the look. The quality of the transfer was truly beautiful: pristine and sharp. The lighting, the background sky, the sets, the costumes, everything looked authentic and gorgeous. Credit should go to cinematographer Marc Fossard. It looked like it was filmed yesterday. Much better looking than 90% of Peplums made during that time, including the stilted and dull THE 300 SPARTANS. With that said, the story is lifeless. It lacks urgency. Is it a comedy or a drama? The whole thing looks like a bad sex comedy. Sorta like GIDGET GOES TO WAR. Or THE COLOSSUS & THE AMAZON QUEEN.

      But the film's biggest liability was casting Louis Jourdan as a Barbarian. What, Cary Grant wasn't available? I'm certain producers hired Jourdan in order to get financing for the film but it was a big mistake. He's simply too debonair to be a Barbarian. Sylvia Syms looks like Julie Andrews before Julie Andrews made her first movie. The best actor in the whole thing is Ettore Manni. Totally believable in anything he does, certainly in Sword & Sandal films. What a great, overlooked actor.

      It's a shame the production team for this film wasn't involved in a more action oriented or serious story. The looked of it all would have rocked even more if it hadn't been involved with such a lightweight story.
      7Bunuel1976

      AMAZONS OF ROME (Vittorio Cottafavi and Carlo Ludovico Bragaglia, 1961) ***

      Amazingly, this is the third "Amazon Women" film I've watched in a month but, unlike the others, this is a relatively serious undertaking and, in any case, the American title is misleading - but, then, probably so is the Italian one, which translates to "THE VIRGINS OF ROME"! When it was shown on late-night Italian TV, I had never heard of it but was willing to give it a try considering the talent involved (director Cottafavi and stars Louis Jourdan, Sylvia Syms and Michel Piccoli) - but also due to the fact that French director Bertrand Tavernier, apparently, considers this one of his favorite films!

      Distressingly, I came across very few reviews of the film and these were all-too-brief; besides, the only other two comments on the IMDb aren't very favorable! Despite the scratchy print with washed-out colors that was shown on TV, I'm glad I taped it because it turned out to be one of the most satisfying peplums I've ever watched and, consequently, the film ought to be much better known! Besides, it allowed me to understand a bit better Cottafavi's cult reputation (given the type of films he dabbled in!) - though, apparently, he was replaced after 3 weeks by Bragaglia because Cottafavi couldn't see eye to eye with star Jourdan (though the change in director didn't effect the film in any perceptible way).

      I had only watched four Cottafavi films prior to this: the modern-day melodrama NEL GORGO DEL PECCATO (1954) and the following peplums - GOLIATH AND THE DRAGON (1960), HERCULES AND THE CAPTIVE WOMEN (1961) and I CENTO CAVALIERI (1964; perhaps the director's best work and which I was lucky to watch, along with the hilariously awful GOLIATH, at the 2004 Venice Film Festival with lead Mark Damon in attendance!). Likewise, I had seen four by Bragaglia - three of them starring the popular Italian comic Toto' and, eons ago, HANNIBAL (1960) - another one of his peplums and which was co-directed by Edgar G. Ulmer!

      The casting of the two leads is surprising, but they certainly number among the most talented ever featured in this type of film: Jourdan is quite amusing as the leader of the barbarian horde who's seen constantly, and nonchalantly, munching on fruit - even when leading his men into battle!; the beautiful Syms adds grace and intelligence to the film - but, apart from Nicole Courcel (who is also pretty good as an unusually sympathetic villainess, sharing a secondary love interest with Piccoli!), is the only female character who is developed in any substantial way. The battle scenes - highlighted by a running duel between Jourdan and a one-eyed Roman general played by genre regular Ettore Manni - are nicely handled, though mainly relegated to the opening and closing moments of the film.
      5bkoganbing

      Passable Peplum about those early Roman days with the Etruscans

      I really love the crack another viewer made about casting the urbane Louis Jourdan as a barbarian warrior. Was not Cary Grant available? I could not possibly top that.

      Other than ludicrous casting Amazons Of Rome is a passably interesting peplum picture concerning those events in early Roman history when it was just trying to survive as a city against some very nasty Etruscans who rule the countryside. The legendary hero Horatio is played by Italian actor Ettore Manni who did more than a few of these kind of films.

      While Horatio is trying to regroup and retrain an army, the women of Rome take to the field led by the aristocratic Sylvia Sims. It's there that she meets Jourdan. If they can make peace, is it possible for the rest?

      The Etruscan leader is played by Julien Chevrier who would like a permanent peace, but has some folks who are looking for glory and conquest and as long as they get it doesn't matter how much blood is spilled.

      Poor Louis Jourdan, he looks like he is annoyed that a table at Maxim's isn't ready.

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      Argumento

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      • Curiosidades
        In history, Horatius Cocles was known for defending one of Rome's most famous bridges, the Pons Sublicus or Sublican bridge, spanning the river Tiber during the war between Rome and the Etruscans. He stood in front of the bridge alone and held it until the Romans could put it out of commission.
      • Pifias
        During the fight on the bridge near the beginning of the film, a barbarian fighter is slashed and grabs his face with his hands. You can clearly see a Band-Aid on his thumb.
      • Citas

        Horatio: [Giving his men encouragement at the bridge before being attacked] A Roman makes a good hero if he dies at the end of a battle, but if he gets killed in the first skirmish, he's a fool.

      • Conexiones
        Featured in 42nd Street Forever, Volume 2: The Deuce (2006)

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      Preguntas frecuentes

      • How long is Amazons of Rome?
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      Detalles

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      • Fecha de lanzamiento
        • 24 de marzo de 1961 (Italia)
      • Países de origen
        • Italia
        • Francia
        • Yugoslavia
      • Idioma
        • Italiano
      • Títulos en diferentes países
        • Las virgenes de Roma
      • Localizaciones del rodaje
        • Franstudio, Saint-Maurice, Val-de-Marne, Francia(Studio)
      • Empresas productoras
        • C.F.S. Kosutnjak
        • Cine-Italia Film
        • Cinecittà
      • Ver más compañías en los créditos en IMDbPro

      Especificaciones técnicas

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      • Duración
        1 hora 30 minutos
      • Relación de aspecto
        • 1.75 : 1

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